WHO: Nikos & Kostos WHAT: Two bros admitting they care, five feet apart because they're not fucking babies. WHEN: Sometime earlier in Bloomingtide. WHERE: Antiva. NOTES: Other stuff might get stuck in here too.
[ There's no time for relief to settle in before the irritation that follows, and that's for the best. He wouldn't know what to say, other than something stupid, maybe something that would be sharper than Support, which he accepts with a mouth twitch that hints at smugness, himself again, no longer staring at his hands. People can give him all the shit they want. He's the difference between formidability and invincibility, and he knows it, and everyone else can appreciate that or not. As long as it works. ]
After you.
[ He'll be right behind—less right behind than the wisps, their light dimmed to a faint glow, weaving behind Nikos like ethereal little kites when he moves over the garden wall and toward the house. They're last resorts. Three last resorts. First resort is a barrier of Kostos' own conjuring, as soon as one of guards notices they're about to die and one to cry out in alarm, and an injection of magic like a jolt of adrenaline, head-clearing and reaction-heightening.
He's not going to get Nikos killed.
But in the house, some of the windows that were dark begin to illuminate. More windows than he'd like. It might take work. ]
[This is what Nikos is good at. Moving, quickly; striking quicker. The distance between himself and the guards is closed, quick, illuminated from behind by the unearthly glow of Kostos' wisps.
When Kostos' magic lights up in his nerves and veins, he moves faster, smoother. It's a good feeling. The opposite of the ambient dull that normally suffuses his system. The guards are facing one another, chatting across the space that divides them--the further one sees Nikos first, calls out that warning--but it's too late, Nikos grabs the man high around the shoulders, crushes him close in a backwards embrace, and lays open his throat.
The man chokes, and there's no struggle. His knees turn to water, he goes down, and Nikos with him--crouched, grabbing for his second knife as the other guard starts a run at him, all foolish and headlong. The blade whips through the air, smooth, strikes him in the forehead, and then he's down, too, and the last sound is the gurgle of the dying man.
Nikos wipes his blade on the man's sleeve, and goes to fetch the other one. The wisps hover behind him, following along--two close, one at a distance, maybe waiting for its master. Kostos is there, coming on the scene. Nikos confirms that with a glance out of his periphery, clocking him and then moving on.
He does wait until his brother is near enough to compliment him--]
See why people keep you around.
[--in an undertone. He's not yet seen the lights in the house. He's busy crouching over the dead guard, his foot braced on the man's shoulder to give him leverage enough to yank free the knife from his head. It comes out with a sick slick sound, and he gets to wiping it down, too.]
[ He should return the compliment. It was good work, neat and quick, and would still have been good work without his help. But his attention is partly on the house, partly on the dark seep of blood from the cut throat of the man on the ground and the wet sound of the thrown knife’s extraction, and by the time he’s blinked the hollowness out of his eyes the moment has passed in silence and there’s no getting it back. ]
They’re coming down.
[ He’s too close to the house now to see the all of the second-floor windows, but one of the wisps isn’t, drifting up above their heads, so he knows. The fires from bedside lanterns and stoked fires have turned into fires in the hallway braziers, glowing dim and static, and someone inside calls a name from a distance that could stand to be longer. Gabriele. The cut throat or the punctured forehead?
Kostos draws two more wisps across the Veil and jerks his head toward the upper window. There’s no going up the stairs, now, and the best information they have says it’s up there, on display beneath a portrait. ]
But that's not reasonable. And Nikos isn't psychopathic. He enjoys his work for the cause; he enjoys swift justice, clearing the way for change. He doesn't get off on it. Or not exactly, anyways. It's complicated, and nothing he'd put into word, and also not any of Kostos' business, or any of his interest.
So. Nikos gives one last wipe of his knife against the dead guard's tunic and flips it around again, shoves it back to his belt. He's less assured when he looks to the window, but the tell of that uncertainty is a small thing, and probably nothing Kostos--over half their lives a stranger--could read besides.]
Can you make the window? [Neither a yes or a no. The voice from inside repeats the name again, Gabriele, demands a report. Not time to fuck around.] Either give me a boost or get up there and give me a hand up.
[ Maybe he could make it. In less dire circumstances he'd try it just to try to prove he could, then sit on the edge and be smug about it for a while if Nikos couldn't follow him. But he's moving beneath the ledge and window in question instead, linking his hands to provide a step up, shaking his head. ]
I can keep them down here.
[ Strong barriers. A stream of wisps, short the several he's planning to send after Nikos to watch his back. When he puts his mind to it, it takes a lot of work for anyone to be able to touch him at all—assuming there are no other mages, no Templars, no magebane—
[Nikos grunts, first. Fine. But he has to register, for the record--]
If this is you being some noble fucking martyr--
[Don't. Grumbled, it sounds more like a complaint than any concern. And it is a complaint. But he's being dramatic, and Kostos is actually being helpful so, fine, yes--he puts one foot in Kostos' cupped hands, gets his fingertips on the edge of the windowsill--
It takes effort. He's not exactly built, except in the area of his gut. The wall-scrabbling is ungainly but minimal--and he steps at one point on Kostos' head, which he chooses to take as a kind of insult instead of a clumsy mistake--and eventually he gets an arm over the windowsill, and then he can haul himself up, properly, brace feet against the side of the wall and vault over.
Clumsy. But out of Kostos' view, and like the professional he fucking is, he shrinks against the wall and holds very still once he's gotten himself to rights. His hand on his knife, his eyes playing about the room. The unearthly light of his brother's wisps light up the room as they rise over the windowsill. Nikos glares at them. It's an appreciative glare.
No one is in the room. He shoves himself to his feet and moves toward the nearest piece of furniture: a desk.]
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i cannot beLIEVE
After you.
[ He'll be right behind—less right behind than the wisps, their light dimmed to a faint glow, weaving behind Nikos like ethereal little kites when he moves over the garden wall and toward the house. They're last resorts. Three last resorts. First resort is a barrier of Kostos' own conjuring, as soon as one of guards notices they're about to die and one to cry out in alarm, and an injection of magic like a jolt of adrenaline, head-clearing and reaction-heightening.
He's not going to get Nikos killed.
But in the house, some of the windows that were dark begin to illuminate. More windows than he'd like. It might take work. ]
;) yw
When Kostos' magic lights up in his nerves and veins, he moves faster, smoother. It's a good feeling. The opposite of the ambient dull that normally suffuses his system. The guards are facing one another, chatting across the space that divides them--the further one sees Nikos first, calls out that warning--but it's too late, Nikos grabs the man high around the shoulders, crushes him close in a backwards embrace, and lays open his throat.
The man chokes, and there's no struggle. His knees turn to water, he goes down, and Nikos with him--crouched, grabbing for his second knife as the other guard starts a run at him, all foolish and headlong. The blade whips through the air, smooth, strikes him in the forehead, and then he's down, too, and the last sound is the gurgle of the dying man.
Nikos wipes his blade on the man's sleeve, and goes to fetch the other one. The wisps hover behind him, following along--two close, one at a distance, maybe waiting for its master. Kostos is there, coming on the scene. Nikos confirms that with a glance out of his periphery, clocking him and then moving on.
He does wait until his brother is near enough to compliment him--]
See why people keep you around.
[--in an undertone. He's not yet seen the lights in the house. He's busy crouching over the dead guard, his foot braced on the man's shoulder to give him leverage enough to yank free the knife from his head. It comes out with a sick slick sound, and he gets to wiping it down, too.]
Vnᴥ○V
They’re coming down.
[ He’s too close to the house now to see the all of the second-floor windows, but one of the wisps isn’t, drifting up above their heads, so he knows. The fires from bedside lanterns and stoked fires have turned into fires in the hallway braziers, glowing dim and static, and someone inside calls a name from a distance that could stand to be longer. Gabriele. The cut throat or the punctured forehead?
Kostos draws two more wisps across the Veil and jerks his head toward the upper window. There’s no going up the stairs, now, and the best information they have says it’s up there, on display beneath a portrait. ]
Can you make the window?
no subject
[So like, let them come down.
But that's not reasonable. And Nikos isn't psychopathic. He enjoys his work for the cause; he enjoys swift justice, clearing the way for change. He doesn't get off on it. Or not exactly, anyways. It's complicated, and nothing he'd put into word, and also not any of Kostos' business, or any of his interest.
So. Nikos gives one last wipe of his knife against the dead guard's tunic and flips it around again, shoves it back to his belt. He's less assured when he looks to the window, but the tell of that uncertainty is a small thing, and probably nothing Kostos--over half their lives a stranger--could read besides.]
Can you make the window? [Neither a yes or a no. The voice from inside repeats the name again, Gabriele, demands a report. Not time to fuck around.] Either give me a boost or get up there and give me a hand up.
no subject
I can keep them down here.
[ Strong barriers. A stream of wisps, short the several he's planning to send after Nikos to watch his back. When he puts his mind to it, it takes a lot of work for anyone to be able to touch him at all—assuming there are no other mages, no Templars, no magebane—
He's pretty sure it will be fine. ]
no subject
If this is you being some noble fucking martyr--
[Don't. Grumbled, it sounds more like a complaint than any concern. And it is a complaint. But he's being dramatic, and Kostos is actually being helpful so, fine, yes--he puts one foot in Kostos' cupped hands, gets his fingertips on the edge of the windowsill--
It takes effort. He's not exactly built, except in the area of his gut. The wall-scrabbling is ungainly but minimal--and he steps at one point on Kostos' head, which he chooses to take as a kind of insult instead of a clumsy mistake--and eventually he gets an arm over the windowsill, and then he can haul himself up, properly, brace feet against the side of the wall and vault over.
Clumsy. But out of Kostos' view, and like the professional he fucking is, he shrinks against the wall and holds very still once he's gotten himself to rights. His hand on his knife, his eyes playing about the room. The unearthly light of his brother's wisps light up the room as they rise over the windowsill. Nikos glares at them. It's an appreciative glare.
No one is in the room. He shoves himself to his feet and moves toward the nearest piece of furniture: a desk.]