Entry tags:
[OPEN]
WHO: Wysteria, Flint, & YOU
WHAT: Catch-all
WHEN: Fantasy!March
WHERE: Kirkwall/the Gallows
NOTES: Predominantly wrap-up/endcap threads for Wysteria and Flint before they ride off into the sunset. If you want something bespoke, feel free to wildcard me or reach out for a starter. Wysteria's impending departure is known, Flint's definitely isn't.
WHAT: Catch-all
WHEN: Fantasy!March
WHERE: Kirkwall/the Gallows
NOTES: Predominantly wrap-up/endcap threads for Wysteria and Flint before they ride off into the sunset. If you want something bespoke, feel free to wildcard me or reach out for a starter. Wysteria's impending departure is known, Flint's definitely isn't.


wysteria | ota
HAUNTED HIGHTOWN MANSION.
LOWTOWN MARKETS.
THE LIBRARY.
WILDCARD.
flint | ota
THE TRAINING YARD.
THE FERRY LANDING. (closed to whoever gets there first)
WILDCARD.
LIBRARY
He is late and just as Lia is starting to think maybe he would insult her by not presenting himself she hears a rustle in the corner of the library. She bounds forward to see--
"Wysteria!" She yelps and then her tone changes more impressed,
"Wysteria! What are you doing here?"
the ferry landing.
At this hour, she isn't expecting to see anyone else; the last ferry has been and gone, so it's most times a safe assumption anyone down here is moving towards her boat and not anywhere else, but she isn't expecting anyone. Isn't expecting him, and stops,
the abrupt cut off to her muttering making clear that she's seen him, in case he had it in mind to slip by.
“—what sort of time do you call this, then?” is an implied question wearing the clothes of a joke.
hightown.
which is why she is standing in the foyer of the haunted mansion, her gloved hands folded together, taking in the bustle of busywork that she has visibly no intention of partaking in.
“Madame de Fonce,” she says, warmly, catching her eye. “Wysteria. If I may— I would like to take you to lunch. Can you be spared?”
Probably someone is even now hoping Wysteria can be spared.
the rookery.
though they feel less so, at the top. Petrana takes a pause in the doorway from said stairs into the rookery, and thus can fully appreciate the scene that she finds there.
“You are endearing yourself no end to that bird, James,” she says, mild, by way of light greeting.
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"Oh! What a surprise! I didn't think anyone would be here at this hour." True. "How fine it is to see you, Miss Fromme." Lie.
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Wysteria, meanwhile, seems oblivious to this surge of optimism from those around her. She hesitates (much to the chagrin of those observing from the extremes of their peripheral vision). It's only after a moment of indecision that she finally seems to reach the conclusion that, yes, maybe she can set aside the length of curtain she is presently wrestling in favor of—
"That's very kind of you, Madame de Cedoux. I suppose I might be able to sneak away for an hour. Or two. But certainly no longer than that. We are rather short on time, you understand."
for ellis.
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It allows for a moment of reflection upon just how much they have, both of them, become a part of the tapestry of this place and these people. To the most casual glance, what should a stranger see?
“With regard to your being, presently, time poor, I did take the liberty of requesting ahead of time their usual afternoon tea.”
for barrow.
Surely this sort of request has a certain ominous ring to it—not because it sounds particularly serious, but rather due entirely to who is doing the asking. In fact, Wysteria sounds quite cheerful from where she has called out to him from the top step leading up from the courtyard to the Gallows' central tower. She is, evidently, meaning to delay him on the way to the ferry at least as long as is necessary for her to catch up to him.
She comes scuttling quickly down in his direction just a moment later, her small white dog bounding along at her heels.
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"What can I do for you, my lady?" he asks, turning with a smile to face her on her approach at the bottom of the stairs.
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The moonlight is half effective at best where it peers through the towers and across the heavy fortified wall of the Gallows. It paints them both in uneven shadows, and Flint at least suffers for it. He looks tired, as if he has been frowning for a number of hours or is presently failing to fend off a headache.
"One for spoiling desertions, evidently." If the captive squirming around in the bundle of her skirts is any indication.
They're both hilarious.
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So, with a modicum more labor:
"I've some suspicion they imagine they've been neglected."
(Stop nibbling at his earring, you fuck—)
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“Small Yngvi would sell us to the Venatori for a fish and a cuddle,” she concedes, “though I assume you're more expensive.”
She hesitates, teetering on not pressing him, then — as ever, reaching for the prospect of a useful task — settles on, “Do you need...? Tea or a remedy.” He looks sort of like shit, in an ordinary sort of way that maybe tea laced with pain relief could address, though he does also look as if he might become part of the furniture if he were to sit down long enough to drink it. Still.
Her gaze drifts over his shoulder, into the darkness where the boat had gone.
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It is strange, she thinks only after the carriage door has closed and they have begun to rattle off out of the courtyard and the grim stoop of the Hightown house's shadow has slipped from view of the window, to be in a carriage again. A friend's, rather (of a sort). Obviously they were carriages in Halamshiral, but it has been a dear many years riding about in dog carts and wagons pulled by mules, or scrambling up onto horse or griffin-back. What a novelty it is to actually relax backward into the seat—a thing that she couldn't have done even in Halamshiral!
Granted, the Kirkwall streets make it instantly apparent why one shouldn't do that (Wysteria's head thumping hard against the cushion after a particularly bumpy bump), but the sentiment is more or less the same.
"I have explained all of this to the Seneschal and to Provost Niehaus, but I expect at least a few of the rooms to be useful to Riftwatch before I make for Orzammar. I would like it to be used for some productive purpose rather than stand all shut up for however many months I'm away. This is," she says, the temper of her blathering altering in the direction of something marginally less compulsive. It bears restating: "Very kind of you."
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"Oh you? For me? Nothing, nothing at all. No, I actually meant to offer the very opposite thing. You will have heard that I'm traveling soon to Orzammar. Well I suppose that necessarily requires passing through Ferelden as well, which naturally led me to consider ever Fereldan in the company"—naturally—"And I thought I might offer to carry a letter or two for you if you have any you wish to send. Or things too heavy for the ravens, and so on."
She's so gracious.
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"Might take you up on that, in fact," he replies, pleasantly surprised, "ever been to Crestwood?"
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"But if I'm not mistaken, I believe it lies at the northern bank of Lake Calenhad, yes? I have been through the region once or twice, and imagine the detour would come very easily."
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"Right on the way to Orzammar, if you come down via the Storm Coast." He hitches in his step to avoid treading on a little white paw as the dog prances around his feet, sniffing at his boots. He looks down at it, letting the interaction happen-- it's bound to, with all the cats he has in his charge.
"...goes without saying, m'lady, but you'll be missed."
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"Mme. de Foncé," with a smile, whether she catches her on the stairs, in the workroom or someplace else relatively public. "Can I grab a couple minutes? I know you've got a lot to do before you head for Orzammar, so I'll try not to keep you."
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"Pleasure as always, Madame De Fonce. What brings you to the library at this hour? Surely, you are not unaccompanied?"
She glances around wondering where her suitor might be hiding.
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Nonetheless, she seems quite pleased by the prospect. How fine it will be to be missed! It warms something not entirely kind but certainly fond behind her ribs—the part of a person who likes it, just a little, when someone is sad to see you going. It's very slightly like a showing up to your own funeral, only this time there are lots of people crying.
(The little white dog, presumably, will find other exciting boots to huff in Orzammar.)
"You will have to promise to me that you will look after everything so everything is still in one piece when I return."
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Still, she is ready enough to out the pen down when Cosima appears. Her hand is starting to hurt, and it gives her the opportunity to shake some of the tension free from her knuckles.
"Certainly, Provost. Here, or elsewhere?"
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Rather than answer the question directly, she bends to gather the fallen book from off the library floor. This gives her a handful of seconds to consider the possible answers and which among them is most reasonable, to calm her nerves, and to be certain that her face is arranged in a picture of perfect believability. When she straightens, she's perfectly prepared.
"I needed a few books for a project in need of finishing. Tonight. I am working in it this evening," she lies.
Badly.
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"First, I just thought ... not an assignment, exactly, but while you're there if anything should come up." She pushes the portfolio over to Wysteria. "We've had some on and off contact with Orzammar, and there some Research loose ends in a variety of reports, especially regarding red lyrium. I know you'll have your hands full, but if you run across anyone we had contact with or anything... Well. I've copied you some notes, and if you hear anything and have a chance to send a raven, it could really help."
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nevertheless, it will not be so soon as she has been accustomed to taking for granted. Hearing her voice or quick step within the halls of the Gallows; listening on the crystal even to things she's not the slightest intention of weighing in upon publicly. Wysteria, in her office, pressing her case.
Perhaps they have not always agreed on its implications or consequences, but how lovely it has been to have someone who appreciates fully their position. Had she ever known Mademoiselle Bonaventura? It seems unconscionable to imagine that she might not have done, but that is not a line of inquiry she trusts herself entirely to pursue without becoming overwrought and so instead:
“It would have been unthinkable to allow you to depart otherwise. Besides, I rather think my requests for any dwarven language materials you might put your hands upon will be all the more compelling for being so delivered—”
is a joke, just lightly.
“Madame de Fonce,” after a moment, “you are a force. A most marvelous mind to which we inarguably owe a great deal. It is the very least that I might do, to offer you a small reprieve.”
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“It is terribly confident in your ability to right that wrong,” she says, in the same way, trying and failing not to smile. “Most bold. Is it this one in particular you've need of persuading?”
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"Because of course, the lighting is best in the evening to work on projects. And sleep deprivation is historically known to aid scientists and researchers, not hinder them."
She puts a gentle hand on Wysteria's shoulder.
"Please, Wysteria. We're friends. I shan't tell." Lia smiles widely. And it's true, she wouldn't. (Probably)
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"I doubt there will be time for forays into the Deep Roads"—maybe; if she is being reasonable. Ellis would very much disapprove—"But for questions and reporting back any rumors or findings, certainly."
we love office settings.
It's been enough time for everyone to get a fair night's sleep, and there are loose pages in front of Marcus, including half-written report on one of their problems. "I'd had the thought the rifter," and he means Tav, the current topic of conversation, "might only be as dangerous as an addled man with little in the way of killing ability or, even, magic. But he's taken to—"
What's a good word for 'fucking with people', asks the searching look steered past Flint's head.
"—manipulation," that's the one. "Trying to bait those guarding him, trying to collect sympathy. If everything he says is a lie, he's still a disturbance."
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"I assume Viktor and Jayce have already promised," been maneuvered into promising, maybe, "to keep you updated on developments here but if you like, I'm happy to include what I can in my replies. To the extent we're not like, worried about loose lips sinking ships and that sort of thing."
late, as always.
But Ruadh makes his delivery, and Ellis trails him back through the Gallows in search of Wysteria de Foncé nee Poppell. The circuitous route tracks back up the pathway, through the main hall, and out into the little side courtyard where Ellis has occupied quietly on more than one occasion.
Ruadh romps ahead, inclined to reclaim whatever space he had vacated. Ellis lifts the folded bit of paper, eyebrows raised as he crosses after him, angling towards the empty stretch of bench beside her.
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How good. She wasn't actually certain that was going to work. It's a relief to not have to engage more seriously in the effort of tracking the man down.
The book in her lap is snapped readily shut. It has been set aside entirely by the time Ellis reaches the bench.
"How effective you are, Ruadh!" she praises the mabari. "I will have to remember this for the next time."
Meanwhile, from a nearby planter, Tab surfaces with a sniffling and scuffing. His nose is dirty, as is his belly as he hops up onto the little retaining wall with his tail all a-wag. From the looks of it, he's been digging up the scraggly shrubs.
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Just what Barrow wanted to hear, right?
(Maybe don't miss her too much.)
"In fact I do wonder whether you might ask after him from time to time in my stead. The man is very committed to wasting away in the work rooms, and it would do him some good to have a conversation partner other than Mister Talis every so often."
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What, like it's hard to be an informant?
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Suffice to say, this is not how she imagined her afternoon.
"Be that as it may"—she could hardly argue otherwise; yes, she is at least a little clever, isn't she?—"I still thank you for the thought. It's kindly done. And also I can't stand to watch wallpaper being hung for another hour. It makes me entirely too nervous."
What if the pattern edges don't match? Terrible.
"Give it only a few weeks, and all will seem as if it's perfectly ordinary once more. I assure you."
(They have no way of knowing that Wysteria will board a packet ship for Ferelden and in the following week, the Gallows will come tumbling down. But that's neither here nor there.)
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Well.
Well.
She clears her throat. It's louder than she means it to be, and so the second time Wysteria does it, the sound is a soft whispered heh-hem. Her actual voice, following, a downright hiss:
"You must swear it. That you will say nothing. That you will repeat none of what you may see or hear here tonight."
Ominous.
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Lia comes in closer, lowering her voice.
"I swear on my life and our friendship I will not tell."
She wonders if that's enough, so throws something else in.
"Just as you will not mention to anyone that I may have been here to meet a gentleman. He isn't here." The bastard! Not only scandalous, but embarrassing!
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"I'll do that," he agrees after a pause, "seems like a decent bloke."
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Is a facetious guess, really. Maybe that's a task that might fall to Ellis, sooner or later, but it's unlikely to be the reason why Ruadh was dispatched.
Ellis settles alongside her, coat open, scarf hanging loose around his neck. Ruadh butts his head against Wysteria's knee, perhaps in search of more tangible expressions of praise.
The look Ellis turns to her is expectant. Patient. No further pressing questions follow after; Wysteria will make her point in due time, if given space for it.
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