A FOOL'S ERRAND | Closed.
WHO: Wren Coupe + Malcolm Reed, Ioane, Inessa Serra, Simon Ashlock, Cade Harriman, Anders + NPCs
WHAT: The Inquisition has word that a handful of Red Templars may have broken from Corypheus' control. A team has been sent to investigate, and decide upon a course of action.
WHEN: Forward-dated to the end of the month.
WHERE: The Free Marches
NOTES: OOC Post; Violence, body horror, language. Will edit if stuff comes up.
WHAT: The Inquisition has word that a handful of Red Templars may have broken from Corypheus' control. A team has been sent to investigate, and decide upon a course of action.
WHEN: Forward-dated to the end of the month.
WHERE: The Free Marches
NOTES: OOC Post; Violence, body horror, language. Will edit if stuff comes up.
confrontation; ser hayes
The home on the outskirts of the village shows signs of recent improvements; even as its garden wilts and chickens grow scrawny, the walls have been fortified, and there are some signs of excavation. The young man who drags water back lives alone with an elderly woman. His skin is rubbed raw in places — most about the hands and eyes —
Their neighbours: A cooper, his pregnant wife, and their several children. A small boy is warned back sharply when he runs up to chatter about monsters.
The dissonance of lyrium buzzes at the edge of perception, like the beginnings of rot in a tooth.
group thread; talking to the family
[[ Anyone is welcome to jump in, there is no thread order and we're conveniently handwaving anyone being left at camp unless they want to be. ]]
The cooper supplies their names: Magaidh and Kester Hayes.
They're suspicious, evasive — the young man angry, his mother nervous. They do their best to put themselves between the party and the door. It's a laughable obstacle, but they've all agreed: The Inquisition will talk its way in. For the moment, these are still civilians.
"You're frightening Ma,"
Kester growls, in the throaty tones of someone trying too hard to sound tough. He's puffed himself up to his full height, leaning unsubtly on an old, woodsman's axe.
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The job now being convincing these civilians to let them in without threat or busting down doors.
"Serah," he says calmly, with a vague air of concern and using the Marcher form of address, "we aren't here to frighten. Quite the opposite, in fact." His eyes narrow, not in suspicion but as if focusing on Kester more. "Are you quite well? You look as if you've taken ill. Here, we've a healer if that would help."
Sorry, Anders, but if they get put at ease, they might be able to get past without any violence.
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"Still willing to help," he pipes up. "You or your mother, or both, even. Two for the price of free, how does that sound?" Behind and slightly off to the side, Anders is more than willing to let other people take point. He's a mage. They have pointy things just in case. And dogs. His attack cat can't take down much larger than a snake yet.
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"Told you already I ain't sick. We don't need a —" Kester censors himself at the last moment, jaw grits with the strain. Anders will get a little more respect, here and now, with so many armed men at his back. It ends in a mutter: "— Don't need a damn healer."
His fingers shift uneasily on the haft of the axe. Behind him, Magaidh pipes up in a quavering voice,
"Maybe — maybe it wouldn't. Wouldn't hurt to see." Her eyes flicker briefly between the dogs, worry evident. "Outside."
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"Garahel, remain here. I'll call if we need you." Garahel grumbles, tense and worried, but he doesn't disobey.
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"We hardly want to give you trouble. Serah Magaidh, yes?" with a polite bow, just at the shoulders. "We're here to help, however we can. It's what the Inquisition does, despite whatever stories some might try to spread about us."
With all these people at their doorstep and whatever, whoever they're hiding, he doesn't think turning up the charm will hurt. He's the one that wanted to go about this a quieter, sneakier way, though, in case this doesn't go well.
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— An opening Wren uses to step into the space he's left behind. She plants herself in the doorway, arm thrust out to hold it back: a gesture which might be termed politely implacable.
Magaidh suppresses a squeak, Kester is less circumspect about his own muffled curse.
"A kind invitation," Distraction's still evident in her voice. "After you, Warden Serra?"
The inside of the home is spare as might be expected, though there are small signs of neglect. No fire's been lit in the hearth, despite the strange warmth of the room. The sense of something off is stronger here; most clearly near the straw mattress in the corner. The frame it's been roped to is low, enough to just shadow the floor beneath from view.
Wren won't move until everyone (dogs excluded) are inside. Presumably she's been considering an alternate career as a doorstop, and needs the experience.
"Garrett," A curt nod to Anders. "Perhaps he might sit,"
"Fine standing." Kester cuts in, voice hard. Wren shoots Malcolm a glance, jerks her chin briefly towards the bed. The closer anyone gets, the stronger the call will be.
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He feels as though he's being stretched by the contradicting feelings, pulled in diametrically opposite directions, as his nerves begin to itch with that incessant, atonal humming--
Too late, he catches Inessa's sidelong glance and realizes what she must mean by it. There's too little room to edge away from the mattress, though he does what he can, head turning to examine the low bed with all the focus he can muster. His hands clench into fists.
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"May I cast and see what's going on? No offense, but neither of you looks to be in good health, something I expressed to the gentleman here earlier."
Someone else can look at the bed. He's a healer of living beings, not inanimate objects.
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It's trapped by the closeness of the bed. You'd have to move the bed to drag anything open. The bed, and anyone upon it. For the inelegance of its craft, the lightness of the straw, it's still a heavy thing. The door is too, and guarded by discomfort beside; for mage or templar alike, to pull it up is like pressing one's hand to a wasp.
"Of, of course, Serah," Magaidh grips her son's arm, bony fingers clenching tight. His shoulder twitches in irritation, but it's clear he's not about to shove his mother off. "It's rough weather this time of year, I'm sure you know,"
She trails on in vague excuse. Magical investigation of the pair will confirm the suspicions that a glance has already given: Early-stage infection, and Kester with the brunt of it. Magaidh may yet be saved. Her son?
The prospects are more uncertain.
Wren holds her distance, blocks the exit. Willpower's fine, but it won't alter the facts: the others are better-equipped for diplomacy at present.
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The impulsiveness isn't typical for him. He wouldn't ordinarily be thinking of barging ahead and aggressively rearranging strangers' furniture without orders, their tenuous goodwill be damned. But at the moment, it seems like the only logical course of action. They want to stop that bone-jangling noise, don't they? Doesn't everyone? Who the hell cares what the Hayeses want? They shouldn't have been allowed to obstruct the investigation to begin with. Let the mage wrangle them, if they make trouble.
His rational instinct, thankfully, isn't quite so easily squashed. He tears his gaze away from the trapdoor's handle, echoes of it swimming in his vision, and attempts to catch a superior's eye. Come on. End this charade and let me expose them.
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But these are just people. Scared people. Probably helping family. He must respect that as far as he can, lest he make the Inquisition look like bullies. And he cannot abide by that.
Still, his expression is more stern. His voice still holds the kindness of before, but he less looks like he's here to pay a friendly visit. "Ser, Serah. You must understand how dangerous this is." No playing games. They know why the Inquisition is here, in their home. "And I know that this is painful. I'm honest about us being here to help. But you have to let us help you."
They don't have to let them do anything when they'll do as they please, but he wants to appeal to them. "For your sakes. For the sake of the town. And for the sake of whoever it is you're trying to protect."
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"Madam. Both of you have been dangerously exposed to a substance known as red lyrium." They have to know it, and know what it is, but he's going to act as if they're innocent despite the son's behavior thus far. It might help. "I know I can cure you, though it will take some time and will need to be done outside of town."
Outside of this house, more like, but where there's already at least a couple of red lyrium contaminations there are likely to be more.
"I don't know if I can cure you, Ser. But I can try, if you'll let me, and if you'll come outside. Your exposure is greater, and the more either of you are exposed, the worse it will get." His eyes focus on the young man. "For your mother's sake at the very least, so that I can certainly cure her, you both need to leave. You know you're ill. You know she's ill. Please work with me, and we can find a place just outside of town where I can do my job."
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group thread; talking to hayes
[[ Anyone is welcome to jump in, there is no thread order. Hayes may be recognizable to ex-Gallows residents, she's roughly of an age with Cade. Feel free to ping me and/or invent details as you'd like, there. ]]
The cellar door bangs open, and the creature opens its eyes.
Adamina Hayes might have been handsome, once. These days it’s difficult to tell. Gorged veins pulse across her features, those further obscured by small spines of crystal, like the points of a crown. There’s no armor, nothing down here that might be improvised as a weapon, but her limbs are heavy with crimson bulk — and the claws of her hands match marks torn deep into the earthen floor.
(The floor, scorched black and ruddy. Even at this distance, she radiates heat.)
"Please," When she speaks, the words waver, muddled and uncertain of their own shape. There's a second drone behind them, harsher: "Please don't."
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"Maker's breath...."
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Raze it. Burn it to the ground. Place down some runes.
But no. He can't do that. He doesn't even be as cautious as he cares to be given the circumstances, because he trusts that Wren hasn't told the entire Inquisition. So long as they both know--that is enough. Aleron, perhaps, and Cassandra, as his fellows. But no more. They would know to keep their mouths shut.
He marches down in, face a mask of stone (wonder truly if it's a mask at all), and he might show mercy when it's called for, but she is...less a civilian, now. "They are safely away," he tells the creature who is still Adamina Hayes, somewhere, but not quite. "We'll do what we can for them. It was foolish of them to hide you as they did." They owe her at least that much of an explanation, even if his words are smooth, clipped, professional.
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"Stay back," Wren grits, from behind Inessa — her own hand reaching down to clamp on the girl’s shoulder. (Harder than she intends.) None of them are well-equipped to handle this, but Reed’s in the least danger at present.
"Stay back," Hayes croaks in echo. "Stay back, stay back. It’s worse. For mages, it’s,"
The thought grinds out into blank noise, and she lunges up. The motion's sudden, and halts itself as quickly. Still pressed to the corner, Hayes' neck twists unnaturally to regard Malcolm.
"They wouldn’t listen," She pleads. "She wouldn't let me stay. She lied to them, and they wouldn't listen to me. Please don’t. Don’t hurt them. You said they're safe, you have to keep them safe,”
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And what control it is, fighting so hard against it. She's half caged wild animal, literally backed into a corner, her movements uncertain, unpredictable, unnatural. But he has to talk to her.
"Who wouldn't listen to you?" Who wouldn't let her stay? "Please, we need you to tell us where the others are. We know about them, know about you. That's how we came to be here. Whatever you can tell us. And we'll keep the family safe. You have my word."
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Repetition again.
"I’m unworthy?" A harsh laugh, or something that used to sound more like one. "I came back for her, I brought them. And now I’m,"
"I’m unworthy. What’s that word worth? Pretty as glass." Quiet again, "Kester never liked her."
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"She's mad," Hisses the woman who can't maintain a train of thought for the length of any more than a sentence. "As if she can control this. As if they hear her prophecy, they won't hear His,"
She punches the wall, hard. Boards splinter, earth sifts loose from the ceiling.
"She's, she's not. Not a. Never should've hid her. Never." Hayes lurches, "Please. Please don't leave. Not without killing that bitch —"
A lunge for the group.