Entry tags:
{ CLOSED } Ne me quitte pas
WHO: Christine Delacroix, Sam Gareth, Church
WHAT: Visiting Christine's mother to deliver some bad news
WHEN: backdated to early Kingsway
WHERE: Velun, Orlais
NOTES: The direct result of what she learned at the front in the civil war in Orlais.
WHAT: Visiting Christine's mother to deliver some bad news
WHEN: backdated to early Kingsway
WHERE: Velun, Orlais
NOTES: The direct result of what she learned at the front in the civil war in Orlais.

The trip to Velun on the western side of Lake Celestine doesn't take terribly long thanks to the Imperial Highway being their route almost the entire way. The town is full of tightly packed houses with the Chantry being the largest building, looming in the background. Unlike Val Royeaux or Halamshiral, Velun is a place full of poorer folk, as well as an emerging middle class of merchants who send their wares across the lake or via the Imperial Highway, and from there across the Empire. The sight of two mages walking freely has some people a bit nervous, but being a trading town, they have seen mages pass through since the fall of the Circles. Most keep their distance and leave the pair of mages alone.
Which suits Christine just fine, until she says she may not remember the way to her house as it has been so long, and she needs to ask for directions. She stays calm and polite, hands limp at her sides as she asks a fruit seller where she might find the Delacroix residence. To her relief, the man doesn't make a scene and simply tells her the way. After twists and turns through narrow pebble and grass paths, the group finally stops in front of a yellow house with cheery window boxes of flowers and hanging baskets of the same out front. And now Christine finds she can't move, until she reaches one hand out for Church's and her other for Sam's.
"Oh, Maker. How do I even begin? How do I tell her? 'Hello. I know it has been over fifteen years since you last saw me, but I am here to tell you Père has died.'?"

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Church will make a comment, to Sam, leaning toward him with a smirk. "Leave the bigger pieces to us men; no need for anyone to hurt themselves, right?"
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"You have to pack already?" Was she moving right away or was it simply wanting Christine to be around for a bit longer? "I guess we'll be in your care for this evening then." His eyes dart over to Church for a moment, brow raising a bit. It is obvious that he's a bit concerned about Church handling anything too heavy at the moment what with his shoulder, and himself still sporting some sore ribs from their fight. "Yeah. No need for anyone to hurt themselves," he repeats back.
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"Oh, yes! You must stay overnight. Titine, you can have your old room, and these two can take the other upstairs bedroom."
Christine frowns thoughtfully. "But is that not your bedroom?"
"Maker, no. Your father and I moved into a downstairs room years ago. Silly legs would not carry me up the stairs any longer."
It's understandable and sweet that her father shared the bedroom with her mother. Plenty of Orlesians of moderate means keep separate bedchambers so they don't end up killing each other. There is so much Christine wants to ask about her father, but it feels like they're racing against the clock now. At least she can start now and keep it up in letters.
"Well, I do not think you will be taking much of the furniture, will you?" She too worries about Sam and Church moving anything heavy after their fight against the Red Templars. "Will it not be clothes and smaller things only?"
Her mother pouts. "I suppose so. I will live in my brother's household and it is probably full enough. Your aunt collects the tackiest things." She sniffs in distaste.
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"We can use magic to move some things if we need," he points out off-handedly, rubbing the back of his neck as he contemplates how much work they will be doing.
"And how far does your brother live?" They might have to consider tagging along to make sure she gets there safely, which he is sure Christine will want.
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Christine has to resist laughing as she answers, "It is all right, Maman. We passed our Harrowings and can use magic responsibly. And no one outside the house will know."
"Well, in that case, I will need some trunks from the attic. Darcia can show you where. And the paintings in the dining room have to come with me. Those are portraits of my parents. And-- oh! Would you like a miniature of your father? It is in that cabinet over there." Madame Delacroix points to a cabinet tucked in the corner behind Sam's chair and Christine gets up from the sofa to head over to it.
"Yes; just open those doors. It is on the middle shelf on the left. Bring it here, darling."
For a woman who has only fuzzy memories of her father, this is a serious moment. The miniature portrait is oval and fits in the palm of her hand. Such a simple, small thing. And yet it means the world to her to see what her father actually looked like. She stares down at his image for a long moment before closing the cabinet doors and returning to her seat.
"I had this commissioned three years ago, but he looks the same here as the last time I saw him. Look at his handsome face." Suddenly Aimee's lower lip quivers and she raises her handkerchief to her nose. "Now show your friends your Père. I just need a moment."
Getting back up, she takes the portrait over to Church first, turning it towards him but not letting go. Her eyes are showing that tell tale sign that she's close to crying.
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He looks at the small painting with a frown, a handsome fellow enough, and despite looking like the spitting image of her mother, he can see bits of him in Christine as well. The picture's important, yeah, but what he cares about is Christine, and he doesn't even have to think about taking her free hand in his and squeezing, giving her a sympathetic look. This is why he came. For her.
And then he lets go so she can turn to Sam.
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When the portrait is turned towards him, Sam scoots a bit closer, bringing a hand up to steady the picture since it seemed that Christine was close to crying. "He is very handsome." It wasn't the same as the real thing, but at least there was something Christine could take home and remember him by.
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Dinner isn't much different, conversation-wise, but they get a brief respite while packing when she asks for greater detail on what Christine does within the Inquisition. Naturally Christine leaves out any of the dangerous bits. Eventually Madame Delacroix starts yawning and asks Darcia to take the gentlemen up to their room while she speaks to Christine about something. Darcia takes up a candlestick and leads the way up the stairs and down a narrow hall. It's a bit drafty upstairs, but the season hasn't turned cold just yet.
"Here we are. It has been a very eventful day. Very sad, as well. Tomorrow... will be busy." Darcia still isn't sure if she'll be allowed to attend to her mistress or if she'll be out of a job, but her mother always told her to keep her head high and never let herself appear pitiful, so she's going to do that. "Is there anything you two might need for bed? A glass of water? More pillows? Do you need me to light a fire?"
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"A good night to you both!" she says, dipping a curtsy at the door and leaving them be.
It's a good ten minutes before there's a soft knock on the door and it opens a fraction of the way.
"Everyone decent?" Christine jokes from the other side.
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When Christine knocks and makes her joke, Church takes that as his cue to continue the joke. He's not loud, but certainly enough for Chris to hear. "Oh," he 'moans', "oh Sam, you're a beast, oh my goooood~"
Sorry not sorry, Sammy.
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Course before he can say anything Church is- Church is- Dear Maker, Church, what are you doing? There is a faint blush on Sam's cheeks as he literally stares at the other man, quite perplexed for a moment. Up until 'you're a beast', to which he immediately turns into a dog and kindly knocks Church to the floor and sits on him.
Sorry not sorry, Church.
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Church's performance leaves Christine rolling her eyes, but the noise of something being knocked over has her opening the door in alarm before she starts laughing at the sight, clapping her hands together in delight.
"I see. Shall I leave you two alone, then?"
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Once Church starts making noise again and there's a finger being pointed, Sam turns his attention to the man under him. Well he supposed not everyone knew that he could transform - good thing he didn't turn into something bigger, yeah? At being called a werewolf, Sam tilts his head curiously.
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"You have not gone crazy. At least, not in the last minute or so. I cannot speak for before that time." She makes a shooing gesture at Sam to please remove himself from Church's person. "It is one of the abilities mages have if they study the discipline: shapeshifting into an animal."
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Now he's gotta look at Christine. "Can you be an animal, too? Just so we know. Just so if I find like, a squirrel or something, I don't shoo it away because it's really one of our mages. Or something. Weresquirrels."
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"Church, if you can keep it down a little bit?" he asks with a slight chuckle, taking a seat on the edge of the bed as well. "You think Christine would choose a squirrel for her first animal?" He's pretty sure Christine isn't a shapeshifter, but he's not confirming or denying that.
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Church sits up, awkwardly, brushing some dog hair off him. "Seriously, though, a shapeshifting knight."
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His attention then turns to Christine. "I didn't know you were learning to become a Knight Enchanter. Finally got swayed by those fancy swords?"
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"Swayed by the regenerating barrier, thank you very much. But I see you are all ready for bed. I only wish to stay a minute to thank you both for coming with me." She looks between the two and gives a grateful smile before she looks back at Sam and gives a sigh of suffering.
"And tell you my mother is giving me her dog. I will need your expertise. Knowing how to care for dogs must be in your blood."
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