Fade Rift Mods (
faderifting) wrote in
faderift2017-02-02 12:46 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
OPEN ↠ FALSE GODS, GREAT DEMONS (PART I)
WHO: Time Travelers & Future Kirkwall Residents
WHAT: Time travel, captures, escapes, explosions.
WHEN: ALTERNATE FUTURE, Early Cloudreach 9:48
WHERE: Kirkwall
NOTES:.This is the first plot log for False Gods, Great Demons, specifically for the time travel team and adjacent plot efforts. An open post for general Darkest Timeline adventures will be posted separately! A plotting post specifically for the escape from Kirkwall can be found here.
WHAT: Time travel, captures, escapes, explosions.
WHEN: ALTERNATE FUTURE, Early Cloudreach 9:48
WHERE: Kirkwall
NOTES:.This is the first plot log for False Gods, Great Demons, specifically for the time travel team and adjacent plot efforts. An open post for general Darkest Timeline adventures will be posted separately! A plotting post specifically for the escape from Kirkwall can be found here.

It's been over a year since the village of Haven was burned, ransacked, and buried beneath snow and ice--a year for the snow to melt and leave behind blackened, rotting wood for a new year's snow to fall over. The stone walls and Chantry stand, but the rest of the village is a jagged scar, and the path up the mountain to the Temple of Sacred Ashes still shows signs of the battle against the Breach: toppled carts, abandoned crates, a broken bridge.
Given the debris, obstacles, and lingering demon-infested tears in the Veil, it takes the better part of a day for even a well-armed team of trained fighters to make the trek from Haven to the Temple. Despite that, there's been a steady stream of pilgrims to Andraste's final resting place--and now the site of the Herald's death. More still wait on the road and outside the entrance to the Temple ruins, guarded now by Inquisition soldiers until the recent deaths within the walls have been investigated.
Save the wind and quiet crunch of bones being gnawed on, the Temple itself is silent. The molten-ash corpses that were once outside the walls, contorted from their final moments of agony, have been removed and given rites--but the icy dust beneath the band's boots is still partly bone and burned flesh, and patches of red lyrium still resist efforts at removal.
The bone-crunching comes from down the main staircase and around a corner. Five corpses are slumped around a campfire, dressed for warmer weather, preserved by the cold somewhat but withered and too decayed to have died within the week, let alone overnight while no one else was looking--and with one arm currently being chewed on by a bear while two others amble nearby.
Stopping them from eating the evidence is a good idea, probably. And perhaps as the effort to chase them away from the carrion gets underway, in the midst of the chaos and roaring, someone will notice one of the bandits splayed out across the icy stone floor. She's as withered as the rest of them, save one outstretched arm that's still fleshy-plump and pink where it falls outside some invisible line.
But if anyone does notice, it's too late. There's a flare of light that shifts quickly from rift-green to a blinding white, a white-noise roar and a gust of windy force that propels everyone forward to--
Exactly where they were, except a few yards to the left, and in the last two seconds the few stubborn scraps of red lyrium on the Temple walls have crawled and expanded to form whole walls of crystal. For a moment it's silent again, save the wind. The one of the bears--the only one carried along with the group--lets out a bewildered, irritable roar. Beyond the walls there's a shout, then another, then too many for it to be only the handful of Inquisition soldiers posted outside the Temple.
Seconds later, they're surrounded.
STEP ONE: Go Directly To Jail
hey party people
There are plenty of useful, practical things to ask. This probably isn't one of them.
It’s the first real thing she’s said in a few drugged days, and it’s in the barely restrained hiss of someone who is very, very angry and trying very, very hard not to yell. Pacing hurts, but pacing’s what she’s got — a narrow, ceaseless shuffle about the cell's perimeter.
Even if she has no idea what's going on, the cosmic irony of being penned into the Gallows isn’t exactly lost on her.
partying partying
"Yes."
Anyone able to actually see inside his cell will find that he's sprawled out on his bunk, or whatever passes for it, limbs wide and eyes (now with whites!) staring at the ceiling. Every once in a while, his cell neighbors have probably heard him hum or even sing slightly, though none of the words are particularly pleasant.
"It snores."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
a visitor.......
She seems intent on the back of the room, but brings herself to a hard stop after walking past a handful of the cells. Slowly, she looks up, turning to one cell in particular. Those nearby can see a reflective glow of purple eyes as she studies the occupant, before finally speaking out loud.
"...Is that a bear."
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
another visitor, party of one
She doesn't give the new additions much of a second glance but the bear does get a raised brow because holy shit. Her destination is further down the line though. It is the same trip she has been making for a year now, or however long it has been with book and other stuff for her friend. It's only when she is sat down in front of Inessa's cell does she lower her hood, reaching her hand in and sighing.
"Nessa..." She manages, voice barely what it used to be.
no subject
Her voice isn't quite as rusty as usual, thanks to the shock of the new arrivals, though still distorted. Every day she swears it sounds less like it should. "You picked an interesting time, Ciri. Teren's returned to us...and the others who disappeared with her." And a bear, for some reason. "It seems the last five years did not exist for them."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
15 years late w/starbucks
Of course, it could just be to throw off the guards. With Bull? Who can really say for certain.
STEP TWO: Do Not Pass Go
"That one," he said, to the Red Templar at his shoulder. His gaze tripped over the other prisoners. The shape of a qunari makes him pale. Then there's the bear. It's the bear he stares at for a solid several seconds, a swallow working its way down his throat, before he flips a hand at another jail cell, where Saoirse is located just to his left. "And that one. For questioning," he added, a little louder for the cheap seats, before turning with a flare of robe and disappearing back out the door. It's the smell, you know.
Teren and Saoirse are summarily dragged from their cells and put in a room.
No windows, and only one heavy door that, when the Magister opens it again, they can see is guarded on the outside, but he locks it within. The two women have their hands shackled and drawn up over there heads where the chain dangles from the ceiling. When Russo turns, he regards this set up with a hint of distaste, and then over at where a low table is laden with a whole manner of horrifying looking tools with sharp ends and seratted edges.
He stands in place, folding his arms.
"Are you Inquisition?"
no subject
I won't crack, her expression says. This ain't my first rodeo.
Once inside, she concedes easily to the manhandling, allowing herself to be secured and beginning to breathe deeply, preparing for an test of endurance in holding her silence.
However, she does briefly look over to Saoirse, a girl she hasn't met, but who looks... considerably younger, more fragile. If the girl looks back, Teren actually offers her a small smile, vague reassurance.
I'll take care of you.
When the first question comes, she doesn't answer, just looks boredly at Russo without showing any sign of stress whatsoever.
no subject
Much like Teren, Saoirse takes a needed deep breath into her lungs before her gaze shifts onto the other woman that she shares the space with and smiles reassuring in turn. She is both young and fragile but she has survived these years. Andraste's grace gave her strength and it has not left here even in these dark times they have literally fallen in.
Turn back to the man, she looks at him curiously with a tilt of her head but does not acknowledge the tools nearby.
"Proudly." She says simply as if it was the easiest answer in the world.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
STEP THREE: Steal $200 When The Banker Looks Away
no subject
She has spent the day since returning from the torture chamber working on a questionable arts and crafts project, one which has required tearing a scrap off her prison shift, biting a small wound in her finger, and dipping a hairpin in the blood to write a little message.
"Sirsha" is written on one side (she doesn't know how to spell Saoirse's damn name, thanks for nothing Gaelic) and "now" on the other. It took an unreasonably long time just to get the letters clear and dark enough, but it seems that if it doesn't happen now, it never will.
Putting the small scrap on her tongue to dampen it (Maker, the things she does for freedom), she becomes convinced it is sufficiently heavy, and wads it into a little ball. Positioning herself at the edge of her cell, she gently flicks it through, aiming for the cell containing Samouel.
Against all probability, it lands squarely in front of him. If he should look Teren's way, she widens her eyes a bit in the universal look of 'don't fuck this up'.
no subject
He almost misses the look on Teren's face, but she's pointedly looking at him so instead he locks eyes with her. Frowning he looks down at the cloth again before actually picking it up. Slowly he unwraps it and sees that there is writing. Sirsha? Least he thinks that's what it is since the letters are smudging just a bit from the moisture. Turning it over he sees 'now'. For a time he just looks at it before crumbling it back up. It's a message of some sort and the only person he can figure who has a 'S' in their name is Saoirse, who had been taken out of the cells with Teren earlier on.
Getting to his feet Sam looks around to check if no guards were around before sticking his arm out and giving an underhanded throw to the other side of the room. The throw is good enough to get the paper into Saoirse's cell, but whether she'll notice it, he's not sure.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Don't know if we're trying to keep to an order, but well...
SOMETIME LATER, ELSEWHERE
"Maker," Alistair says, once it feels safe to say anything, standing up from behind a stack of barrels. He looks around and winds up staring at the bear, who is still here. Put to sleep by a mage, maybe, and not causing any trouble, but Maker. "Who do we have in Kirkwall?" he asks the room in general, then zeroes in on Inessa's white hair. "Inessa—Ciri?"
no subject
"Ciri will be here. I have no doubt she's on her way already." And with an effective distraction to secure the escape of the rest. That part can go unsaid, though, not seeing a reason for the others to be aware of such until the time comes. It's better if they don't.
(no subject)
(no subject)
VARIOUS POINTS IN THE ESCAPE, waves hands | OTA
A. WHERE’S WALDO
"Here," She stoops up from the Venatori whose pockets she’s been rooting through to hand over a long, wicked-looking knife. Fucking Tevinter blood magic, and all that, but you can never have too many knives. "Think there’s any point to retracing our steps?"
B. FRIENDLY FIRE
There are benefits to blending in. She doesn’t pass long to her brothers, but the armor’s easy invisibility among the rest: mages and mundane soldiers and functionaries, all used to looking past their identical, grotesque ranks.
There are drawbacks, too. Chiefly, that it’s hard to tell who’s on your own damn side. Right now, she just looks like any other problem — one currently standing in your way.
C. CHITCHAT
"Do you have a moment?"
They all do. They’ve made it out, or at least to a rest point. Plans are in motion, preparations have been made. There’s nothing to do but to wait, and talk.
D. WILDCARD
[ have fun, hmu if you want a specific starter ❤ ]
C.
"Won't you step into my office?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
C
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
C is for Cosima?
bosima. a...osima….yea no let's go with c
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
So sorry for the lag
no worries! ❤
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
B
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Very Hand, Much Waving
He has no TARDIS to escape. There's nowhere to hide properly. And there are far too many humans (well, elves too, but they're close enough to human), sick, wounded, and otherwise in this place. And now that any immediate threat is over, he has time to think. Time to grieve. Dangerous things for the Doctor.
He moves far enough away from the group to give himself some semblance of privacy, but it's close enough that should something happen, he will be able to spring into action right away. He sits down with his back against a tree. His knees are bent and his arms are wrapped around his legs. Again, a little more sense of privacy. But his attention is over the little group. He's a silent sentential. Keeping watch over people who don't seem to want his help anyway.
He should have gone with Hermione and the others on the rescue mission...
He doesn't weep. Not really. Tears might glisten in his eyes, but this isn't the right place for the kind of emotion that he really needs to release. He misses his TARDIS, and River, and lord, even Nardole. He's really in a sorry state to admit that - even to himself. And he could really use some brandy. Or scotch, given his accent this body.
So, he remains there, huddled around himself, trying to control the emotion so that he makes not much noise. He closes his eyes and tries to escape to his Storm Room, which is, not so ironically the TARDIS. River isn't there, though he can smell her perfume permeate the place. In his imagination or not, he hopes it's not hallucinogenic or worse - he figures that even in his mind, she just might find a way to do that. And there's that twist of pain even as he tried to make light of memories of her.
To the outside world, the only see him huddled, seemingly resting against a tree, but some might have heard the tell-tale hiccup of strained emotion. Because sometimes it's when you're trying to be quiet that you make the most noise.
Re: Very Hand, Much Waving
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
EVEN LATER, DARKTOWN
Ciri has never liked visiting Darktown. She never liked the close press of people so sick and tired and barely living in this terrible city. Unfortunately the shadows made for good hiding places even for monsters like her, a step away from being another living statue or some reddened monster tearing away at everything to ignore the pain or the songs in her head.
The false calling had been a spa day compared to the marching band currently drumming in her brain. It makes concentrating on her work now, arranging and breaking open barrels of foul smelling liquid, harder than it should be. The coughing just slows her more as spits blood, bright red and sparkling with shards of red crystal, in the puddles at her feet.
Yes, she likes this state of Darktown more. Empty, barren and quiet expect for the odd murmur of those that had escaped still lingering around in the area. They had done a good job of getting people out of here, away from this scene and away from the year long plotting that had been Inessa and her own final fuck off to this shit world. It was the only thing that they had left to give now when the corruption was already so deeply part of them now.
Again, she spits and shakes her head. Clearing up her thoughts before turning, kicking over another barrel and sighing.
"Dammit," she hisses tiredly. It will be over soon, she tells herself. She'll be done with this farce of a life soon.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
A Most Stunning Redemption Arch
Last Chance
It's an interesting blip on her radar, but a blip is ultimately all it is. Life goes on, her job is still there, uncaring of what happens on the other side of Kirkwall to a bunch of prisoners. So she continues on, pouring through texts older than most countries, on the trail for this sanctuary of Fen'Harel that had been mentioned--always vague, always mysterious. But there have to be more clues.
She's entirely occupied with this search, when a bird unexpectedly drops out of nowhere, and onto her table.
There's a moment of surprise--jumping back, gasping, etc. But she realizes she knows this bird, and holds a hand out to Cade, stopping him from...whatever he might do. Birds aren't usually what he'd consider a threat, but this bird--well. It's hard to tell, sometimes.
"...Alan? Is that you?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
A Daring Rescue
"I'm here for the Seeker."
The guards ask her some basic questions, which she answers smoothly. After a moment of consultation with a sheft of papers, they nod, and one moves to Aleron's cell, unlocking the door. Beleth stands off to the side, and then stares icily at the guards and Cade, eyes narrowed.
"Well? Get him out, and hand him to my guard. I haven't got all day."
She's careful not to spend any time actually looking at Aleron. She's not sure she could keep her snide facade up if she did.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
The Judgement (TTT & Co)
The fact that Cade is here is the only comfort she has. The only person that she knows she can trust. Knowing that he must be just as worried as she is, Beleth gives him a glance, offering a thin smile. Everything will be okay, as long as she has him.
When they finally arrive, Beleth lingers outside as Wren and Aleron go through the door. Let the others see them first. Hopefully it will stop them from attacking her and Cade as soon as they step inside. Once they're alone, she whispers, voice shaking. "I'm scared." It's hard to admit, but there it is. "Stay by the door, if you can. Be prepared to leave quickly if things go sour."
With those instructions, Beleth closes her eyes, letting out a long breath. Then she opens her eyes, and transforms. Hands stilled, back straight, she looks every bit as superior as she had when she fetched Aleron. There's no trace of fear in her as she marches forward, and through the door.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
Old Friends and New Plans (Merrick)
She has so much she needs. Three years of work, packed up and ready to be carried across southern Thedas. Surely Cade can carry some of it, but she's not going to load him down like a pack mule.
For a moment, she eyes the map on the wall.
"I'm never going to get that to fit." Being a rebel was honestly the most inconvenient thing she had ever experienced.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)