minrathousian (
minrathousian) wrote in
faderift2017-11-02 11:07 am
[CLOSED] Smoke & Mirrors: Kirkwall
WHO: CLOSED to those who signed up.
WHAT: Inquisition personnel work to identify Venatori agents who have infiltrated the Inquisition in Kirkwall.
WHEN: Early November.
WHERE: Kirkwall
NOTES: Violence, murder.
WHAT: Inquisition personnel work to identify Venatori agents who have infiltrated the Inquisition in Kirkwall.
WHEN: Early November.
WHERE: Kirkwall
NOTES: Violence, murder.

In Kirkwall, the threat to the Inquisition is more covert: four Venatori agents have infiltrated the Inquisition's base of operations in the Free Marches, and have insinuated themselves well into the workings of the organization. Perhaps they have made befriended you, or established themselves as a quiet loner who prefers only to focus on their work, with little interest in socializing. Actionable intelligence suggests that they will take advantage of the Inquisition's reduced numbers in Kirkwall to attempt to seize valuable information. The trouble now is identifying just who the infiltrators are--and stopping them before they access vital information, or create further havoc.

no subject
He's never been good at improvising, he thinks, nor lying to anyone's face even in the service of subterfuge, but when push comes to shove, he can do it--and push is very much at shove right now. Swallowing hard to calm his nerves, he sheathes his sword again and steps out from around the corner, walking at as businesslike a pace as he can.
CW blood
"But--the usual procedure for moving the prisoners includes a templar escort, doesn't it? And I'd thought I knew all the templars stationed here in the Gallows--forgive me for not recognizing your voice, ser...?"
"Hendon," she responds instinctively, but her voice has gone flat, neutral. She recognizes the face of the Templar who steps into view; she's learned all of their faces. "And I'm not a Templar."
There's no easy way out; and orders are orders;
The movement is casual at first, but becomes swift and fluid; her hand slips casually to her belt--then, a knife unsheathed, she brings it up to Benedict's throat, makes to slash across the exposed flesh but just misses the desired artery, leaving a laceration that bleeds messily but doesn't send the desired gouts of blood spurting--venhedis.
She shoves the bloodied mage towards Myr and makes to bolt away from all of them, blind mage, bleeding victim, and Templar alike, and just grazes the edge of Myr's glyph in the process. It has the desired result.
no subject
He's thrust toward Myr and stumbles into him, dropping to his knees and fumbling to press the flat of his hand against the wound, panting with such terrified fervor that he may hyperventilate in addition to bleeding out. Periodically a whimper escapes Benedict, the sound of someone who very much does not want these to be his last moments yet suspects that they will be.
no subject
Myr's braced for an assault--though not expecting this one--and having an injured Vint shoved literally into his arms disorients him only briefly. He drops his staff and slides to the ground after Benedict, laying a hand on the larger man's shoulder (blood running over his fingers) and giving it a peremptory shove. "Lie down," he orders, "and get your hands on it--Ashlock!"
Too many things to think about to put into words what needs to be done; he jerks his head in the direction of the sprung glyph and the trapped infiltrator. Go get her, while he's digging through his satchel for wad of cloth and a lyrium potion. The former goes to the wound--"Get this over it and press down, come on, you can do this, you've got it, you'll pull through,"--as he works to guide Benedict's hands with his own to put proper pressure on the injury.
no subject
Were it not for the last remaining glyph, he couldn't have been completely sure of overtaking her. But she stops short without warning, and even his vague awareness of the glyph's presence doesn't keep him from nearly overbalancing as he halts with her.
"Drop the knife," he commands, unsheathing his sword again. What magic she might bring to bear, he isn't sure, and he waits with coiled muscles and pounding blood to silence her at a moment's notice--but she certainly hadn't needed magic to lay the prisoner out, and Simon's not about to risk a blade in the eye.
no subject
It drops to the ground, blade red with Benedict's blood.
no subject
no subject
Keeping one hand on the cloth--what he's learned of Benedict doesn't lead him to believe the younger man's much used to major trauma--Myr takes up the phial with the other, popping the cork and downing the contents in one practiced motion. (He hasn't practiced; adrenaline makes everything keener.)
Ordinarily he'd use a diagnostic spell first--but that's a waste of time with the burn of lyrium in his veins and the certain knowledge the wound's well beyond his meager ability to heal, and they haven't time to waste. Raw power will have to do where finesse and natural talent are lacking; there's little grace in the way he reaches into the Fade now, wrenching at creation's energies to force blood to clot and a scab to form. It isn't clean or elegant or complete--and itches like hell as damaged nerves reach for their severed ends--but it stops the bleeding. At least it stops the bleeding.
(Getting bits of cloth out of that pretty new scab can be a better healer's problem.)