Entry tags:
( closed ) I see the world through a filter
WHO: Cosima Niehaus, Sarah Manning, Sarah Manning’s migraine
WHAT: Cosima and Helena’s introduction in canon was a lot cuter than this
WHEN: mumbles vaguely
WHERE: a tavern, Lowtown
NOTES: Helena, so probably they’ll have to be added later eAe (Clone friends, if you’d prefer action over prose just reply with that and I’ll match format)
WHAT: Cosima and Helena’s introduction in canon was a lot cuter than this
WHEN: mumbles vaguely
WHERE: a tavern, Lowtown
NOTES: Helena, so probably they’ll have to be added later eAe (Clone friends, if you’d prefer action over prose just reply with that and I’ll match format)
Sarah has managed to herd her to… somewhere. They left the castle on a boat to go to the Kirkwall, moved through crowded streets all stacked up higgledy piggledy, people rushing through on paths that they stick to as stubbornly as little ants. Scurrying, on and on.
Now they sit in a bar. The room is dingy, though it doesn’t occur to Helena to describe it in such terms. It seems nice. Sarah chose it, she is sure it’s nice. She has been told to sit and to wait, and to not get into trouble. Sarah had been particularly eager to make sure she understood the last part, and she is not causing problem, but people are shooting her looks anyway. People often shoot her looks, cross streets, pretend they don’t see her.
She enjoys the reaction, and when a man stares at her for too long she slams her hands down on the tabletop and hisses at him, like a cat. He jumps, clears his throat and stares into his beer. Good.
She’s still grinning as she uses a piece of metal she has twisted into a point (where did she even get it?) to start etching into the surface of the table, a messy looking smiley face, or the beginnings of it.
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There's also a tray in front of her with a jug of something on it already, and the bar keep is holding two more jugs, and handing Helena was looks to be a glass jar of a dark brown liquid (vinegar, maybe) with some stuff floating in it. Hopefully onions.
Hopefully. She has got this, you guys.
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She casts a glance over to where Helena is paying for... whatever it is she's buying. "This isn't exactly like the way you two met back home. Sorry."
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"I got wine and mead and whiskey." A look between her sisters. "I did not know which you like." Or which I like, but she doesn't add that.
A small pot of mustard and another of sugar and, finally, she sets down the giant jar. There are onions in it, but there's also eggs, and maybe something else lurking in there. When she cracks it open, there is the sharp scent of vinegar, and she reaches in to pull out an egg and take a bite out of it, before nudging the jar towards Cosima.
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"So, Sarah, how do you remember Helena and I meeting? Or is that something it's easy to explain?" Given their lives, it might be too complex to easily sum up.
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"Uh, it was at Felix's. Alison was there too, and... you guys met an old friend of mine." How to describe Cal, she's not sure, and saying "Kira's dad" so casually seems strange, when neither Cosima or Helena remember meeting him yet. "It was fun. We had a dance party." At this she gives Cosima a wry smile.
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Helena has, in absence of her sisters accepting her generous good gift, dipped her hand back into the jar so she now has about five eggs before her. She shoves the rest of the first egg into her mouth, chewing open-mouthed, as she tears another in half and dunks it in the mustard, before picking up the sugar dish and shaking it over the mustard-slathered egg to leave it dusted with the sparkling crystals.
"Felix is... brother-sestra. Yes?" She has been trying to keep track. So many names, so many people.
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Cosima herself doesn't know him that well yet -- they've mostly interacted over video chat, so far -- but he gives off that vibe.
"...though it's hard to imagine Alison loosening up that much," she adds, thoughtful.
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"And yeah," she adds, to Helena. "My brother, our family."
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"What is Alison being like?" She is quieter, now, curious. They are laughing and smiling so easily. It is— it feels strange to be around, makes knots tangle in her gut.
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To Sarah: "So she and Donnie made it up then? That wasn't totally a sure thing, last I heard."
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She takes another drink, relaxing a bit more, and then turns to Helena, smiling. "She's kinda uptight, that's all. She's got two kids and she's really involved in suburbia. Like community theater and... coaching soccer... and shit like that." You know, suburban things. "But she's great. Really."
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On the down side, they gave Helena more time to eat. Three eggs disappear in the time they are speaking, and she gently reaches past Sarah to take the jug of whiskey and pour some into her mead, as her other hand reaches to pull an onion out of the jar of vinegar. Except, something registers in her mind, belatedly, and she stops with her hand still in the jar.
"She has children? Like Kira?" But was Kira not miracle? Impossible baby?
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(It seems a world away from Thedas, suddenly real when it had felt distant for months prior to her sisters' arrival.)
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Of course, thinking of Alison's kids makes her think of Kira, and her smile fades while she looks down at the table and drums her fingers against it. It's fine. It has to be fine. She and Kira would be in separate countries no matter what, right now.
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A crunch of the onion, and she tilts her head as she runs that through her head. She knew they could not have children. Maggie Chen had told Tomas.
"Because we are all abominations?"
That is why the Alison could not have babies the right way, like Sarah did. Without marrying probably less right and good, by the rules of the Church, but she could not find any fault with Kira, or with Sarah. And Sarah, she realises, is sad. She sets her onion down on the table, wipes her hand on her shirt, and gently pats Sarah's shoulder.
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She glances at Sarah. "It's possible I figured out more about it, back home, but science is kind of slow going here."
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Glancing to Helena, steals the whiskey back and says, "Whether we can have kids or not doesn't mean anything. It's all a bunch of random science shit."
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Offered uncertainly, but helpfully, to th and complete Sarah’s sentence based on her gesturing.
For the other matter she shrugs, watching as Sarah slides the whiskey away again, and takes a gulp of her mead cocktail. “Is what Tomas said.”
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"Some of us are sick," she says to Helena. "It makes us cough." Blood, but that's not necessary to explain why Sarah'd gestured to her chest. "And it means we can't have kids. I wonder if that was the point? I mean, it'd make a lot more sense; control the experiment by making sure we can't go spreading our copyrighted genes into the general population where they get harder to control. I can't think what the self-destruction would get them, not widespread like this."
She hasn't given Dyad this much thought in months, she realizes, startled. Corypheus might be trying to destroy the world, but at least it wasn't personal.
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"The disease was a mistake. The infertility wasn't. I don't get how they're connected, though. That's all your thing." A quick glance at Cosima—there's still so much she doesn't even know yet—and then to Helena, checking for her reaction to all of this.
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Changing women so they couldn't have babies. Self-destruction. She looks between Sarah, and Cosima, and her hands curl into fists, fingertips and chewed down nails scraping ineffectively cross the wooden surface. It is unnatural. Unnatural and cruel and wrong.
"They made babies and hurt them." Her nose and the corner of her mouth twitch very briefly. A sharp look to Sarah. "What about Kira?"
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It's three quarters a threat and one quarter an honest question. This is the hill she'll die on, no matter how many clues she gets to the contrary: nothing is wrong with Kira. Kira is completely normal. Kira will be safe.
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Her breath wavers for a moment, and one of her hands drops to her abdomen, as she looks down. Memories are hazy and dim, but she pushes down the thought of the Prolethean farm.
“Are we different?”
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