faderift | CLOSED | and in the faces you see

"Enchanter Kostos?" Evrion says, turning to him and gesturing to the spirit in the way of someone offering to broker an introduction; he hardly wants to take charge, not when he has a feeling his former mentor would have some Things To Say on the matter

The spirit drifts toward Kostos, angling its head like a curious dog.

"You do not have to call me that," Kostos says to Evrion, watching the spirit approach like a curious dog like someone who doesn't like dogs, which is not actually the case. Dogs are great. Dogs have never possessed anybody. To the spirit, he says, "We are looking for something—"

But he gets distracted. That's not his usual style. He's generally very good at not being distracted, outside of the Fade, when someone isn't making a ghost-tree covered in symbols and he isn't being stared at by a silent spirit summoned by a child with frankly unacceptably large eyes.

Distracted. Is the point. He points at the tree and looks back at Myrobalan.

"Is that you?"

"Is it?"

The spirit echoes, in a voice without tone or place (itself only the knowledge of words).

"Is it?" The flickering ghost of a hand toward Kostos, reaching for his face — it drifts away before ever touching, attention torn absent between the three. Its head tips aside and just keeps... tipping, past any human angle, until it's wholly on end. Fiery light rolls, licks up from the unnatural lilt of its neck and into a shifting form,

Solidifies: Becomes a sharp-eyed girl, who brushes hair past the points of her ears, in a manner that will be familiar to at least one of them (to all of them, for different faces). An apprentice, perhaps, passed by in the hall. Sat behind in some lecture. Found dead in a field. Remembered only in the peculiar, flashpoint way of these things.

She stoops to lift sand in her hands, lets it fall through her fingers and away on an invisible gust of heat,

"I haven’t met you before, why is that?"

Kostos' question isn't currently that interesting. Kostos isn't that interesting. Holding too much of himself back, with the greed of age. The old ones (hairier, more lines) are all selfish that way.

Edited (AND THEN I HAD TO EDIT FOR REAL) 2018-08-29 11:28 (UTC)

Caught out, Myr looks at the tree once more--a mistake; that solidifies it in soft-edged storybook layers--and breathes out a sigh that's all muddled up in annoyance and longing. "It's--"

He drops his answer as the spirit speaks and reaches for Kostos, fingers tightening on his staff; even if he's not staring at the thing he's damned aware of what it's doing. Anything weirder than the trick with the head... But no, it's finally settled on a shape with a face (Oraya, was it? Or Miri? The last he'd seen of any of the apprentices was before he'd started keeping names locked secure in his head), and that goes some long way to settle his instinctive prickling at the creature's presence.

"We've not been this way before," kindly enough, though not so inviting of engagement as he'd be with a real apprentice. Wary yet--she's still a spirit, even child-shaped.

To Kostos, then: "That's mine."

If only recognizing it banished it. Sand drifts around the roots, buries half-realized ideas of offerings piled among them: Candles, candies, flowers, bone.

Pleased by their visitor, Evrion stands with his hands clasped in front of him. He doesn't recognize the girl, but it's no matter; he's happy to accept spirits on their own terms, or in whatever forms they take.
"We haven't met you either," he points out, stepping forward, "what's your name?"

Kostos could guess. Could confirm. But she's an abyss—all spirits are, varied across a hundred different feelings and instincts but every one of them untempered and bottomless—and not one he can navigate. The draw of an idea.

Casimir would have probably liked her.

Kostos avoids looking at her, with her dead girl's face, which means looking at the tree, puzzling over the candles, the bones. (He'd never been to an alienage before the Inquisition, and he'd never asked what it is they honor, how it slots together with the Chantry, if it does.) But he's listening, too, if only so he can intervene if Evrion drifts off course.

"You have," To Myr, a bone picked delicately between thumb and index: The wing of something small. "You’ve looked for me. You don’t need to lie about it, I won't tell."

Wanting radiates from him even now. A glance up at that, furtive reassurance — a secret passed between brothers, or a Senior Enchanter's indulgence. Radius and humerus flex impossibly against the air; she casts the bone aside to flap into the breeze, and away. Watches its path, then licks a finger (makes a face), to ponder Evrion’s question:

"I don’t know if I have a name," It isn’t the answer of someone lost. She knows what she is. But a name’s a funny thing; a mortal thing. Those change. "Maybe I could. Will you help me find it?"

He seems the likeliest candidate, burning bright as melted candles in all this dark. A wisp drifts in passing; her eyes gleam with suppressed fire, draw it to her extended hand.

"We could both look. I could help you, too."

A deal.

The look he shoots her is sharp, startled in its recognition.

She isn't wrong: It is the path his heart treads when he dreams. But he'd made a rule of never looking off it at what the dream's denizens might offer--never treated consciously with anything larger than a wisp. That way lay seduction by the Maker's first children, promises of anything and everything (knowledge) to tempt even one of the Exalted.

He looks away and joins Kostos in silence. Many faithful mages treat safely with spirits, he reminds himself, tamping down the urge to hustle Evry away from this one. (Collusion follows speaking, then experimentation, then they find you out and make the fatal offer: Tranquility or death.)

Something reaches bony fleshless fingers around the tree from the far side, clutching, clasping, digits tapping closed one by one. Shapes bulk in the shadows. An empty eye socket peers out of the mass; a tooth flashes. "Stop," Myr breathes to the lot of it; he knows where this goes now, and why.

CLOSED | and in the faces you see

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