Entry tags:
Tall and tan and young and lovely | open
WHO: Luana Marcos and the good people of this world
WHAT: Open log for CR purposes
WHEN: Time is a construct and life a prison
WHERE: The Gallows and Kirkwall
NOTES: Save this child from herself.
WHAT: Open log for CR purposes
WHEN: Time is a construct and life a prison
WHERE: The Gallows and Kirkwall
NOTES: Save this child from herself.
Growing up in Rocinha does something to a girl; it makes her unable to trust things like hiring boats. Getting pushed around (to say the least) at least once a day by someone who is supposed to be your guardian probably doesn't help either, but if Luana were going to point out where did this shitty attitude come from, she would likely say it was growing up in the one of the biggest slums in Rio.
But after a few days of walking around the Gallows, she was getting stir crazy. Even in Minas, which was boring as hell, she had work to do. In theory she knows she can find work to do around here, but it's a new day and she's still not sure that she wants to. No one here has stepped up so far to prove that they were worth working for.
Getting to Kirkwall is, well. Not easy enough, but easier done than getting back. She spends the day sort of keeping a low profile, which is simple enough for someone used to places far more dangerous than this. She takes a few moments to check out the local dog life - always good to know what might be willing to chase her if she shifts - and the other things that a city might hold. She's doing that thing that people who know how to steal, borrow, lie, or sneak do, where she is clearly casing the joint, the joint, in this case, being the entire damned town.
Meeting her there is easy enough.
The not easy part is when she gets back to where she ditched the boat, and finds that there is no boat. No way back except maybe to swim, and she's not entirely sure she wants to do that; at least not yet. Meeting her at the docks is another thing entirely, because while in the city she looked casual, here she looks harried, annoyed, kicking rocks into the water.
What the actual hell.
[meet her in kirkwall or trying to get back to the gallows, either works for me! if you'd like anything specific don't hesitate to pm me. action brackets or prose both acceptable]

no subject
It's then that he spots her very obviously casing... the entire town, but at the moment, one of the market stalls.
"I wouldn't hazard it." Luca speaks up from the bench he's chilling on when she passes by, tilting his head to look towards her a moment, glancing over her while taking in smaller details. After a beat, he points back towards the stall in question.
"The dwarf clerk's kindly enough, but those are Carta goods." In case she's new enough that the statement alone doesn't make sense, he adds on: "They'll be after your kneecaps later."
no subject
Both of those things are more valuable to her than her kneecaps. But the point remains - she needs her kneecaps too. She slides against him on the bench, her leg curling around his ankle from the back. "What's Carta?"
no subject
Oh, gurl. Are you trying to play him right now? He’s done that song and dance himself enough to recognize it, but there’s a lot of fun in this. Thieves and spies can really be some of the most interesting people, he thinks.
“The Carta is the largest and most influential Dwarven crime ring. “ The mafia, basically, but mafia isn’t a word that exists in Thedas, sooo.
no subject
She shrugs. "I can do that," she finally decides. "I wouldn't really steal anyway," she adds, and she means it, for whatever it's worth.
no subject
Excuse me, Mr. Seeker, maybe you shouldn't be encouraging illegal activity? But, he's not the city guard, so what's it matter to him? Not his jurisdiction. Anyway, it doesn't seem like it was her goal after all.
"Oh? You'd been watching the stalls very closely." And not very subtly, hence his remarking on it. Which is maybe another form of him letting her know to be more careful. Then again, Luca, given his trade, does tend to catch onto these things faster than most.
no subject
She was a thief, once, but she's not a thief anymore. She was a lot of things, once, that she isn't anymore.
"I like to keep an eye for people who might be willing to help a girl out. You know. Food. Work." She nods a little in that direction. "But apparently not those guys."