Entry tags:
03 | CLOSED
WHO: Lakshmi & Alexandrie
WHAT: Fancy Material, pretty clothes.
WHEN: A Time.
WHERE: Lexie's place.
NOTES: Nothing as yet.
WHAT: Fancy Material, pretty clothes.
WHEN: A Time.
WHERE: Lexie's place.
NOTES: Nothing as yet.
She presents herself of a morning to Lady Alexandrie's residence looking - well presented to her last inch, but more than that. All of herself, all of her homeland, of the daughter of a devout Brahmin man, of a Maharashtrian woman. Her saree is tied fast to her hips and pleated perfectly to show off the heavy gold border, vibrant against the deep blue of her favourite colour. Her long, long hair was braided and pinned to the back of her head in a high bun, and ringed with soft white flowers. But it is certainly enough that she catches the eye of more than one person as she walks, and does walk. No grand entourage, and no concern either. Because though she might be wearing enough to feed a family for a year, the sword at her hip and the utter confidence is enough to deter anyone desperate enough to try. That, and, she supposed, her cropped choli top exposed the heavy scars on her back and sides, the rest hidden behind the drape of the saree over her front. Take, as a plainly stated as to say it herself, at your own risk.
She greets Alexandrie's doormen, bowing respectfully to them as she would anyone else, and waits to be received. Takes the meantime to fish out the garments she had made for the Lady to consider. Because this was a little more than simply sharing after all. She needed someone to champion her to the upper classes where no Rifter could ever get a foot in easily. The garments that she and Galadriel had worked out on would be one of a kind, that she was absolutely sure of. Laying the folded up fabric on top of each other, the tops and skirts tucked with each one. The colours were nothing less than vibrant and rich. Silk and cotton woven into all stunningly bright materials.
Strange still, no matter how long though, that no one here took their shoes off indoors. How odd now, as she waits, looking over the walls and ceiling. How things could be the same, how they could be utterly different.

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"I place myself in your most capable hands then, Bai Saheba," she says, "I confess I am most excited to be of aid. And not simply because it allows me an opportunity for one of my favourite pastimes. I think this has the potential for reward far larger than one woman's swanning," She pauses to take a drink, a smile tugging at the edge of her lips, "lovely as it may be.
"Perhaps if we are very successful, we shall be able to convince Kirkwall that it is not simply one of the preeminent ports of Thedas, it is the port of all worlds. What a feather that would be for its cap, no?"
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"It is my hope that Rifters as well can be seen as a blessing for our differences, for the new things that we may bring. Not just a weight on common men's pockets as extra mouths to feed." A sigh, she does not blame that resentment. It would irk many she knew, at home. "I would be proud that Kirkwall could boast of us in such a way."
She moves to place her glass down, gently on the table and - for all she is a royal. For all that there are a half dozen habits that betray that, there is a simple practical way to how she moves about. The familiarity with each gesture, and how she handles herself. Her hand flicking to move the pallu draped over her shoulder back up her arm. The way she minds each of her jewellery and their clanking and chimes. Moving to take the seven-yard saree first - and grabbing with both hands on one hem, she flicks out the material in a cascade of blue, gold and green colours that moved like water. Pooling and shimmering, her bangles clanging as she did in once and then twice. Taking a step out to let it stretch to its full length.
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For all that Alexandrie had chosen her signature colours years and years ago, that shimmering peacock color is entrancing and is frankly going to look absolutely amazing next to the bright copper of her hair. She hums happily at it, and then tilts her head with great interest. There are no seams in the cloth, nothing to pass ones arms through, nor tighten to make a waist. It is like an untouched bolt of fabric waiting to be made into a dress rather than clothing in and of itself.
"I am most intrigued to find out how that shall take form," she says, slipping the robe from her shoulders in preparation as unselfconsciously as a model might for an artist in a studio.
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For there is only this one long stretch of fabric that she suspends between her two hands and then gestures with it - "Your gown, my lady." And once she is free of it, Lakshmi moves to begin to intricate task of dressing someone in a saree. At the front, one end is tied to a middle point of the fabric, and tightly so. Enough that no matter how it was tugged, it would not come free. That almost too rough only a woman could be with another woman when it came to such things. The fabric pinched and pulled to hold secure.
Then she spools out an arm's length, drops it away clear, and starts back at the end closest to Alexandrie's body. The fabric reaching the floor to make up the skirt. Not the flowing sweep of an Orleasan skirt, stiffer from the heavy silk patterning. As it begins to take shape, it curves about the body. But for now, from that close point and between her fingers, Lakshmi begins to make pleat after pleat and pinches it tightly to make sure it doesn't move. Her eyes down on her work as she stands close to do it, fills the empty air with idle chatter. "For different drapes, there are different types of fabric, lengths, such things. But women have been wearing such things for centuries."
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She makes a note to inquire as to whether or not one of the young women working in the household might be taught, if she is to wear this in society at another juncture. Emile would surely have picked it up quickly.
(But Emile was gone.)
"These different drapes, are they for separate classes or occasions, or simply for the sake of variation in dress?"
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Ah, it was no time to be sick for home, but she supposed it inevitable as she moved through the motions she had abandoned so long ago.
"They often show where you come from, or they are for purposes. A drape from Lucknow is very different to the drape of Tamil Nadu. I am from Maharastra, and we are known to be very hard workers. So we often dress in drapes that allow us greater freedom of movement to show that we are workers. Others are very ornate, for special occasions, others better suited for tending the fields."
The pleats made, twelve all told, a little wider than her palm and she leans forward to tuck the mass of it at the waistline directly below Alexandrie's belly button. The effect becomes clear, and mimics how Lakshmi's own sits. Settles low on the hips, but held fast with the knot. Secures it as she rolls the material in and around itself.
Once it is done, she takes a step back. Admiring, briefly, looking over her work with a certain eye that knows the mistakes to expect. But nor is all that fabric yet used, and the excess, she begins to wind around Alexandrie. Her eyes keen as she goes, that way she knows what she is looking for and simply goes to straighten it. "In a woman's private quarters, they will not always feel a need for the top part. I have brought it for you, all the same, but it is the luxury when there are no men about in the heat."
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"Since you have brought it I should like to see the effect in any case," Alexandrie says, swishing her hips back and forth experimentally to see what sort of movement the stiffer fabric has, extending her arm to admire the dramatic draping fall of the fabric. A myriad of golden bangles on the other side would balance it nicely, something which Lakshmi and her people are obviously very aware of, given the immensity of the riches the queen is wont to wear. "Even if I am sure I shall find its current state more agreeable," she says as an afterthought.
"This would have been marvelous in Tevinter," observed casually as she waits for the top's appearance, "Did you go? How does the climate compare to that of your home?"
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Lakshmi moves to go and get the top, taking the moment to unlace the back so she could dress her in. "I did go," to kill a man. But none of that even remarks in her voice. "But not quite, not from what I could tell, as it is mostly desert in Jhansi. Perhaps it is closer to Calcutta. A city far to the east of my own, and a port city." She ventures that too, mildly, as she comes back, holding the short top in her hands as she strides up to dress Alexandrie in it. Prompting her to bring her arms up.
"How did you find Tevinter, my lady?" The bangles clatter as she moves. In fact more than that, they chime. As does each step she takes, seems she wears bells too.
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How had she found Tevinter.
"It was..." The good parts. There had been good parts. "...Minrathous was a beautiful city." Who knows, now. "All the buildings so old and proud, magic in the air as unremarked on as birds might be. The flowers were beautiful, especially the ones left to their own devices to wind and climb where they would." She wonders, then, about the fate of the flowering vine she had been painting in the slanting sun. Had the fire and bloodshed taken it as it had taken so much else, or did the leaves still wave in the breeze, the flowers bloom in the sun, the stem green and curling and entirely unconcerned with the brutality around it.
"I nearly destroyed something out of fear, but built it instead. There were good things that came back to Kirkwall." Alexandrie looks to the side, her face falling to light sorrow, "There were good things that did not." Emile. Frigga.
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"War always takes more than we ever thought to give, out of our lives, out of ourselves." Her hand drops, settling to her shoulder. "But where it falls, so we find something new, even in their memory."
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Let me pretend, it says. It is all that I have.
"A lesson I would gladly return the knowledge of."
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She squeezes her shoulder firmly but leaves it there. Because oh, how she knows that look. It has stared at her many times, mirror reflections that hide never so much as one could want.
Her hand drops, her head tilts, eyes sliding away from that gaze. Going back to straightening the pallu that hangs over her shoulder. Fixing the extra material to be neat and drape appropriately with the weight of itself to hold it in place. Smoothing it down and around her body with that deftness still.
It's when she's done that she steps away, letting her look again. "There, it brings out your eyes wonderfully I think."
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"It is lovely," she says, turning this way and that before the mirror to check the profile it creates. The years of tight-laced corsetry mean she still cuts a similar figure to what she might with a more forgiving bodice, and really ought to give viewers something to think on and imagine. What might she be wearing beneath such different clothing? "I think perhaps I have never seen colors so rich and bright, and I think all who comment upon it should be extremely surprised and curious to know it is but one piece of cunningly draped cloth. That alone may be enough to induce others in Hightown to patronize your budding business."