Galadriel (
laurenande) wrote in
faderift2018-09-21 11:24 pm
Simple Gifts [Closed] - Part 2
WHO: Galadriel, Thranduil, Solas, Myrobalan, Merrill, Kitty, Lakshmi, Teren, Marcoulf, Jang, Obi-Wan, and Anders
WHAT: A trip to a perfectly normal Chantry in the middle of nowhere.
WHEN: Current.
WHERE: The Island of Alamar, Ferelden.
NOTES: Current warnings, to be updated: Mild Gore
WHAT: A trip to a perfectly normal Chantry in the middle of nowhere.
WHEN: Current.
WHERE: The Island of Alamar, Ferelden.
NOTES: Current warnings, to be updated: Mild Gore
The Abbey on the White Cliff
Around noon on the fourth day, Brigette and the other sisters gather up the people of the Abbey. Everyone who can walk, who can stand, is urged to join them in the auditorium--the doors at the end of the main hall are thrown open and the people welcomed in. Today Reverend Mother Alvar will be enacting her final miracle and, in the grand tradition of this Abbey, the people are invited to behold and take joy in the sight of it. They are encouraged to be there for the end of the previous Reverend Mother's life, just as they are encouraged to welcome the new Reverend Mother, Luca, as she assumes her new position.
The auditorium is a wide, stepped chamber that drops downward into an open forum and stage. The roof is high and domed and was once constructed of the same grey stone as everything else on the island. It was caved in at some point, destroyed by a falling tree, but it has been patched over with wood and canvas. The extensive scaffolding speaks volumes of how much effort has gone into restoring this room, but all of it stands still and empty in preparation for the ceremony.
Above the center of the stage, in the very middle of the room, visible from all angles, there is a great green tear in the veil--a massive rift cleaves the room in two. It churns sluggishly, ebbing and twisting, muted under the weight of whatever pall hangs across this Abbey. Around the rift there is a golden arch--the wood is carved into flames and swords and papered over in hammered gold leaf. Behind the rift there is a triptych depicting scenes from the Chant and each is lovingly painted and framed in gold.
The room is filled with chaos, but not of the sort one would expect in the shadow of a rift. The people who meander in, the pilgrims who take up the seats near to the stage at the base of the steps, all of them are smiling, all of them are happy, some are weeping tears of joy or remorse, but all of them are entirely unsurprised by the rift's presence. They take no issue lingering near it. Praise is heaped upon the carpenters for their diligence in finishing the arch, songs are sung softly as everyone gathers, and eventually the room is prompted to recite from the Chant as Alvar comes to the center of the stage. She is frail and those who spoke with her earlier will see how she has aged--twenty years in a day, it seems--and she leans heavily on Luca until she moves apart to stand on her own.
Here lies the abyss, the well of all souls.
From these emerald waters doth life begin anew.
Come to me, child, and I shall embrace you.
In my arms lies Eternity.
When she speaks the Chant, for a moment, her voice sounds youthful again--no older than Luca's--but it is fleeting and before the end she is breathless and thin once more.
OOC:
Hey everyone, this is part 2! I will be posting an initial thread for this scene that will be a free for all, but feel free to start a thread beneath the Ceremony Header if you want. Below I will be reposting the updated areas and people links, same as the previous post.
New Top-levels are welcomed, as always, but if you have questions please hit me up.
This section will contain the rest of this plot, unless we skyrocket to too many tags for me to keep them straight.

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"All right?" she asks vaguely, trying not to probe.
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"No." He's not ever been good at lying but he is good at little social part-truths when he's got the will for it. Now is not one of those times. "You?"
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"No."
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And nothing in his power any more to do about it. He drops his hand.
"Not wounded?"
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"The cycle had to break."
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Though there’s something left lively enough to bubble up to an indrawn breath like a sob at her next; it’s true beyond refuting or disbelieving and hurts all the more for it. Myr masters himself in his next breath, shoving away that urge to scream or cry or dig fruitlessly at the rubble for hours more. “Not like this. If they’d only listened—if I’d been faster—“
If, if, if.
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After a moment, Teren's curiosity gets the better of her. Again, not unkindly, but also without any real consideration for painful emotions: "was it worth it?"
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Her question--or the wraith, though he doesn't look at it (doesn't need to, to follow it through the Fade by the trail of cold it leaves)--hauls him up short. "I don't know," he says at last, honest as ever. "Andraste forgive me, I don't."
He pauses a beat and finally remembers to look at her when he's talking, eyes flashing catlike in the gloom. "But I've got to act like it was or it's wasted."
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"You haven't got to act any sort of way," Teren replies gruffly, folding her arms, "don't know what answer I was hoping to hear, but I reckon not knowing is one of the better ones."
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But that's casuistry and he hasn't the heart for it. (Reasoned argument didn't keep these people safe. No one listened to him. No one believed and now--)
He breathes out in a sound that's not a laugh but might be kin to it. "How anyone could be certain either way after that," he says dully, "I don't know either. Maker, certainty's what got them killed."
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And pick another fight that would come to nothing in the end. "Right." Back to flat acknowledgment. "It's the ones they'd hurt along the way I worry most about."
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A small thing and said without much emotion that Myr can detect, but something about it strikes Myr exactly right. (Perhaps because he's always looking for an excuse to believe. See where that got you.) "Maker, let them not have cause to want that," he mutters, and sighs, and looks back toward where he'd been bound.
"I'll," he starts, stops. Considers and begins again: "Will find the Revered Mother. The bodies need to be burned." Because he suspects he can do that, with magic suddenly constant again, if nothing else. It's nonsensical and disconnected and not the most useful thing he could be doing but for the life of him he can't think of anything other than that.
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