Entry tags:
the first time I made mincemeat of the standard propositions establishing a so-called moral science
WHO: Byerly Rutyer and Wysteria Poppell
WHAT: She's stuck with him for 3 hours
WHEN: Whenever
WHERE: On the road
NOTES: He's a smutmonger??
WHAT: She's stuck with him for 3 hours
WHEN: Whenever
WHERE: On the road
NOTES: He's a smutmonger??
[ It's not a terrible trip from Kirkwall to Greencliff. Thirty miles along the coast, and a journey decently worth taking: Greencliff is a striking city, with a high copper content in the mineral cliffs giving them a curious greenish tint. Not particularly built-up, not a center of commerce or of war, but quite nice nevertheless. There are a multiple trips by commercial carriage out there per day. So, logically, the odds of running into someone you don't want to run into are relatively small.
Thank the Maker Wysteria isn't a betting woman, because it's clear enough her luck today is rotten.
Because not only does she end up in a carriage with Byerly, Byerly was running late. So that means that it's when she's well and truly settled, and when the wagon is but a few breaths from departing, that he scrambles in. The door closes behind him as he pants, clearly come off a sprint for it; the driver gives a cry; the horses lurch into motion; there's no time for her to escape.
Perhaps a stroke of good luck for the girl, though. By, for once, is so genuinely overcome with the aftereffects of drink that he doesn't even take the time to investigate his surroundings. Instead, he flops over the bench, and throws his arm across his eyes, and groans, all without ever having seen her. ]

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[ His smile is sardonic. There's a bite in his voice. He's not even looking at the cards. ]
You think a man drinks like I do because he's happy with the state of the world?
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I think I don't care even the slightest bit for why a man might drink as you do, Messere.
[She draws from the top of the thinning deck, thinking with all her might of the guide marks placed on that Angel card so she might summon them to her fingertips. The trouble is, of course, that over the course of so many hands and so much swapping and trading of cards, that the entire deck and both their hands are so marked up by the traces of her own magick that it's an easy thing to reach past the deck of drawing cards itself.
The card comes to hand. The one in Byerly's possession simply becomes-- different. As if it were never there at all.]
What a shame. It seems my luck's run out.
[Wysteria tosses the Angel face up in her lap. Her own hand, miserably awful and the certain loser, follows it.]
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No one ever does.
[ He tosses down his cards, then, displaying them to her. His is the winning hand. ]
It's a neat trick, Miss Poppell, and one that will get your throat cut if you use it so carelessly in true play. Perhaps it will get your throat cut now. It would be quite a simple thing to report your skills to certain interested parties, after all.
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[Now there is a lie that might, given any other circumstances at all, be convincing. It's been honed to perfection by all that simmering heat, made arch and elegant by her sudden well of purposeful reserve.]
But threatening young women is hardly the way to go about earning anyone's sympathy.
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[ The cards are taken up, gathered into a tight deck. He smiles as he shuffles, though the expression is icy-cold. ]
What makes you think I desire sympathy? You knew the truth of my character the moment we spoke. I am a villain of the first order. Surely you're not so addled that you've forgotten that.
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Of course. You'll have to forgive me; the dark in this carriage is terribly disorienting.
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[ His hard smile remains even as he continues to shuffle. ]
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I'm afraid you've asked quite a few questions and lost me entirely, Messere. You'll have to take pity on me and specify which one I'm meant to answer truthfully.
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[ Another shuffle. ]
My question is this. If your enemies come for you - and do not demur, Miss Poppell, for you have enemies, even if you don't yet know their faces - who do you think will watch your back?
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Is that really what you want to know? How frightened I am about being alone in a strange place with no friends or countrymen or common sense to my name.
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No. This question is not rhetorical. I could not possibly give less of a shit about your fear. I want you to list out every individual you anticipate would come to your aid at the cost of their own safety or lives.
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There isn't anyone. [She says it and knows it's true and wills it to be some weapon instead of a disappointment. Her smile persists.] But then you don't know Kalvad and have no way of knowing how ordinary a thing that is.
[Ralston would be so pleased to hear her say it. And to hear the callous, clinical examination that follows:]
But in an effort to make you happy, I'll say that in the short time I've been here that Lady de la Fontaine and her sister have been good friends to me. Failing being allowed to hide in one of dear Alexandrie's fabulous dressing cabinets, I think I might next try my luck with Mademoiselle Baudin or dear Baroness Durfort-Lacapalette.
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[ Then - ] The Baroness' concern is not in the protection of young ladies. She plays the Game, and as such, cannot be trusted, let alone relied upon. Mademoiselle Baudin is disgraced and unaccustomed to such a state of being - a reckless woman, unwilling to guard her mouth even if her own life depended upon it, seemingly assuming that her old privileges will defend her. And Lady de la Fontaine -
[ He surprises himself by faltering here, his eyes narrowing with pain. He turns his face away to hide it. ]
She is no more than a middling player in the grand scheme of things. She will not even have the power to protect herself from the consequences of the company she chooses, when the reckoning comes. Let alone you.
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[Kalvad matters. If it didn't, she might not recognize that flutter of hesitation in him and feel the inexplicable urge to strike at it.]
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If you believe that I'm delusional when I say that, then your cruel little Kalvad taught you nothing. If you get so flustered and hot when I call you a naive fool, dear child, then why do you continue playing the naive fool?
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Oh Mr Rutyer, you really musn't say such terrible things. [He wouldn't know it, but she is doing an excellent impression of her stupidest cousin.] Particularly when you should be dealing cards. Honestly, I will think that I've somehow offended you all over and how dreadful that would be for the reparation of our friendship. And here I was, thinking we'd made such progress.
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Miss Poppell, you are a viper. [ But that's not an insult; instead, he tells her: ] So be a damned viper.
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You've certainly made quick habit of telling me what to do, haven't you?
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Only because you make a habit of playing the helpless ninny. I'll stop when you do.
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Are you certain?
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[ He starts dealing again, doling out the requisite cards to her. ]
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Then I think I'd like to get back to my book.
[But first, Wysteria collects her hat from where it sits beside her. She hands that to him as well.] Best to put that on. Mind the ribbon, please; it's just been pressed.
[Without waiting for him to put its broad brim to good use, she yanks back the curtain.]
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Better. But still not sufficient.
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[She doesn't much care to look at him either; the drab light of the carraige's interior really had been doing the wan look he's suffering through quite the kindness, hadn't it? Instead she has her heavy book back in hand and is shifting closer to the window so the light might fall as fully on the page as possible. Now, where had that corner she'd dog-eared gone--]
It really is rather a good hat, Mr Rutyer. I recommend putting it to good use.
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[ He places her hat on top of her book, blocking her view. ]
I'm simply trying to help you.
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