Entry tags:
[OPEN] there is a light that i leave on
WHO: Wysteria, Marcoulf, Flint and OPEN
WHAT: Open post/catch-all/buries myself in top levels
WHEN: Harvestmere
WHERE: Kirkwall and misc
NOTES: Prose or brackets are a-okay. Feel free to hit me up on DM or discord if you want something specific that isn't here. Just posting a wildcard and winging it is awesome too.
WHAT: Open post/catch-all/buries myself in top levels
WHEN: Harvestmere
WHERE: Kirkwall and misc
NOTES: Prose or brackets are a-okay. Feel free to hit me up on DM or discord if you want something specific that isn't here. Just posting a wildcard and winging it is awesome too.

WYSTERIA
Herb Gardens [open]
But on rare occasions, Wysteria can actually be found sitting on the edge of one of the planters attempting to trim cuttings from the plants for the half dozen people who seem to require them. She's hemming and hawing over a stalk of elf root now, setting her sharp knife first against the stem of one of the leaves and then lower - anxiously consulting the open book on her lap to see where the proper spot to cut it actually is.]
please pretend I have icons for this, kthx
Her big ears - and they are big, no mistaking it - twitch when she hears someone hemming and hawing, and she lifts up from where she's hidden behind shrubbery. There's that girl. The white rich one. Wysteria.
She lifts her nose to pick up the scene of her. This isn't the Brazilian scrublands, with tall grasses that hide her ridiculously long legs. This is open space, so when she starts to creep up, she's tall and visible, but she's quiet right until she presses her nose against Wysteria's hand.
Hello.]
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Wysteria doesn't jump, though the nose in question is cold and her focus is well and truly shattered. Instead she pauses, knife lifting from the elf root stalk to avoid any accidental cut, and--]
Why hello there, darling. Where did you come from?
[What a weird looking dog.]
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She takes a moment and noses her hand again. Behind the ears, please.]
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Aren't you a pretty thing, hmm? What a shame it is that you're here in the Gallows instead of running about a nice field or farm house. Though I'm sure there are all kinds of good smells for your to smell, aren't there? And I'm certain a pretty face like that must charm all the ladies in the kitchens. Your master will have to mind you, won't they? Or else you'll be spoiled.
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She looks up at Wysteria, like. Yep. Hang out there, she'll be right here.]
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[Though Wysteria certainly doesn't do much to deter the behavior as it's happening. Instead she bends down as the dog flops to the ground, gives her belly a nice vigorous scratching and then finally caps it off with a sturdy thumping pat.]
Wouldn't it be nice if we could all be as careless as you? Unfortunately, some of us have work they've sworn to very nervous Seneschals that they'll accomplish at a reasonable hour. That said, I hear if you like a good ear scratch that the boy minding the ferry slip at this time of day has a great affection for animals.
[This said as she sits upright, returning her attention grudgingly to the book laid open in her lap.]
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No, that's not right. A moment later Luana is lying in the grass, in the ground, wearing a dress, her hair all over her arms. She looks relaxed as hell.]
That guy has some serious nerves. I hope you're getting him something to help with that.
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You!
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Surprise.
[And she stretches out just a little more.]
You're really sweet to dogs. I like that.
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But-- but you were-- [She stutters. And then throws aside the knife into the tangle of herbs and vines.] --But you were certainly a dog. Not just in appearance. I felt the fur under my hand.
[She stumbles back down from the planter, nearly tripping on her own skirts in her haste to sit down in the grass beside Luana. She very abruptly takes the girl's face in both hands - pinches her cheeks; tugs her hair. Like either might somehow tell her something.]
How did you do it?
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[She sits up a little so that this cheek pulling can happen with minimal fuss. Hello. She shakes her head - her mane of hair resettles after being tugged.]
I just do.
Do you want to see it again?
[There's that grin, pleased with herself.]
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Wysteria frowns at her, study intent as a needle through cloth.]
Please do. Slowly, if you can.
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It hurts this way. It takes a lot of concentration, but she manages, her spine going first, and then her legs, her hair blurring into fur, and her ears lifting, elongating. A moment later - thirty seconds - she's on her back, her long legs in the air, and then on her side, her tail thumping. She's breathing a little heavily.
And then she shifts back, and there she is. She looks-
-normal. Tired, maybe.]
Ay, Jesus.
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But it's quiet except for the dog's heavy breathing and the whump of her tail in the grass. And it stays that way partly at Wysteria's behest after Luana becomes herself again. The girl shaped version of herself anyway. For a long moment, Wysteria remains silent and keen.
Eventually--]
How fascinating. [She straightens, her hand falling away from her chin.] What are you drawing on to change? Who taught you this? What other magick can you do? --No, but really, what are you drawing on? It's not the Fade, like the magicians-- uh, mages do here, is it? It doesn't feel the same at all. Or rather, it doesn't feel like much of anything at all.
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Well, I'm immune to illusions.
I see through them, which makes shit look awful and ugly if they're done by a cuca.
[She shrugs.]
I just do it. Like lifting my eyebrows. Or I don't know. Raising my arm. Something like that.
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She's not quite nodding along, but it's clear from the rigidity of her attention that Wysteria is listening very, very carefully. It's as if attempting to absorb the secret of it like a sponge pulls in water. Because it should be impossible. There should be no way to just do magick. Not like that. And yet, that's exactly how it had seemed hadn't it? There are no threads of enchantment to pluck at in the air, no sensation of change or spellwork tinging at the small hairs on Wysteria's forearms. The girl and the not-dog simply seem to be.]
Two questions, then. [She reaches out blindly for the discarded book and flips it open to the back page. A pen is summarily plucked out from behind her ear as well-- which is odd. Was it tucked in her hair a moment ago? She clearly means to take notes in the margins of the book (with no apologies to any trouble Inquisition librarians).] First: what other shapes can you adopt? And you must tell me how you're changed. Do you see differently? Smell better? Do you recall all you see and do? And then the second: [scratching words down on paper--] What's a cuca?
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I may not be good at math, but that's more than one question.
[But she's happy to answer. Wysteria actually makes her laugh, as opposed to other people. She lays back in the dirt, stretches out again.]
I'm a lobo-guara. And only that. I don't change into anything else, but there are other shifters where I'm from. The boto up in the Amazon, they're pink dolphins. And I don't know. Other countries have different things. The English are ravens. The Americans have all kinds. Coyotes. Buffalo. Porcupine. Who knows what else.
[She closes her eyes to think.]
I smell things better and see movement faster. I'm still me. It's like if you-
[She thinks of how to say it.]
You put on a hat. And you have a hat on, and you know it's there, but also, you're still you.
[And finally.]
The cuca's a spirit. It eats babies and ruins crops and stuff. We stop them. That's what the shifters do.
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A spirit? Like the ones found here? Do they cross from some other... plane where you're from as well, or are they part of your world's nature, I suppose? Though that's not even really the case here, is it? But you know what I mean. Is there a Veil and Fade equivalent where you come from?
['It's still me,' she'd said, which yes. That much is undeniable from just the texture of the air about her, the distinct lack of enchantment lingering in her skin and hair and the grass about her. Wysteria pauses thoughtfully, pen rising from the page. A moment's thoughtful consideration, then--]
That dress looks well on you, by the way.
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Dining Hall [open]
Wysteria pales visibly.]
Oh. So sorry.
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Fine.
[It is, after all, mostly fine. The front of his robes are wet, yes, and will require laundering, and there is drink dumped over his bowl of thick gluey stew, but he does not mix work with food, so there were no important papers to be doused, or--
Wait. He realizes the words that he left out, that will soften a curt response to something more reassuring.]
It is fine, that is. Er--
[Shit. It's the talky one.]
It is. Truly. Your-- personal papers, are unharmed? [With slight emphasis on the personal. Please do not be at-risk Inquisition paperwork.]
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Oh please, you really must take this to dry with. [The upended cup has somehow righted itself on the table. Maybe she did it with her other hand.] I really am just terribly mortified, sir. Here, take my bowl as well. I can get a new one--
[The papers slip now from under her arm, pouring over moisture flecked tabletop. They're perhaps less personal than is ideal.]
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[All right, because it is, more or less, all right, and is Salvio held grudges for every cup that has ever been upended in his direction, he would die of stress, but he might actually die of stress now as he goes to take the cloth from her and watches, in horror, the papers slipping on to the table--]
No! No--
[The increase in stress puts a strain on his words, and Salvio stands up, suddenly, knocks his knees into the bottom of the table and crashes back down again onto the bench. Pain spikes in him, nothing at all compared to the pain in his heart as he watches the papers begin to darken with absorption.]
The papers, the papers, the-- they're-- save them--
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Oh-- Spirits-- Are you alright? Oh, hold these for me won't you? Thank you. [She's hastily stacking the very damp rescued papers together and stuffing them desperately into the hands of the poor flabbergast person to her right where they might better turn into a synonymous pulp. As she all but diving across the table to collect the documents which had scatter farthest:]
I will fix this. I promise they're not so very important. They won't be missed at all and I'm very certain I might repair them. It's all perfectly fine.