closed.
WHO: Caspar, Kostos, Lakshmi, Lexie, Marisol, Nell, Nikos, Petrana
WHAT: Coming into a Merchant Prince's house, on the day his daughter is to be married, and asking him and all his friends to quit with their stupid neutrality. Plus Truth or Dare.
WHEN: Mid-Harvestmere
WHERE: Antiva City
NOTES: Will update with CWs if needed.
WHAT: Coming into a Merchant Prince's house, on the day his daughter is to be married, and asking him and all his friends to quit with their stupid neutrality. Plus Truth or Dare.
WHEN: Mid-Harvestmere
WHERE: Antiva City
NOTES: Will update with CWs if needed.


no subject
The uninitiated might suppose she believes him. The familiar would know better, by the way her eyes crinkle with amusement.
"The secret to looking rich is to not feeling the need to be excessive." Across the room, Marisol dances with Archimede Santaniello, a man in his late sixties, whose hair was streaked with silver and fingers adorned with gold. Marisol was certainly a fan of the lavish, but Constanze had taught her that personality and gaudiness were different. For the most part, she thought Marisol did rather well at distinguishing, even if she could do with her daughter being a little flamboyant, at times.
The smile she gives Nikos is conspiratorial. "So really, you look rich as well."
no subject
Rich.
"Not," he tells her, in that flash of anger, "by choice. By order. And I am not at this event, by choice, when it displays and rewards and embraces the power structures and institutions that I hate." And there is Marisol, at the corner of his eye, too, looking beautiful and rich and happy on the arm of fucking Archimede Santaniello, who would probably die mid-fuck of a heart attack, so what good is he even to Marisol's stupid adherence to her duty both self-professed and imposed and reinforced by gaudy displays of wealth and waste just like this one.
Nikos grabs another cup of wine for himself from the next servant's tray. "And I don't want to dance."
Which is downright petulant, as well as partially untrue, but whatever.
no subject
Constanze takes a step forward, and corrects his collar. "If you are to fool anyone and undermine them, then you must move amongst them seamlessly. Give them no reason to believe you are not one of them, befriend them, learn about them, and then you can destroy them."
A little quirk of her brow. "And if you cannot destroy, it serves to have a hand where you can influence, while you build something better, and freer." #pirateforlife #yolohoho #freedom
no subject
"I prefer to move straight to destruction."
He's heard lines just like hers, before. Aunt Constanze's approach is more Caspar's, and at the thought of him, Nikos' attention jumps to the room around them, scanning the crowd for Caspar.
"If you burn a building down, you can build on the ashes. The earth is often improved by it: a controlled burn, to eradicate the withered and the dead and the dying, and build anew. Instead of inhabiting the corpse, and building inside it."
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"Then take a place within to lay down more fuel for the fire, and then depart." Constanze's head tilts, a gesture very similar to Marisol. "Are you too proud to see the merits in what I say?"
no subject
This is where Caspar would differ with her, a divergence toward the destruction that Nikos craves quicker. Convince them. Talk to them. Reason with them. And then, if it fails, destroy them. A boulder can be ground down by a steady drip of water, over the course of a hundred years. But if you wanted the boulder out of your fucking way, and you had access to a torrent of water that could eradicate the boulder, wouldn't you do it?
"We failed," he says, stiffly, "in Nevarra because we were fucking betrayed. Because our honest hope for true change was corrupted by human greed. Because Nevarra was not interested in revolution. And making nice speeches, and smiling, and simpering, would not have gotten our cause any farther."
So fuck you, he implies, but does not say outright--because she is his aunt, because she so resembles Marisol. Especially when she tips her head, just so, and gives him that look.