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OLD YOU IN THE GARBAGE, NEW YOU IN DISPLAY CASE
WHO: Byerly, Alexandrie, Petrana, Sidony...and Helena???
WHAT: Going to reconcile a married couple
WHEN: Prior to the battle
WHERE: Orlais, in Val Fermin
NOTES: This post is part of a player plot leading into the Battle of Ghislain
WHAT: Going to reconcile a married couple
WHEN: Prior to the battle
WHERE: Orlais, in Val Fermin
NOTES: This post is part of a player plot leading into the Battle of Ghislain
Two months ago, Comte Michel du Val Firmin found a new lady-love. It's a familiar sort of story, one that hardly even raises an eyebrow in Orlais - the Comte and Comtesse have their lives taken over by duties; their relationships cools, their love is forgotten; one or the other or both meet someone a touch more comely, a touch more exciting. For the Comte, that someone was a lively peasant woman named Eloise, an educated literate young lady with curly hair and strong opinions.
Truly, this wouldn't be grounds for any attention at all...save for the fact that Eloise has strong opinions about world politics, and a strong willingness to voice them to the people around her. Including the Comte. Who listens to her. And so now, on the eve of a major battle, he's debating withdrawing his troops, suddenly (under her influence) troubled by the questionable morality of sending common people off to die.
Byerly Rutyer got word of this looming disaster through a dear friend of his*. And so he recruited a few diplomats, friends, and complete oddballs to help him sabotage this turn of events...by ensuring that the Comte's heart is taken away from Eloise and is instead returned to the Comtesse.
*Monarchies tend not to like nobles - even nobles of other countries - turning all democratic. The peasants tend to get ideas. So this info got slipped courtesy of a few attentive folks down south.
open; the de la fontaine estate
She wanders the mansion she grew up in, its grounds, in a dreamlike state. Here the tree she had leapt from in an attempt to break her own ankle once Evie had broken hers; here the molding on the wall she had measured her height against when she still grew. Here where she had written letters containing all of her young and foolish heart, here where she had learned to sing, to play the piano forte. Here where she had wept, had learned to lie. It hadn't been so long, but it felt like forever all the same. Felt like a gulf that could no longer be bridged, the other side only viewable from afar, never tread again.
Then there were the gardens. How many hours had she spent within their paths? And how many with him?
It's still there, the old oak with its sturdy branches, with the swing she'd clapped delightedly for the hanging of. The numerous tosses of its ropes over the branch it hangs from, most of them for her amusement. Sitting there now, her hands finding purchase on those ropes amidst the climbing rose vines that twine around them, their petals dropped for the coming of winter, she can feel the tingle of hands on her back, often more gentle than she could allow herself to think on.
She will sit for a while there, eminently findable. And then she'll kick off with more energy, a kind of determination to leave the ground behind. To finally touch her feet to the leaves, or to the sky, her skirts fluttering with the movement.
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Helena moves slowly, near silent, until she is hanging upside down from the branch, knees hooks around it as her hands and hair hang down, and she looks at Alexandrie.
"You are looking lonely."
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"Bonjour, cherie!" she exclaims instead, wiping away whatever it was that had made her self-indulgent melancholy so obvious on her face. "A fine climbing tree, is it not?"
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"Is good tree. Rotting branches have been cut away, I think." Curling upwards, she knocks on the bough, and slowly lowers herself down again. Wiry, this one. "Sometimes the dead parts need to be cut away."
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"In winter, how can one tell which are dead? What if the branch is simply... waiting, and to cut it would injure the tree?"
This is a foolish question, and a foolish place to ask it, but even so she looks at the other woman with the guarded mix of hope and sorrow with which one views a soothsayer after asking a question they can already feel the answer to. Tell me something else.
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Helena grins, then, looking at the Alexandrie girl. "Trees can't scream. If it is injured," oh well, she suggests, a little tilt of her head. "But you can wait until dead branch falls on someone's head. They might scream. Cannot grow new head like tree grows new branches."
Sometimes it is interesting to challenge and to shock, to try and understand and categorise the reactions she gets.
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"Mais non! We cannot. It is for the best, I think. How horrible it would be, to be wandering about with a very small head as it grows back."
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"I think," she says, letting herself swing to a natural stop, "I shall go and see if I can find a certain place in the woods. Would you like to join me?"
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"What is the place?" She unhooks her bow from her back - why not use the opportunity to hunt, after all.
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She eyes the bow in Helena's hands, wondering briefly whether or not Felix—their gamesman—would be cross if she allowed the other woman to hunt their land without letting him know, but ultimately deciding that she could sweet-talk him later as she always had. Her smile twitches. Perhaps he would be cross if she did not immediately take liberties upon her return. He had always enjoyed pretending to be in an official huff with her.
"No does or young bucks, cherie, if you please," she says with a nod before turning to take the path that will lead them into the wilder parts of the estate.
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"Should I ask yous before any shooting?"
Something in her tone is deeply uncooperative. Why so fussy, this noble lady? Just because she can being, Helena suspects.
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Maybe she is being just a shade judgey. "Have you ever needed to hunt to eat, before? Needing to, not for sports."
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"But that is not what you do now. There is food enough at the château; if you take a deer now, you do so for the sport of it alone."
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"No," Helena says, head hanging slightly to the side. "Relying on others for giving food, no. They can take away as easy as they give. This is... preparation."
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She pauses, and then raises an eyebrow to qualify all this.
"By the laws of this country, if not the greater laws of nature."
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"This only matters if you are catching me," she says, her smiles mischievous. After all, she has done many murders, and is not being arrested yet. Law frowns upon murder, also.
No need to say that. "I do not think you would know if poachers took a deer. Even now, if you were noticing it would be only because we are having this talking."
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Then, as the path nears the treeline and becomes unpaved trail, "And rather ill-mannered in disregard of the very small favor I have asked in return for the run of the land. Simply care for it as we do, that it might continue to be bountiful, and you are welcome to its fruit."
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But here he is, leering, like a demon or a ghost of the past - or, no, that's too grandiose. Like a mouth-breathing pervert out to get a glance at a girl's knickers. So he decides, after a moment, that he simply can't go on like this utter monster. And so he shucks his coat and shirt and charges right past her, diving into the ice-cold pond spread before the swing.
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"Sortez de là, Byerly!" She demands loudly as she hops down from the swing, her lips pressing together against the laughter that would only encourage him. "Pensez-tu que tu êtes une carpe?"
Already, she is wondering if Mathilde might re-fit a pair of Matthias's trousers for him.
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"Lexie, my dear, how fine the water is!" he calls. "Come and join me?"
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Which he knows quite well because...
She hadn't actually thought about that before saying it, but she is now. Damn. Rather quickly, then, "and if you do not come out immediately you shall catch a chill, and perish from it, and I shall not mourn you in the slightest!"