Lady Alexandrie d'Asgard (
coquettish_trees) wrote in
faderift2018-12-22 12:19 am
open | well i've lost it all
WHO: Lexie and the brave people who feel like maybe getting things thrown at them/being yelled at/cried on/some other flavor of ridiculousness.
WHAT: Breakup Drama ♫
WHEN: nowish (end of Haring)
WHERE: De La Fontaine apartments in Hightown
NOTES: if you're a melodramatic noblewoman with a sudden case of regency constitution clap your hands
[ if you want a certain flavor of ridiculousness, put it in your title or hmu on plurk (@shaestorms) or discord (shae#7274) ♥ ]
It has been three days since she returned to the apartments the Comte keeps for her and her sister in the middle of the night, and Alexandrie de la Fontaine has not emerged from her room. In fact, Alexandrie de la Fontaine has not emerged from her bed. The only mark of her continued residence is the persistent heartbroken sobbing from behind the door. It is largely quiet, muffled, a background sound to be filtered out like the ocean waves. It does on occasion become more energetic as some thought—new or revisited for the hundredth time—sets her off, or disappear entirely when the expenditure of it all sends her to sleep.
Meal after meal is brought, left, and found again untouched; the tea over-steeped, the coffee stale, and both quickly rendered cold, for she will not stand for a fire being lit in the hearth. (The first maid to find it silly and begin to kindle one in any case for her lady's own good received a thin bruise the shape of the side of an expertly aimed hairbrush and a tongue-lashing for her trouble. There have since been no other attempts.) Instead, she has wrapped herself in the covers of her bed, her attire unchanged since her return save to become rumpled, her hair slowly coming free over time as the pins vex her and are yanked out and thrown to disappear in the rug.
She is missing entirely. Silent on the network when she would usually be flip, absent from both duties and regularly kept company. Crystal messages go unanswered, and callers are turned away with the vague explanation that Lady Alexandrie has taken ill and is not receiving visitors; that they may leave a card, or a message, and she shall respond once recovered.
Some callers are, of course, slightly more insistent.
[ Here you still are! If you're not Evie and you're coming in the normal person way, Marceau is chasing after you right now in that sort of eminently austere way fourth generation lifelong butlers have. If you're a scalawag or something, she has a window. There's probably a trellis. We'll figure something out. Prose or brackets are fine! ]
WHAT: Breakup Drama ♫
WHEN: nowish (end of Haring)
WHERE: De La Fontaine apartments in Hightown
NOTES: if you're a melodramatic noblewoman with a sudden case of regency constitution clap your hands
[ if you want a certain flavor of ridiculousness, put it in your title or hmu on plurk (@shaestorms) or discord (shae#7274) ♥ ]
It has been three days since she returned to the apartments the Comte keeps for her and her sister in the middle of the night, and Alexandrie de la Fontaine has not emerged from her room. In fact, Alexandrie de la Fontaine has not emerged from her bed. The only mark of her continued residence is the persistent heartbroken sobbing from behind the door. It is largely quiet, muffled, a background sound to be filtered out like the ocean waves. It does on occasion become more energetic as some thought—new or revisited for the hundredth time—sets her off, or disappear entirely when the expenditure of it all sends her to sleep.
Meal after meal is brought, left, and found again untouched; the tea over-steeped, the coffee stale, and both quickly rendered cold, for she will not stand for a fire being lit in the hearth. (The first maid to find it silly and begin to kindle one in any case for her lady's own good received a thin bruise the shape of the side of an expertly aimed hairbrush and a tongue-lashing for her trouble. There have since been no other attempts.) Instead, she has wrapped herself in the covers of her bed, her attire unchanged since her return save to become rumpled, her hair slowly coming free over time as the pins vex her and are yanked out and thrown to disappear in the rug.
She is missing entirely. Silent on the network when she would usually be flip, absent from both duties and regularly kept company. Crystal messages go unanswered, and callers are turned away with the vague explanation that Lady Alexandrie has taken ill and is not receiving visitors; that they may leave a card, or a message, and she shall respond once recovered.
Some callers are, of course, slightly more insistent.
[ Here you still are! If you're not Evie and you're coming in the normal person way, Marceau is chasing after you right now in that sort of eminently austere way fourth generation lifelong butlers have. If you're a scalawag or something, she has a window. There's probably a trellis. We'll figure something out. Prose or brackets are fine! ]

no subject
[ Kitty comes in, wrinkling her nose at the little tray of petits fours she's recovered from the kitchen. Taken without permission - but, well, they were doubtless intended for Lexie anyway, so it's not like fetching them early is something terrible. And they're probably to Lexie's tastes. ]
no subject
Alexandrie starts slightly, as if surprised to indeed hear Kitty’s voice again. Which she is, as she struggles to take to heart Gwenaëlle’s point that she won’t be any better to Kitty thinking she’s a monster. Easy enough to say, harder to hear, hardest to apply; she’d already entirely convinced herself that it was too late and Kitty had left and didn’t she, beast that she is, deserve to be left so?
But here she is, and talking casually about fondant of all things—she’d actually gone to get them? Fragile as Lexie is, it near sets her to weeping again.
You’re meant to look at people when you say things, aren’t you? But she can’t. Instead she looks at her knees, and feels the gentle tugging on her hair and the way the water drags against her as she’s pulled back and released by the movement and feels ill at the thought of eating anything at all but she’d try anyway if it meant not still being contrary. ]
I...
[ It’s small, and cracks in her throat. She doesn’t apologize, historically, and she’s terrible at it, but hasn’t she been doing it more than she ever has, these last months? Try again. ]
I should not have said those things to you.
[ Almost. ]
no subject
So she fidgets for a moment, poking at one of the petits fours, as she lets loose a little uncertain noise - holding the floor until she can think of what to say. She manages: ]
I oughtn't have thrown water on you. So. I started it.
[ And then she looks to Gwen, trying to seek out some guidance as to how to proceed here. ]
no subject
guidance is not—particularly forthcoming, but then, she tends to be making it up as she goes along and hoping she's hitting the right notes. it's a piece of luck when it works, and the same when it doesn't. )
See. Things are only broken if you leave them on the floor after you throw them there.
( but you can pick them up. fix them. that is a thing that they can do, that she's had to learn the hard way and now it's their turn—
it is, often, tempting to leave them where they lie. she will be tempted, again. still. )
Let's get you dressed before we have company.
no subject
Your friendship is hardly a thing, Kitty. To be treated so. I am not accustomed to... friends. Not true ones. Not those who can truly hurt each other. [ Nor lovers who could do the same. ]
It was beast-like, to strike back at you so. To want to see you hurt as much as I did. [Her lips press together. ] To avenge myself similarly on Marie, to whom I shall also apologize. But you... did not let me see how well I had done, and I wanted to see blood so badly that I kept on, and I shall never forgive myself for being so terribly cruel to you.
[ She looks down at the water again, at her fingers in it. ]
I should not be surprised if you shall never either, but I will ask it all the same.
no subject
[ Kitty finds her cheeks going pink. She fiddles with the hem of her shirt with anxious, uncomfortable fingers. ]
I threw water on you. It's - It's whatever. You know? Believe me, it's not the worst thing that's ever been said to me. Like, believe me, you've got nothing on my mum and dad. [ Who she will, to be fair, never forgive. Bad example. ] Or even some of my friends back home - we'd really get into it, you know. [ And now they're all dead.
She's going to just stop trying to explain it all away before she works herself up again. ]
Anyway, it's all forgotten. Oh - Except for the thing with Marie. [ Here, Kitty brings her chin down, looking at Lexie with a teenager's best imitation of severity. ] You can be dreadful to your friends, but you can never be dreadful to people you've got power over. [ Then - ] Here, how's this. If you swear to, from here on out, only hurt those who can hurt you right back, then I'll forgive you unconditionally.
no subject
Temperance is a rare look on her.
But unconditional forgiveness is a concept rarer still. She's not entirely sure it exists. Would there not be something left? Some scar tissue that pulls and makes for easier anger? Some pieces kept in a pocket to be flung at her when it could do the most damage? A favor asked, at a later date, in exchange for a friendship kept hostage?
But Kitty, frank rough stalwart honest Kitty... surely she wouldn't offer the same hand, knife hidden up the sleeve, that Alexandrie always had. That she had always expected.
And so she nods. It's the hesitant nod of someone who expects what they've been offered to be pulled away at the last moment, but a nod all the same. ]