Fade Rift Mods (
faderifting) wrote in
faderift2019-01-10 10:49 pm
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Entry tags:
- ! mod plot,
- ! open,
- alexandrie d'asgard,
- bastien,
- benedict quintus artemaeus,
- byerly rutyer,
- cosima niehaus,
- darras rivain,
- gwenaëlle baudin,
- isaac,
- john silver,
- julius,
- kostos averesch,
- loki,
- teren von skraedder,
- wysteria de foncé,
- yseult,
- { anders },
- { cade harimann },
- { clarke griffin },
- { finel },
- { fingon },
- { hanzo shimada },
- { helena },
- { herian amsel },
- { ilias fabria },
- { inessa serra },
- { leander },
- { myrobalan shivana },
- { nari dahlasanor },
- { sidony veranas },
- { silas caron },
- { six },
- { solas },
- { sorrelean ashara },
- { thor }
OPEN: Kirkwail
WHO: Anyone
WHAT: Ghosts
WHEN: Wintermarch 20
WHERE: The Gallows
NOTES: OOC post. More content warnings than you can shake a stick at, probably, including allusions to slavery and violence in the body of the log post. Please use appropriate warnings in the subject lines for your own threads.
WHAT: Ghosts
WHEN: Wintermarch 20
WHERE: The Gallows
NOTES: OOC post. More content warnings than you can shake a stick at, probably, including allusions to slavery and violence in the body of the log post. Please use appropriate warnings in the subject lines for your own threads.

The storm sweeps in like an assassin: unexpected, in the dark, and throwing sharp pricks of sleet at exposed eyes and noses with expert aim and enough force to almost draw blood if the angle is right. Half an hour after the clouds crest the cliffs is all it takes for the city to retract indoors and huddle around fireplaces, settling in for a long night that will, unforeseen, turn into a long two days.
The Gallows, too, is pelted with ice; the walls of the cliffs and the fortress protect much of it from the worst of the wind, but when it can find a path over or through the walls, it slams through windows or doors to scatter papers and snuff out fires.
In the dark, in the rain, hurrying between towers or already accustomed to jumping firelight casting strange shadows and the wind howling like a wounded animal, people might be forgiven if they don't notice at first. But there's a hanging in the courtyard, a dozen translucent wisps of bodies dangling from the idea of nooses, and there's a girl's voice in the basement of the templar tower screaming for her mother, and there's a ghostly man in the library holding the blade of a knife to his palm and whispering this is it, this is it—or maybe there isn't, actually, when you lift your head to pay closer attention.
But as the night wears on they multiply, and they brighten, and even if you haven't noticed them, they begin to notice you.
no subject
"Don't disturb them."
All she says, all she cares to say, as she turns to watch them again.
On the floor, Anand turns a page, flicking to the drawing of Lord Rama wielding a sword, and with it, he jumps up, lifting up his arms to mimic the pose. "Rani-ji, am I mighty? Like Lord Ram?"
no subject
He flickers as she grabs him by the hair; it's not quite him anymore, and yet it is, his eyes widening in startled desperation as Teren yanks his head back and punches a hidden blade into his lower back.
no subject
Here to the steady horror of it, here the strength of it, that she can pick Teren up by her throat just like she weighed no more than a child. Holding her, dragging her, grief-stricken, eyes wide and furious, wet with the tears and rage of it.
But it doesn't happen. Her fingers close on nothing, grasp at smoke. Her teeth set hard against themselves. Another fucking spirit. "Whatever you are. Get. Out."
no subject
Teren is standing back where she was before she entered, but looks more solid this time, somehow; perhaps it was hard to notice a moment ago, with the light filtering through as it is. She raises a bottle-- eerily similar to the one planted on the desk-- to her lips and takes a long pull from it, holding it out to Lakshmi but not coming any closer.
"It seems I've been busy today," she adds, grimly.
no subject
The ache would always be in missing them. The boy reads to his father, the baby reaches for the pearls to play with. Sprawled over thick red carpets, with lanterns all of gold glittering with burning lap oil.
"Leave," is the one bark of warning. Fool her once, fool her twice.
fool her chicken soup with rice
But she's not heartless. She hears the brokenness that the woman is trying to hide, and recognizes when it is and isn't time to pick at someone who has lost everything.
Taking another swig, she hangs there for a moment or two, then wordlessly leaves.