Entry tags:
[ CLOSED ] The Buck Stops Here
WHO: Athessa, Bastien, Byerly, Colin, Deimos, Flint, Raas, Thranduil, Yseult
WHAT: Revenge for past trauma reveals a sinister plot
WHEN: The Month of Guardian (aka now)
WHERE: The Gallows and Hightown, Kirkwall in general
NOTES: CW: This plot deals with sexual assault, revenge, and murder. Mostly the aftermath of the assault, no graphic descriptions that I can foresee, but be cautious. Opting out and hand-waving is fine.
WHAT: Revenge for past trauma reveals a sinister plot
WHEN: The Month of Guardian (aka now)
WHERE: The Gallows and Hightown, Kirkwall in general
NOTES: CW: This plot deals with sexual assault, revenge, and murder. Mostly the aftermath of the assault, no graphic descriptions that I can foresee, but be cautious. Opting out and hand-waving is fine.

By and large, the beginning of the month of Guardian in Kirkwall is unremarkable. Business as usual, even with the ever increasing cost of sugar, coffee, and tea. But for the inhabitants of Lowtown, it comes with signs that their waking nightmares persist.
For the past few months of winter, Lowtown locals have been whispering about a rash of murders and disappearances among the Alienages. Deaths previously attributed to exposure to the harsh winter weather are rumored to be far more insidious; some have claimed that they noticed wounds on the bodies as they were being disposed of, but any attempts to bring this information to the City Guard have been met with indifference or empty platitudes.
Less widely noted, and harder to attach to a pattern, are the instances of working girls being hired to entertain at private functions and coming back...different. Or not at all. To the average person, it’s barely even news, but to anyone who spends time in the brothels and listens to the chatter within, it’s clear that these are not isolated incidents, nor are they without concern.
While the alleged murders in Lowtown have no clear culprit and thus are blamed on anyone from random strangers to demons and Crows, the goings-on at the brothels go hand-in-hand with mention of one name in particular: Devigny.

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"He's already left town once," she says, conceding his point that caution is necessary. "And he has city guards in his pocket. I don't know which ones, but that's something we can find out just by watching his estate enough. Based on Byerly's reaction when I talked to him earlier, Devigny still has ties with the Madame at the Crimson Cat, too. We might want to get someone in there to ask some questions."
Someone with tact, preferably, and who isn't as recognizable to the Madame as Athessa.
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"Byerly mentioned him? Why?"
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He picks up his staff. He doesn't like carrying it, doesn't like having a mark that reveals he is a mage, but it's better to come prepared for anything.
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Once in place at their stakeout location, tucked away behind the railing of a balcony on some abandoned house, it becomes quite clear that they'll be waiting a while. There's very little activity to witness mid-evening, which is the only portion of their casual espionage that Athessa can safely take part in for an extended duration. As soon as the light gets low enough her eyes start to shine and, lest she give away their position, she takes to sitting with her back to the railing.
"What makes a staff a staff?" She asks quietly, having been focusing her attention halfway between the reflections in the glass-paned door to the balcony and Colin's staff where it lay. "Can you use just any old stick?"
In the reflection, a lantern bobs with a guard's easy gait, going past Devigny's estate without hesitation. Possibly not one of his, then.
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"It's infused with lyrium," he explains. "That focuses and amplifies our magic. Otherwise you might as well just have no staff at all."
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Barely before she's finished speaking, the clip-clop of hooves on cobblestone and the creak of a carriage heralds the arrival of visitors to the estate. She turns a bit more, still looking sidelong but so she can see more clearly. The huge front door to the house opens, and a servant steps out to greet the visitors at the carriage, opening the door for them and bowing his head.
"That's the footman," Athessa whispers. "Can you see who's in the carriage?"
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"I don't know them," Athessa frowns. She commits to memory what she can about their dress, their gaits, the carriage and driver, the horses in the time that she has, before the carriage totters around to the rear of the building. The footman closes the doors behind the two visitors, and for a long moment, nothing happens.
Then, a window to a room they've both seen lights up from within. The parlor looks the same as she remembers, the same as it was in the dream, and she finally turns to look directly at that window. Nobody in that room will be able to see into the darkness outside, so the light in her eyes won't matter.
First, the two visitors appear, talking and laughing, looking smug--she takes note of their faces, just in case. Then a third man appears, his back to the window as he speaks to his friends. Associates? It's hard to believe anyone that foul having friends.
"Come on," she hisses, as if sheer force of will can move the pieces on this board. "Turn around..."
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Realizing that she's holding her breath, she lets it go billowing into the cold air. She turns and sits with her back against the railing of the balcony, staring blankly at nothing. Her lungs work overtime, gulping in air the way she might after running from here to the docks without stopping.
OK, come on Athessa, you know what to do. Breathe in, count to four. Breathe out, count to four. Repeat until stable. Or, in this case, until you laugh, and tears escape from your eyes.
"I don't know what I expected," she says on the tail of that laugh, and presses her forearm across her eyes. The last thing she needs is for her stupid tears to freeze to her face.
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Over the course of the next week, they keep an eye on the comings and goings of Devigny and a few of his regulars. The two men they saw on the first night came back once and only once, though four other nobles of the same caliber made similar visits after dark. The guards they are able to identify as being in Devigny's pocket amount to only three, so far, but all-in-all the goings-on at the Devigny Estate are pretty dull. Business meetings, soirees, grocery delivery and a steady flux of nighttime and daytime staff.
And, after the third day, Athessa is able to conduct surveillance with only momentary panic, rather than the mind-halting kind. It's still not a good time, but it's progress.
A week to the day after their first stakeout, they're once again tucked away, able to see and not be seen. Everything is, for the time being, as dull as every other night.
"You'd think he'd change it up after thirteen years," Athessa scoffs, reacting to what Colin has just told her about his solo reconnaissance at the Crimson Cat. "I guess it's easier to go with someone he's got history with. Madame Lette...I bet she knows what he's up to and just doesn't care."
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"Do you think Riftwatch will care?" No, that came out wrong. "I mean, do you think they can do anything about this? It's not war stuff, or spy stuff, it's just...Kirkwall stuff."
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"The organization as a whole, probably not. Byerly would, though. And if he's already got information about Devigny on his desk, Riftwatch's interests may align. Otherwise they'd leave it up to the city guard."
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"Right on time," she says in a soft sing-song at the sound of an approaching carriage, but it's not the carriage of any of Devigny's previous callers. It's smaller, drawn by only two horses instead of four, and the curtains on it are drawn. None of the others bothered to hide from prying eyes, so why this one? "That one's new..."
She shifts to her stomach so as to minimize her silhouette, and watches intently.
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Instead, it isn't until the driver of the carriage jogs to the door and knocks that the footman answers. As he approaches the carriage, a woman steps out and to the side to let the footman retrieve something, ostensibly luggage, from within. Why the luggage wouldn't be on the top or rear of the carriage is strange, but Athessa is more interested in who the woman is.
"Colin," she whispers, reaching out to grip his arm and continuing to stare with rapt attention. "That's Madame Lette. From the Crimson Cat."
And then, the footman reappears, but not with luggage. For a man of unimpressive bulk and stature, he's surprisingly strong, seeming to heft the unconscious form of a young woman over his shoulder. He bows his head to the Madame, who clamors back into the carriage, and walks back towards the front door of the estate.
"We have to do something," she barely hesitates before starting to push herself up, clearly intending to rush in head first.
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