Fade Rift Mods (
faderifting) wrote in
faderift2020-05-03 11:05 pm
Entry tags:
- ! mod plot,
- ! open,
- bastien,
- byerly rutyer,
- darras rivain,
- james flint,
- john silver,
- kostos averesch,
- lazar,
- nell voss,
- obeisance barrow,
- val de foncé,
- wysteria de foncé,
- yseult,
- { athessa },
- { colin },
- { herschel rustin },
- { ilias fabria },
- { ket perrino },
- { laura kint },
- { leander },
- { lucien },
- { marcoulf de ricart },
- { octavian sokolov },
- { richard dickerson },
- { sister sara sawbones },
- { sonia barra }
MOD PLOT ↠ SECRET STEEP'D ROOTS
WHO: Open
WHAT: Trapped! Trapped in a jungle!
WHEN: Bloomingtide 9:46
WHERE: Unknown
NOTES: OOC post! The three starters in the comments can have multiple threads, and feel free to ask us on the OOC post if you have any "what will happen if I x" questions.
WHAT: Trapped! Trapped in a jungle!
WHEN: Bloomingtide 9:46
WHERE: Unknown
NOTES: OOC post! The three starters in the comments can have multiple threads, and feel free to ask us on the OOC post if you have any "what will happen if I x" questions.


When the eluvian shatters, there's a stutter in the flow of the fight. The eight Venatori nearly all freeze in place for a moment when the glass cracks, watching their way out and their plan crumble, and afterwards they never quite manage to get their rhythm back. But they don't quit, either. In the end, they all go down fighting.
Riftwatch takes no casualties, and the four members of Riftwatch who were taken captive are all alive, accounted for, and mostly unharmed.
That's the end of the good news.
The massive, shattered eluvian was set within a ruin carved and built out of a steep embankment, now almost entirely reclaimed by the jungle. All that's left are the remains of walls—some full height, others crumbling where vines have pushed between the stones or spreading tree roots have disrupted the ground. But with daylight fading and several injuries that need attending to before anyone can move, the surviving walls and thick plant growth form the best shelter anyone can hope to find before nightfall.
When the sun rises and better stock can be taken of their position, the jungle in which everyone finds themselves is still not immediately recognizable. It's hot compared to Kirkwall at this time of year, with temperatures hovering around 75-80F and kept relatively consistent between day and night by the high humidity and non-existent breeze. It rains with some frequency—light showers that are little more than mist by the time they reach ground-level or torrential downpours that start with little warning and drop several inches of rain in an hour before disappearing as abruptly as they'd arrived.
Most of the ruins extending up or out from the embankment are little more than chunks of moss-covered stone buried in the undergrowth. Searching around them will find them a stream running through the remains of a carved stone channel, fast enough to be safe to drink, and they can follow that a short ways out of the ruins to where it joins a much larger river. They won't see any traffic along it except for a variety of river creatures that would be happy to eat them. Judging by the position of the sun and moons, the river leads south.
There is one half-sunken portion of the ruin complex that's more intact, but after exploring it confirms there is no back-up eluvian on offer, there's little choice but to set out into the dense growth of the jungle. Huge trees create a canopy far overhead, and the floor is soft and springy with dead matter. Giant ferns, vines of every variety, and flowers of every conceivable color crowd them at every turn, making travel slow and damp. Overhead, and all around, are the sounds of other creatures moving through the same space. Birdsong, monkey screeches, the constant buzz and chitter of insects. The fauna in the jungle is a mix of the usual sorts of beasts one would expect in such a climate: parrots, monkeys, snakes, absurdly large insects, the rare big cat, whatever other weird animals walk around a jungle.
The walk south along the river will be a long and difficult slog through dense jungle with no real respite from the environment along the way—and no real certainty about their destination. They'll have to make a new camp each night as best they can and push on the next morning, hiking through seemingly-endless forest. At first, they will have the benefit of a path, a trail south alongside the river that appears to have been cut less than a month ago. It will lead to a second set of ruins where signs of Venatori presence will be obvious. They will make camp here for a couple days while they explore more thoroughly for clues about where they are and what the Venatori were up to.
Beyond that point it will be necessary to cut their own trail, an exhausting process that means even slower going and tired arms for everyone who takes a shift at the front of the line. The only break will come when the jungle abruptly gives way to a deep gorge, the river taking a hard west-ward turn and dropping down a series of magnificent waterfalls to what looks like a very large lake at the bottom. They can either find a way down the falls and hike west around the lake, or cross the river via a narrow rock bridge over the falls and continue south back into the jungle. They'll stop here and make camp among the rocks for another couple days to try to identify the lake or the falls before they go any further and risk walking miles in the wrong direction.
The journey will take a few weeks in total, with plenty of time and opportunity for a few people scouting ahead or foraging for food to find trouble (or fun) on their own. But the entire group will also encounter a few hazards together, including, in chronological order:
- Shortly after leaving the elven ruins where they came through the eluvian, a flash flood will catch the camp one evening, despite its position on the best available high ground, sweeping away some supplies and ruining others. People outside of the camp, for whatever reason, will lack the high ground and might experience a more dangerous rush of water, and everyone will have to go to sleep damp and hungry.
- A day after the group leaves the dwarven ruins, a swarm of dragonlings and several drakes will emerge from a mountain cave when the group passes too close, breathing fire and intent on chasing them away. Their high dragon won't appear for the fight, but several days later she will fly overhead, barely visible through the canopy but obviously very, very large.
- A few days later, they'll come upon a hot spring that appears crystal-clear and fine for drinking and bathing, but will result in people developing minor, mostly auditory hallucinatory effects an hour or two after their exposure to it. The plants growing nearby will show to have an even stronger effect, if anyone is foolish enough to eat them to find out.
- In a few areas, the river will cut gorges through the mountainous terrain, and following it will require either walking along narrow traversable paths on the cliffsides or holding supplies overhead and fording through the water. Watch out for dickfish.


no subject
Is this what they'd nearly broached in the backroom of that tavern, before everything had gone sideways? This specific admittance that Flint had held something back from him isn't a surprise, but hearing it aloud in the dark kindles some small optimistic flicker in the back of his mind. Whatever it is, once it's known John can do something it.
"I'm listening."
no subject
Where would it be best to begin, he had thought - turning the idea over in his mind as they trudged through the jungle, as they had sorted through Kirkwall's assortment of book sellers, and before that even: a stack of things happening all at once.
"Shortly after we returned from Nevarra and before news of Pentaghast's papers broke, Byerly Rutyer accused me of being a Tevene spy. An absurd paranoia, I grant, but he knew just enough of where I came from - who I was there and what was said about my leaving - that when the news of Nevarra did reach us, I thought it reasonable to make fast friends who might dissent should anyone suggest my removal. Hence," he says, taking that second water skin and drowning it in the creek. "This business with Madame de Cedoux, and entertaining Fabria's continued interest."
no subject
"I've entertained Fabria a fair amount myself."
The least objectionable out of the three named parties.
"How much of a threat is Rutyer to us?" and then, "What business with Madame de Cedoux?"
Us is insistent. It is a reminder that whatever else there is, however far these cracks stretch, the fact of their partnership is unwavering. (Even if it is wavering. If it has wavered.)
no subject
"I believe I've satisfied his curiosity with respect to my allegiances by discussing how we might leverage soporati within the Imperium to destabilize it and having shown some willingness to let him do as he pleases with respect to Ferelden's interests, among endless other conversations the man insists on. But there's no guarantee he won't look for some way of using what he knows to convince someone differently should our circumstances in the war change."
Under the running creek's surface, he recorks the filled skin. It's fetched up again with a hiss of displaced water.
"You recall I said Madame de Cedoux knew of our involvement in Nevarra." He looks to him in the dark, the shadows drawing them both more painfully thin than they are in reality - paints them both as distant versions of themselves. "She is aware of it because I told her."
no subject
"Why?"
A single word, falling like a stone between them.
no subject
Is the truth. Is enough of an answer.
Isn't it?
"I felt she would find the idea agreeable." Because he was tired, and felt like it.
no subject
Is his objection to the risk or is it because the risk was taken and he hadn't found out for months afterwards?
"And did she?"
Carefully, voice steady.
no subject
--Is almost certainly meant to have some air of lightness to it, though the shape of the words are flat and the darkness swallows it whole. He takes some alternate way forward.
"We're almost certain to have the rebel mages who fought in the war. We have Fabria. I would wager on Voss and the Averesches. The Rifters hardly present a united front, but if anyone is likely to be able to make some case to some of them then she is the most likely candidate."
no subject
"We aren't anticipating the Provost splintering the Rifters?"
Even as John wonders: what lies beyond this? What else is there rattling in the dark beyond the stacking of allies against future argument? What else has happened outside of John's attention?
It should be a relief, and it is, for a moment. But in the aftermath is some slow burn of frustration, impatience.
no subject
"I doubt his association with them to be strong enough to warrant the kind of loyalty that would sway them against the rest who would back this plan. Moreover, I think if he were aware the odds were so stacked against him, he'd be unlikely to ask them to. He's in no less tenuous a position than I am."
no subject
"That leaves Yseult and Rutyer to sway, when it comes to it."
And they'd only need one. It's not impossible.
"Is there more?"
More than the Madame de Cedoux. More than Rutyer's paranoia. More than the leveraging of a fair amount of this organization behind their cause. The question is a hand smoothing along the surface of a vase, feeling along the glaze for the place where the cracks come to an end.
no subject
There is something curved in the line of his shoulder, his elbow settled across his thigh, and the crooked way he looks at Silver which says he is aware that of all parts, this will seem like the riskiest gamble. Handing power, however administrative, into the hands of the man with the closest tie to the division head who is the least convinced of their intentions has the potential to be nothing short of disastrous.
But.
"I doubt him capable of the kind of ambition required to be dangerous."
no subject
But the same uncertainty remains: does he object to the action taken or that it was taken without his council?
"You are unconcerned about his wife's ambition?" is what John decides upon. The autonomy of the Walrus is preserved, so the danger lies in elevating one more voice to potentially speak against them. And even then, John's likely months too late. What use is it now to point out when the offer has been made?
no subject
A true answer, if an automatic and simple one. Regardless of the state of Nevarra, there is a war in need of fighting.
He touches the ground, steadies himself, and then moves to stand - fetching the filled waterskins up with him.
no subject
"Just how much more is there that you haven't told me?"
There is no heat in John's voice.
"Should I find somewhere to sit before we proceed further?"
no subject
"Where would you have me stop?"
It's a simple question, bare and without edge. Where does it end - the threads of this thing that need managing, and the ones which warrant discussion? Which parts matter, and which have already been made irrelevant and no longer warrant discussion? Which parts are simply facts of the office, unimportant until they factor into some larger picture? Which parts are too tender?
no subject
What other answer can there be? This opportunity feels rare. Neither of them have tipped towards an argument, so why stop?
"I'd hear everything."
Unspoken: what should have been passed between them, what has been held back in the fractured, badly-set break of their partnership.
John has never in his life considered that it's better not to know all things. He won't be learning that lesson now.
no subject
"Rutyer and I have been discussing what it would take to align the Tevinter soporati with a prospective slave rebellion. And," he adds, as if in afterthought or like a muscle being stretched in for exercise. "The prospect of providing passage for refugees from the Imperium and Nevarra to Ferelden. Which to me seems an oversight on his part, given that we might instead dump them on the Van Markham's doorstep and so cripple Hunter Fell under the weight of supporting them. Any failure there could be easily leveraged by Aurelia.
His hand is shifting, turning those ties absently as if his fingers haven't received the message that the relatively impassive lines of his face are doing their best to deliver.
"What I can't say is whether Rutyer simply hasn't considered that possibility, or if he gains something more by having them there."
Saying it aloud makes it seem like one in a long series of paranoias.
no subject
He's become accustomed to missing Madi. She exists as a phantom ache, the way he sometimes feels a twinge in the leg that is no longer there. But the sharpness of her absence stabs through him now, thinking of the enormity of Flint's suspicions stretching out between them. It seems too big for John's hands alone. The memory of her voice calmly promising him an anchor in this business comes back to him cruelly now.
Slowly, John breathes out.
"He's not a fool," John says, cautious. "I think we can consider that if his ambitions do not run counter to ours, we can assume what benefits him will not hamper our efforts."
For the moment, at least.
"I don't care to rely on his good graces. But you will need someone to side with you against Yseult as we go forward in this war. If we cannot rely upon Thranduil, then we must make do."
Or remove the obstacles among the division heads, but John knows better to than to say that out loud.
He does move then, groping in the dim light to find a felled tree to lower himself down to sit. The ache in his shoulder has turned dull, but it'll make itself known tomorrow as they press on towards...somewhere. Civilization, John assumes.
no subject
"If nothing else, he is easily the party most willing to bargain. We're fortunate all his interests lies so far South. It costs us less to give something to Ferelden than to the likes of Antiva." Or Orlais. Or Nevarra. Or anyone else who, if empowered, might both suspect themselves confident in their own security and in a willing position to allow the Qun to sweep through the North once Tevinter is turned over. If Byerly Rutyer wants so desperately to be leashed, then there is little reason to make an enemy by insisting on cutting the line.
(Though the fact of it rankles against something in him - sticks as a bur might, or frustrates like a puzzle which has defied easy solving.)
no subject
"Ferelden is easier dealt with once we have a foothold in the north."
Once their people are safe. (When Madi is safe.)
"We don't need to tell him any more than you already have," John says. "Until he moves on or we find sufficient leverage elsewhere."
no subject
He studies the dark about them. The high black canopy of trees which blot out every star by which the world might be navigated. It is such a long list of things. A map in a book which unfolds and unfolds and unfolds until it will not fit any place from which it might be examined.
"Aren't you tired?"
no subject
In the course of his life, he has always been aware of balancing between a truth and a lie. What is he best served by divulging, he asks himself. So often, he is best served by a smoothly delivered falsehood. It is an armor. It creates space between himself and the world, and he is allowed to move within that space safely.
And over the past several years, John has become aware of how quickly that space can shrink and vanish. Does any space still exist between him and Flint? Did he not give that over on the road in Nevarra? (Or before, long before, when he hadn't even realized what he was ceding?)
"I am."
The truth. Crowding behind it: Why does it matter? Why do you ask this of me? and closest to the surface Aren't you?\
But instead—
"Does it matter? It doesn't change anything."
no subject
Doesn't it? Matter.
Is a question he could ask. He can sense how much purchase it has.
Instead, tempering, he looks at him and rearranges what he wants to say into something more true: "I'm sorry, but no. It doesn't."
no subject
No, it doesn't matter. So they are tired. That changes nothing.
But there is some minor relief in saying it aloud in the dark. It is a safer truth than what was dragged from John on the road in Nevarra.
"I know. I didn't expect otherwise."
Finally, quiet acknowledgement. (Had Flint said anything else, it would open the door to a path neither of them are willing to take.)
"I can't see a reason to part ways with you now, regardless."
It's meant lightly, the kind of remark that should be a tease. But it's weighted. John can't divine it's reception now, in the wake of months of strain.
(no subject)
me 12 hours later: what if i write something else entirely
(no subject)
i'm gonna murder u
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)