Entry tags:
- ! player plot,
- bastien,
- benedict quintus artemaeus,
- byerly rutyer,
- caius porthmeus,
- derrica,
- edgard,
- ellis,
- fifi mariette,
- isaac,
- john silver,
- julius,
- kostos averesch,
- marcus rowntree,
- matthias,
- obeisance barrow,
- petrana de cedoux,
- teren von skraedder,
- { alais amphion },
- { athessa },
- { betrys miniver },
- { colin },
- { fitcher },
- { ilias fabria },
- { jenny lou davies },
- { laura kint },
- { leander },
- { lukas },
- { marcoulf de ricart },
- { poesia },
- { salvio pizzicagnolo },
- { sister sara sawbones },
- { sylvestre dumas },
- { vance digiorno }
[OPEN] FROM RIFTWATCH WITH LOVE: PART ONE
WHO: Everyone and anyone
WHAT: An abomination redecorates the Gallows.
WHEN: Early August
WHERE: The Gallows
NOTES: Part One of FROM RIFTWATCH WITH LOVE. Will include some violence, some general chaos, and some light murderin'.
WHAT: An abomination redecorates the Gallows.
WHEN: Early August
WHERE: The Gallows
NOTES: Part One of FROM RIFTWATCH WITH LOVE. Will include some violence, some general chaos, and some light murderin'.
There is a man in a worn traveling cloak. He is dark haired, with sharp features dominated by a dark horizontal scar near his hairline, and later someone will describe him as having been soft spoken when he asked for directions.
But something in the Gallows' dining hall, with its unreliable population for the midday meal, must catch under his skin; he's found his voice again by the time he steps up onto one of the benches.
"Is this all of you?"
Someone nearby tells him to get his boots off the furniture, so the man climbs higher onto the table and is louder the second time: "Is this really all you are? A few people in a tower on an island?"
Heads are coming up. As his voice rises, he produces an envelope from his pocket.
"Do you think this is funny? Playing at being something, and telling people you can make a difference to them? You were supposed to be helping, but you're all just sitting here! Don't touch me"—to someone encouraging him to get off the fucking table—"You were meant to be helping us. You promised you would, and I told her I believed you!"
Hands are reaching for him. No, really, get off the table. You can explain what's wrong once you're down; you're with friends— The man jerks his arm free, snarling, "Don't touch me! You're nothing!" A stronger hand finds him then and begins pulling him struggling down. With a wrenched cry of, "Livia!" the man slips from the table.
A column of fire pours upward out of him like molten heat from a crack in the earth. It bursts so high that it scorches a circle on the dining hall ceiling, and burns so suddenly hot that it sends those nearest to him recoiling backward as their clothes catch. The fire licks again in random directions, in chaotic fits and starts of light and heat, and the thing that rises up again in the mage's place isn't really a man at all.
The rage abomination will ravage its way through the dining hall and prodigious Gallows kitchens, then out into the courtyard beyond leaving considerable destruction in its wake until finally brought down by Leander. In the charred aftermath, the following can be recovered from among the mage's belongings: a leather corded bracelet with a green bead woven in it (too small for anything but the smallest wrist), a functioning phylactery, and a letter from "Riftwatch" which implies a history of correspondence and familiarly refers to the recipient by name, 'Felix.' An investigation of Riftwatch's files will reveal the log of having received a message from a similar Felix, No Lastname six months earlier. The message itself is nowhere to be found among the Gallows records.
The recovered letter assures Felix that all will be well, and includes instructions to wait in the woods above the crossroads of a small Wildervale village.

Colin | open
Does this recall one of the most frightening times of Colin's life? Yes. But this time, there's only one abomination, and Colin is no longer a child. The spike of adrenaline has him running toward the monster, coupled with an anger that this thing has dared to threaten his new family.
Anyone needing healing is seen to promptly. Otherwise, he is following the abomination as it goes, blocking any pathways back into the mess or further into the Gallows with a force field. Any time someone fighting the abomination gets hurt, the force field drops for the space of a healing spell.
II.
The end of the action sees Colin dropping his force fields and swaying, odd little giggles erupting from him. He is at once elated and drained, and has a dopey grin as he goes about making sure anyone he missed the first time gets healing, though he pulls himself together enough to look more somber when making sure anyone looking shaken has someone to talk to.
I
He's not about to run in and kill anything himself, of course, but there is at least one ability that can help make others' lives a little easier. So he grabs the nearest swingable thing-- in this case, a candelabra (thankfully not lit), and slogs out of the room he shares with Lazar.
As subtly as possible while still being very sore, he creeps toward the room housing most of the chaos, his breaths deep and focused.
no subject
"What the fuck are you doing?!"
no subject
no subject
"...helping," he says with a timid smile, shrugging stiffly.
no subject
no subject
no subject
"I can help," he insists in a level, pleading tone, "I can mitigate the damage. I'm-- trained for this." How many times now has he confessed to being a Templar? It doesn't matter, everyone surely knows by this point.
no subject
"Could you do it without getting any of the other caught in the crossfire or drawing it towards us?" She glances at Colin to get his input, "We absolutely can not have anyone going down in its path and we're fucked if you draw its attention."
no subject
no subject
"I can purge magic hostile to me," he says, thinking through it, "which, if I focus properly shouldn't affect friendly magic."
He glances to Colin. "Is there an actual sword nearby?" For now he ignores the question about sitting down; he's standing all right on his own, just not about to do any running.
no subject
With that, she grabs her bucket of water and dashes back into the chaos.
no subject
"Make your way slowly. Stay as far away as you possibly can and still be in range. I am going to the kitchen and I'll be back. Don't draw attention to yourself till I get back, because I'm going to cover you. Go slow."
With that, he's running like mad toward the kitchen.
no subject
He steps carefully through the mayhem, eyes fixed on the abomination, prepared to chug the potion and leap (figuratively) into action the moment Colin returns and gives the go ahead.
no subject