Entry tags:
MOD PLOT | CHAMPROVENT.
WHO: Teren, Ellis, Edgard, Lucien, and Vance
WHAT: Assisting with the cleansing of Champrovent and ensuring the taint doesn't spread beyond the village.
WHEN: August through Kingsway
WHERE: Champrovent
NOTES: ooc info + warnings for infection, discussion of murder, death, general unpleasantness.
WHAT: Assisting with the cleansing of Champrovent and ensuring the taint doesn't spread beyond the village.
WHEN: August through Kingsway
WHERE: Champrovent
NOTES: ooc info + warnings for infection, discussion of murder, death, general unpleasantness.



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"We can save those who want it," she growls, not necessarily disagreeing with Ellis, but not completely trusting him to handle it either. "Everyone else has to die."
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Perhaps that last is a bit biting, a bit directed towards Teren more than Ellis for her choice of words.
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"Killing them will be a mercy. For th-" His voice fails a moment. "For them and for the others we will save." He closes his eyes, screams echoing inside his head, his skin against corpses, hiding, useless. A deep breath and its gone.
He steps toward Ellis. "I can help you clear the door and with those inside. It's not a one person job."
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"Wait." To Edgard, hand planting out to rise. "They might rush the door."
The village knows what they're here for. But some of those voices are angry, and all of them are desperate. Wait, unless you want to join them.
"The man’s already killed." His voice is low, pitched not to carry inside. He finds Ellis' eyes. "Can’t take him for granted."
Could be a decisive man with a hand for violence, and no love of late-coming strangers. Could be the Taint worming all those little holes in. What a thing it'd be, to open up that door and find him chewing on the dead.
"Go in there talking like we got a cure, and it's gonna start a panic." He's speaking to Teren, but this time his gaze sketches to Lucien, all armor and shine. "Can't risk trying everyone."
Not without making it worse. The oldest, the youngest, the sickest; everyone watching their only hope spit blood and die.
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"Vance is right," Ellis says, as he moves a subtle step between Edgard and the barricade. "There's one, maybe two inside that would have a chance. The other six..."
He trails off, shakes his head. It's not a mercy, to doom someone to die choking on their own blood with the faintest promise of salvation or if they survive that against all odds, give them a handful of years before the duties of a Warden overcome them. The Joining is a risk. Even the best candidates in that room may die of it, nevermind those who are already weakened and infirm. And even through the window, Ellis had seen those who were so young—
No. It wouldn't be a mercy for them.
"We shouldn't risk either of you in that house," Ellis continues, eyes moving from Lucien to Edgard. "Not unless we want to gamble with the pair of you falling to the same illness."
Too easy in a closed space for an accident, the kind that happens so quickly no one realizes the gravity of it until afterwards. Too easy to end up in a position where they have this conversation again, but about one of their number.
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To Ellis, she shrugs, but lowers her voice. "Either they die here or they die later. I say give them the choice, as they've had none in this."
To describe her tone as tender would be a grievous overstatement, but there's still something about the situation that is visibly quite personal.
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"D'accord."
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"No." He says. "I should help. Aren't we all at risk simply being here?"
He will not be shut out and he will not be useless, yet again.
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"I need you out here," He brushes past Teren, Ellis; throws back a look that says this discussion isn't over, "Said you knew the area?"
There's maybe a foot and a half, maybe more, between him and the Orlesians. Hard to get someone on your level like that. Tries for it anyway, tugging down the air on gesture:
"These folks all got names. Stories." Last words. He beckons to Lucien, you too. "Might be family wants to hear them. One of you got paper?"
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It is more than many people receive in the wake of a darkspawn attack.
"There's more than one way to help," Ellis says, quieter. "There's no call for you to make an unnecessary sacrifice here."
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"If we clear this door to talk proper, can we trust you not to be fools about it?" she asks the nearest person, and she seems satisfied by the reply.
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"You should not be so eager to put them to the sword, mon frère. You are toeing a fine line."
Far better to put themselves to use in service of their memory than their demise.
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“You misunderstand, I don’t want them to die, I want others to live. You can do that,” he gestures toward the paper. “I’m no good with people. I’m staying here.” He raises the volume so the others will hear. “to help.”
He waits to see how the others will proceed.
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He steps back, shakes his head.
"Figured better of you."
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What of those people inside, some begging for death, others flinching away from it? It complicates everything for them to hear this argument. It will make whatever happens when the barricade is cleared away harder to bear.
"I am sorry for your pain, but your decision to indulge it delays our business here and it cannot continue."
In the tone of it will not continue.
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Completely pivoting from her original statement, Teren suddenly stops and looks at Ellis, then around at each of the men in her company.
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He breathes deep fighting the impulse to leave, to run, to get away. He balls his fists, breathes again, releases them.
He doesn't respond to his companions, but he stands his ground and doesn't move a muscle.
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One final look to Edgard: The Orlesian's Stone-still, seems ready to haul off on whoever's nearest. A far cry from the man in the dining hall (a shaky laugh and shakier hands).
Something to think on. After, once this is seen through and they've all got space to talk. You said you knew the area,
"You gotta be honest with them," Is all the answer Teren's going to get — a conversation picked smoothly back up, his agreement shifting upon the axis of choice. "If everyone takes it, we can't control a group that big. Someone spooks and,"
An illustrative little twist of his brow. They can't chase ghouls into the next unblighted town. He stoops, begins moving pieces of the barricade. It won't be long work.
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"Aye," he agrees. "Anyone who doesn't want it should be taken aside straight off."
Taken aside.
There is some lurking objection, whether or not it's a kindness to put someone through the calling when they all know they're a poor candidate. But at the least they can all agree on this: to spare both groups the sight of each other's deaths.
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"They agreed not to run," she says with a nod to Ellis, bending to begin assisting Vance with the barricade, "so let's keep this peaceful like, not frighten them off all willy-nilly the moment they come out."
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Something inside him is boiling and he closes his eyes trying to tame it, not entirely able to pin down or name exactly what it is. Should he speak again? Try and make them understand? Or will he just watch things go to ruin as they always do?
Edgard lifts his head, now watching and listening closely, but remains quite still.
cw dead kids here on out
But he bites his tongue. The work takes it out of him: Busy hands and busier lungs, until the lot of them have dragged the door clear. Until they're inside.
They speak Trade. A blessing, with only Lucien beside the window; a rolling hum of words (please, mistake, I'm not), harmonized with some creature deep beneath the earth. There is more than one way, to hear things in dreams.
The tall man — the killer — draws taller when they enter. In better days, he must have been a terror, and it rides him now; shoulders pinned at all angles of harm. His lips curl over pale gum. There is a tightness in his eyes.
The hunting woman is less gaunt. Something still breathes in the rise and fall of her chest, of her expression. She hesitates to step before him.
Anticipation,
"Get out," He spits. "I told you to burn it. Don’t you know what you’re doing?"
"Hyacinthe." She cautions. A hand splays, catches itself again, fingers curling. The veins upon it streak grey. "Please,"
She lowers her voice, as something stirs from the dim room behind.
"We heard you outside. There’s a child —"
"Isn’t this grim enough for them?" Hyacinthe snarls over her. "Voyeurs. Run it home to Nevarra, to the mountains, run and,"
Tiny fingers grip the wall’s side. Fumble for purchase. The boy can't be more than ten, pupils wide and glassy,
And he runs.
Re: cw dead kids here on out
With an inhale, he watches the boy run. Trying not to think of what this child’s life could be. Trying not to think of the fear he must feel. He’s an innocent, yes, but it takes just one mistake. One hesitation.
Edgard doesn’t hesitate. A twitch of the finger to release. The arrow appears in the boy’s back and he stops, staggers. He turns and his wide eyes meet Edgard’s, arrow peeking out through the chest. The boy drops, limp. A vice grips Edgard’s own chest. Muffled screams surround him as he lowers his bow.
It was the right call, the only choice. A mercy. Edgard feels a ripping inside him, but remains stone still.
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