Entry tags:
OPEN | you ain't a beauty, but hey, you're alright.
WHO: Jone & u
WHAT: Jone's intro log.
WHEN: Nowish.
WHERE: Kirkwall.
NOTES: Violence and strong language. Will update if things get w...orse.....
WHAT: Jone's intro log.
WHEN: Nowish.
WHERE: Kirkwall.
NOTES: Violence and strong language. Will update if things get w...orse.....
a. LOWTOWN.
Whenever you show up anyplace, you have to make some coin. If you've no contract, there are ways to do it, but they're messy methods.b. HIGHTOWN.
Jone, standing at a few inches over six feet, long hair a muddy tangle in the middle of a fighting ring walled by bodies yelling for their bet, does not seem to mind messy.
Her opponent is a human of similar stature, moves to punch her square in the stomach, and Jone takes it. Hurts like fuckall, but that never matters much to a Reaver. Anyway, she needs it to grab him, her hands a vicegrip on his arm. He can't pull away, and ends up dragging Jone a few feet in either direction, attempting to dislodge her. She's too close, now, and it's too easy to knee him in the bollocks, adding to the gesture with a solid bite at his neck. She doesn't break the skin enough to really hurt him, but it's a scary thing to see, and she wants the reputation as much as the coin.
Her opponent goes down, and the crowd cheers. Blood in her mouth, she cheers back: "Next!"
Jone knows where her money comes from, so she knows how to look. She's not pristine, walking the streets of Hightown, but her hair is clean enough to see it's red, pulled back and way from a face no longer covered in blood and muck. Wearing a worn but workable enough suit of armor, she's holding a piece of parchment, reading it while moving her lips. She looks up, looks down, reading it again.c. THE GALLOWS.
The door she goes to knock on-- maybe you know it? Maybe you're familiar enough with Kirkwall to know this is a prank? Maybe you're also thinking about taking a mercenary contract? Maybe the noble within is someone to be avoided? Help a girl out-- or don't.
She's only been here a day, but she's a little bored. No real reputation yet, but you gotta start small. Little things first. Late night arm wrestling. She's one two out of three so far, and the pot is growing.d. WILDCARD.
She reaches forward for her next opponent, and her sleeve falls down to reveal the glowing green just above her elbow.
She shrugs. "Believe me, mate, this made me stronger, I wouldn't be fighting you with it."
go 4 it i believe in u.

c
"You're looking well, for a Monster."
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This thought process is clearly evident on her face, a frowning loading screen that comes out with:
"Barrel?"
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The start of the match is called, and his grip is firm, his arm steady as he strains against hers.
"What brings you to Riftwatch?"
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She isn't using reaver strength yet. It's hard to pull up when nothing bloody hurts.
"Heh," she says, blowing some hair out of her face. "Y'mean besides the fuckin' gemstone in my arm? I hear Kirkwall's proper lovely in the summer."
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A sweat has broken out on his forehead; was she always this strong?
"You hear somewhat correctly-- it's proper lovely until the humidity and the dust settle in."
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"And then the riffraff are even harder to see, like," a grunt of effort, "and some cunt needs extra assurances for her safety."
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a
"You're a hell of a fighter," he says, "Buy you a round?"
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So, sure, she'll take the compliment. It's not like he's bad to look at.
Far fucking be it from her not to push her luck, though. "And the next?"
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"And the next," he says, waving to catch a barmaid's attention, "Watched three of your fights, seems a fair trade since I'm not a betting man."
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"This the kinda thing you're into? Hovering 'round fights, picking off the winners?"
She's not sure she'd know how to be meek if she wanted to.
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Meek folk take patience and it's nice to have someone upfront, for better or worse. The bar maid comes back with the first round. Noon lifts his own tankard to toast the woman across from him, "Name's Noon."
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C
He laughs and sits down across from a formidable looking woman he's never met before and puts up his arm. He narrows his eyes.
"I am Edgard and I am your worst nightmare."
He's kidding. (Probably).
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She doesn't want to think about that, so she just doesn't.
"Jone. I'm a fucking monster, mate." Her hand grips his.
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"I think," He says to Jone thoughtfully. "you may be the first person to ever call me posh."
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"I am not confused nor am I able to be fixed, though many have tried."
He's starting to break a sweat, but he's not backing down.
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oh no i'm scared
:x
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FOR LUCIEN LION-O.
There's a rift on the beach. She's fought off demons before, though doing it for free is new, and the motivation is low until one of the demons catches her in the shoulder. Jone likes her armor, she likes it fine, it's saved her life plenty of fucking times, but even when she could, she never really buys the real expensive stuff.
She needs the pain.
When the pain comes, burning hot and fresh and fantastic, and she feels the power flow through her. Rage comes next. The angry terror of a dragon, and she sees nothing but blood.
Her poleaxe swings true, a big slash of death through something that isn't truly alive. The beach is full of screaming fire on sand. Somehow, the sky remains overcast, instead of green. It feels like everything should be green or red. Her mouth is bleeding and she doesn't remember when something bashed into her face, but it feels right.
She doesn't hear an approach. Not over the fighting, her axe and the fire and the glorious pain of it all.
o hello jone-o
The tightness in his chest at the sight of her is what he might call profound.
Steel rings at Jone's back as Lucien draws his sword and blocks a demon's slash with blade and scabbard crossed. The demon recoils, and Lucien takes its arm with one smooth strike, its head with another.
"On your right!" He calls, as he used to, and moves to engage another enemy. Fighting alongside a Reaver is made easier by identifying where you are. That's a lesson he learned early.
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She'd meant to fight with Lucien. Everything makes sense, if she just keeps pushing forward.
She moves out of the way on the volley on her right, striking back immediately, a demon hissing into nothing, the sand turned to glass from lava-like heat. The rift shines a terrible, sickly green, and Jone rips off her vambrace off, hoping whatever happens next will be instinct.
The rift connects with the shard in her arm. She feels a kind of pulling pain, but when the rift-- against all odds-- closes, everything slows down. As always, there's a few moments of ragged breathing, where she has to discern the pain from the rage, get both under control, locate any serious wounds. She's going to have bruises all up her arm, she thinks, but she's fine otherwise. A few light burns. Who cares, they won't even scar.
"You were..." Her mind comes back to her. You were good, of course he was good; it's Lucien, the man who's supposed to think she's dead for his own bloody good. This, not monsters or demons or bloody rifts, makes her stumble. The grip on her poleaxe keeps her from falling. "You're not- I-..."
She starts walking away, the armor slowing her movements, the terror robbing her of the strength in her pain.
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"Attendez, Jone!"
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She wrestles her arm out of his hand, stumbling back, using the poleaxe like an old man's walking stick. She steadies herself in the sand, feeling too heavy to move. The armor's usually like her second skin, but for the first time in years, she feels awkward and trapped within it.
You can't really run in plate.
She's never planned to see Luc again, so she really never thought about what she'd say. No, that's not right-- in her mind, she'd run into him by accident, because he'd be in some kind of parade, married to the right kind of person, being proper celebrated and maybe their eyes would meet and she'd know she made the right choice.
That doesn't give her shit to say to him, though. What comes out is a messy, "I'm not sorry."
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a
Naw, he’d said ten minutes ago, when some muck started crying on the Monster. Naw, you know how these names go around, and anyone worth that coin’s out there making it —
(What’s that make him? Drinking, man. Leave it alone.)
Naw, he'd said five minutes ago, when Afton slapped his name on the board. Two minutes ago, when Danila slapped his back. One minute, and I said, take that down. I'm here to fucking drink,
Thirty seconds ago, someone shoved him forward with one hand still waving frantic refusal — and his mouth might be moving, but who can hear shit over the roar of that crowd? He turns, but by then it's too late. The ring's reformed behind him, a mass of jeering bodies, and Lazar's left stupid and gripping his mug with only enough time to think:
Reckon that's the Monster,
Before instinct kicks in, and he throws the ale at her eyes.
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It burns, and that makes her angry, and that makes her stronger. Also, it gets some of the muck off her face, and that's nice.
Angry, everything is instinct and rage. Her eyes hurt. Her face hurts. Her blood boils with it. Pain and anger tie together to give her a special sort of strength, and it leads people to call her things, and Monster is one of her favorites of them.
Before she rushes forward to headbutt the cunt with the empty mug, she smiles, and it's all teeth.
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Closes in as hard — and he's fast, but he's not that fast, and if she misses his nose, the cheek ain't much better; an explosion of pain that just crushes in and in like she's gonna drive right out the other side, and if something's broke there's no time to tell because he's twisting with teeth dug in his own tongue, trying to get free enough to shove. To smash the mug into her own thick skull again and again until it lands, until someone in crowd shouts: That's cheating, he's armed,
(Yeah, and she's mad!)
He can't close his mouth. There's too much blood.
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You aim for the head to make a show. You aim for the gut to knock a man out.
Her head rings like a bell, but she can still aim. Two fists in unison, aimed straight for his stomach, trying to take all the wind out of him at once.