Entry tags:
[player plot | closed] home isn't a place
WHO: Athessa, Bastien, Colin, [Derrica]
WHAT: Giving belated rites to long-dead family
WHEN: Harvestmere
WHERE: Somewhere in the forest...
NOTES: cw for animal death
WHAT: Giving belated rites to long-dead family
WHEN: Harvestmere
WHERE: Somewhere in the forest...
NOTES: cw for animal death

ARAVEL.
It takes a little more than a day to navigate through the Planasene Forest, riding at an easy pace, headed southwest. The terrain isn't unreasonable, but there are still fallen trees and unexpected cliffs overlooking the Waking Sea and places where the horses simply refuse to walk for some ineffably equine reason.
Early the second day, they find it. Home, if that word even applies to the overgrown clearing where the remnants of Athessa's clan lay.
The Aravel is still there, still intact. Weather-worn, but ironbark doesn't rot, and the enchantment on the landship is still alive. The same can't be said for the surrounding camp, with its tattered cloth and discarded tools, a ring of stones around a fire pit that's grown over with moss and plants and bugs. There are no bones offering testament to slaughter, nor signs of blood or strife. Just abandon.
PREPARATION.
There's a fair amount of stuff to do before the burial. Acorns need to be gathered, cedar branches collected, oaken staves carved, food hunted and harvested. Athessa will do the hunting herself, and on the day of the burial she leads a halla into camp, alive. She doesn't look proud, or particularly excited about being able to find one.
RITUAL.
Not far from the camp is a cave, rocky and shallow, with a flat stone floor. It was once an altar, or something like it. Faded markings, a few bundles of once-dried herbs that have since fallen from their line and litter the ground, and two decades' worth of neglect. This is where, once the detritus is swept away, the halla will shed its mortal coil.
But before that, incense is burned, a prayer song is sung, and leaves of a hina plant are crushed to a paste and applied to the palms and face. It stains the skin red, to represent the blood of the halla (without actually being blood), and the blinding of Ghilan'nain. The stain will fade before they return to Kirkwall.
BURIAL.
After the halla has been bled, skinned, and butchered, its heart offered to Andruil, it's just a matter of carving the horns into charms and burying them with the acorns. Twenty-five in all; one for each clan member. Each acorn will need to be planted with room to grow, so there's some trekking about to be done in order to find suitable plots. Then, the cedar branches and oak staves are laid upon the soil.
As they work, Athessa sings:Melava inan enansal
ir su aravel tu elvaral
u na emma abelas
in elgar sa vir mana
in tu setheneran din emma na
lath sulevin
lath araval ena
arla ven tu vir mahvir
melana ‘nehn
enasal ir sa lethalin
And it's easy to see why the stories about luring unsuspecting travelers to their fates came into being. The song drifts through the trees, reaching for heartstrings and pulling at them, melancholy and pleading.
WAKE.
The mourning may not be finished (nor will it ever truly be), but there must be room for celebration as well. The feast that is prepared by Colin, with the assistance of the other three, is a combination of Dalish, Rivaini, and Antivan, which is the result of trying to reverse engineer traditional recipes that escape the memory. There are hearth cakes, roasted root vegetables, a hearty halla stew (with perhaps more spices than Dalish cooking typically has), sweet grains and fruits, and a few bottles of a finely aged rowan mead to share.
Good food and good company around a fire, reminiscing about loved ones lost, sharing memories. Laughter interspersed with brief, bittersweet moments of silence.
THE RETURN.
The group returns to Kirkwall right on schedule, with ample time to loiter before returning the horses to the stables and catching the ferry back to The Gallows. Though the pall still lingers, it's not heavy or oppressive. It's just a bedsheet, diffusing the morning light until it's time to wake up and get out of bed.

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He stops whittling briefly, gaze falling, a moment's pause as he remembers old shame. When he continues work, it's slower.
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"Mamma...didn't let elves stand in line to her food stand. Said they drove away business."
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"Human business. She was probably right about that."
She would've made up for it in elven business, though. Or, if her wares were good enough, people would still come, even if there were elves on line.
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An admiring little smile.
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As if she could forget the slurs used against her all her life. She smiles to show him she's teasing, that she doesn't think worse of him for saying those things before he knew better.
"What'd she do to that other kid?"
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"Maybe that's what happened to that creepy old skull at the Gallows."
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Finished with the spit, he twirls it in one hand and passes it to her.
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"Nicely done. Now we can roast things, if we want," she says, and props it over the fire on the stakes. "Or make tea."
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"Um." He stands up and offers his hand to help her stand. "I've been meaning to tell you something? On the topic of family."
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On her feet again, hand still in Colin's grasp, she looks up at him curiously. For him to have been meaning to tell her something points to him overthinking either the words or the outcome, which in turn means that whatever he has to say is something he's worried about.
"What is it?"
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“Um, Lexie came back from Antiva with some leads that might...lead? Me. To my family in Antiva. If there’s any to be found.”
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The enthusiasm takes a little more effort to muster, not because she isn't happy for Colin to reconnect with his family, but because Athessa can't be sure what that means. Will they accept him? Will he leave?
"That's your mum's side of the family?"
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"Of course I'm alright with it, why wouldn't I want you to connect with your family? I mean—" She lets out a light huff and gestures around them. "That's what this is, after all."
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He taps his chest where the stars are.
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"We're family no matter what. But...what does it mean? If they're alive?"
He's going to leave.
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