[open]
WHO: Wysteria & YOU
WHAT: Anchor-related adventures and/or drama in fantasy September.
WHEN: Kingsway
WHERE: Various
NOTES: Some anchor and rift-related peril; open stuff is in the comments, but may use this as a catch-all. If an open prompt doesn't suit you, feel free to wildcard me or hit me up and I can write something bespoke. Prose or brackets is a-okay.
WHAT: Anchor-related adventures and/or drama in fantasy September.
WHEN: Kingsway
WHERE: Various
NOTES: Some anchor and rift-related peril; open stuff is in the comments, but may use this as a catch-all. If an open prompt doesn't suit you, feel free to wildcard me or hit me up and I can write something bespoke. Prose or brackets is a-okay.


no subject
Apart from a guard that chooses to stay home to observe dwarves rather than protect their charge.
Ellis' fingers draw along her scalp. Her updo has loosened. He has seen it in similar state before, after a day of field work, but the disarray is more so than usual now. It's foolish. He's foolish.
She is very warm, and he can feel the burn of her fever and thinks again that they cannot sit here forever while Wysteria is in such a state.
"He might have chosen someone more suited to traveling," is tacked on without any real thought as to the quality of the argument. Just carrying on the conversation because it seems a fair distraction in the moment, and that is sufficient motivation.
no subject
Somewhere beyond the tent, some variation of the breeze carries the low murmuring sway of a conversation here. It's too low to parse the details. Only the vague outline of the thing reaches this far. It is something like the shift of his fingers, the fever in her making the point of contact both keen and obscure. She can hear the soft rasp of her own hair. She can't quite define the sensation.
"You will form a wrinkle there," she tells him. "Between your brows."
no subject
The slow draw of his fingers through her hair continues as he makes a minor show of considering her warning.
"You might have to refrain from repeating any of this then, to prevent it."
In which this is such a specific thing. Under different circumstances it might be a more broad request; Wysteria does have a habit of prodding at any given dangerous phenomenon within a fifteen mile radius. But right now, Ellis would rather any of that than her here in this tent, burning up with fever and bearing up under pain she pretends is not as bad as they both know it is.
no subject
Her free hand absently pats the top of the blanket. It must be in place of doing the same to the back of his hand or some similarly consoling gesture. Poor Mister Ellis, with his wrinkled brow and shock of graying hair.
And then her hand rises, fingers touching his wrist.
"You won't tell Mister Stark will you? Not today."
no subject
And he is quiet for a moment, considering what she's asked of him.
"Will you tell him?" he counters. "Not today, but when we've made it back to Kirkwall."
Of course, it might not matter who says what if they bring Wysteria back to Kirkwall in this condition. The word will spread regardless of what Ellis does or doesn't say. Ellis asks her this in full assumption that the fever will break on the road, and that there will be some choice in what is relayed to Tony.
no subject
What? Concern?
That, maybe. She can think of no other word for it.
"I'm sorry you were here."
no subject
His hand tightens on hers. His head shakes, an immediate, silent no.
"I'm not sorry to have been here."
Though he can do nothing for her either, apart from dip cloth in water and read until she sleeps and stroke her hair, none of which has done anything for the fever or the condition of her hand. What use is he, now that the need for a well-wielded mace has passed?
His thumb smooths across her brow again in a slow, careful sweep, without dislodging his hand from her hair.
"I want to be here."
Words weighted down with some other thing Ellis cannot say. It's near enough. It's meaning is the same.
no subject
Instead:
"Yes, yes. You're very gallant, Mister Ellis."
no subject
The same discomfort Silas (then Richard) had stirred up with his assertions of noble prickles to life now. He shakes his head. His thumb smooths the edge of the cloth at her forehead.
"It has nothing to do with what's gallant."
Even if the accusation of gallantry were true, it's such a wholly separate thing that what keeps him at her side.
no subject
"I mean that it would be better if you hadn't been here, as I intend to be perfectly well. So there will have been no point to any of the fuss."
There. That's slightly more satisfactory.
no subject
She had said something similar the first time, in the sewers. (And again, after the tournament.) The sickening fear that she will not be perfectly well is wedged like a crossbow bolt between plate, messy and deep and in such a way that it will not come free easily.
Ellis says nothing. His grip tightens on her hand. His fingers draw again through her hair, careful to avoid disturbing what's left of the arrangement of pins.
"I would rather know," he says, after some consideration. "Even if you will be perfectly well in a day or so."
Clumsy. But it will have to do.
no subject
No, that is not permitted. Because then she might consider why she might need comforting at all in the first place and she is quite determined not to be at all ill or to be frightened by the prospect of being ill; she is merely here in a tent on the roadside, bundled beneath a collection of blankets and cloaks by strange happenstance which will be perfectly resolved in no time whatsoever.
There is no reason at all to be doted on or so fussed over.
"The book, Mister Ellis," she says at last. "I should like to hear a little more of it."
put a bow on this y/n
But his answer is slower in coming. His hand leaves her hair, turns the cloth on her forehead and smooths the fabric back into place, then migrates down to join his other hand to cup hers between them both. Briefly, he draws her hand up and bends to put a soft kiss to her fingertips. She doesn't want to speak of this anymore. There's nothing else to be said anyway.
One of his hands keeps hold of hers as it returns to settle over the blankets.
"Aye," he acquiesces. "Here now, Patricio and Alekos had very nearly persuaded the duke to grant them permission for their engagement but for the interruption of Rosalía..."