laura kinney (
justashotaway) wrote in
faderift2022-01-31 01:23 pm
Entry tags:
(no subject)
WHO: Laura Kint & Matthias, Abby, and POTENTIALLY YOU
WHAT: Returning to Riftwatch HQ after half a year spent helping Marchers dealing with the aftermath of sieges and other nastiness. Did she chop wood with her claws? Almost certainly.
WHEN: End of Wintermarch, start of Guardian
WHERE: The Gallows, Kirkwall, the general area
NOTES: The deal is this: Coming up with open starters usually just means I write bullshit "Laura exists, come bother her" things. However, if we plan something out together, I can write you a slightly more interesting starter, like "Laura stabs something dangerously near your character" or "Laura awkwardly hugs your character without warning because she missed them." If you PM me or PP
prettydoes, we can plan out something specific, and I'll write it up.
WHAT: Returning to Riftwatch HQ after half a year spent helping Marchers dealing with the aftermath of sieges and other nastiness. Did she chop wood with her claws? Almost certainly.
WHEN: End of Wintermarch, start of Guardian
WHERE: The Gallows, Kirkwall, the general area
NOTES: The deal is this: Coming up with open starters usually just means I write bullshit "Laura exists, come bother her" things. However, if we plan something out together, I can write you a slightly more interesting starter, like "Laura stabs something dangerously near your character" or "Laura awkwardly hugs your character without warning because she missed them." If you PM me or PP

Starters in the comments.

matthias.
She goes directly to the Forces office, her bag slung over one shoulder and tucked under her dragon's-wing cape, so that it bulges behind her like a hunch. At this hour of the day, nowhere else could be so urgent. Her footsteps silent, she slips inside the door and pauses.
In six months, she's taller by the width of a few fingers, and perhaps hard work and poor living has made her face more angular. But otherwise, little enough has changed, at least in the look of her. And Matthias smells just the way he always does, like soap and paper and however many sausages he ate for breakfast, exactly the person she kissed goodbye at the end of summer. All that bound-up energy hasn't gone anywhere, but it's superseded by the desire to stay very still and watch him copy the contents of one parchment to another, to admire his furrowed brow and remember how dearly she's missed him. (She hasn't let herself remember that, except in short bursts of time.)
But she doesn't stay and watch silently, because the thing she wants more is to see him look up at her. So she clears her throat, letting her bag drop heavily beside her feet. "I wish to make a report."
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Bad enough having to ask Flint the same question twice, which is exactly what Matthias had done when he'd last saw the Commander. The memory still smarts a little, so he's doing his level best not to think on it. Only he's got to think on it a bit as he's working on copying over the report in triplicate with one copy done and the other half-started. Bent over the desk in furious concentration with his feet hooked round the legs of the chair to keep them off that demon-cold floor, he's not expecting company. Certainly he's not expecting the voice that he hears but when he hears it his head jerks up, and there she is, stood in the door as if this is the most normal thing in the world instead of the very best thing in the world: that is, Laura Kint, come back to the Gallows.
"Hey!"
The chair scrapes along the stones as Matthias shoves it back. He nearly trips on it as well, too eager to properly unwind his legs from it--and for a moment he's stuck, with the chair threatening to tip over and take him with it--but he pulls out of it at the last moment, saves himself, and the chair totters back onto its four legs again. The parchments are left forgotten, the pen dropped to the desk. A blot of ink is blooming on the page. Matthias isn't looking at anything but Laura, and he crosses the little office at a run so he can grab her up in his arms.
He is, too, a little taller--a little older, also, and a little less scrawny, and a little better kitted out in clothes that so nearly fit him properly. The shirt is still a little too short in the sleeves but if he's got his gloves on they cover his wrists well enough.
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She hugs him back, the only person she isn't overly conscious of hugging, due both to practice and the fact that there's never any uncertainty about the reaction she'll receive. And there are little changes about him, the sort that only become clear when he moves, and when they touch. His silhouette isn't what she remembered - thicker arms, perhaps, or a broader chest. Something in his jaw slightly sharper than she recalled.
But still Matthias.
Laura buries her face in his neck - she's grown, but so has he, still tall and long-limbed - and takes a long, deep breath. The Gallows feel real now. She won't wake from this with a start, in a bedroll made white with hoarfrost, someplace days away from the city.
"I missed you." It's self-evident, something she might not bother to voice - but she thinks he'll like to hear it confirmed, so she murmurs it against his throat all the same.
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"I missed you too." He's never meant those words quite as much as he does saying them now. "Loads and loads and loads. You didn't write, I didn't know you were coming--or submit a report or anything, or else I'd've read--"
As much as he wants to stay pressed close to Laura, Matthias has got to pull away from her so he can look have a look at her--so he does, eagerly studying her face before he gives up and pulls her in close once more, too excited to be patient even with himself.
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But somehow, Matthias is only happy she's returned. When he draws back, it's to look at her with a kind of affectionate intensity that she returns wholly. Seeing his face - all the fine details that fade in memory, the way his smile beams out of every speck of him, not just his mouth - soothes some of the guilt. Some people can hide how they feel; Matthias isn't one of them. Right down to the scent of him, she thinks, he's pleased to see her.
When he pulls her back close, her arms tightening around him, she adds, "I'm sorry."
Because she is, and because next time, I'll write - is neither something she wants to think about nor (probably) the truth.
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Which, yeah, obviously he's happy, so obviously it might seem stupid to have said it aloud, but the words come spilling out and there wouldn't be anything Matthias could do to shut himself up even if he wanted to. He twists his face and presses a kiss to the side of Laura's face--or her ear, maybe, or the place just above her ear, he's not paying too close attention in his excitement.
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"I didn't bring you anything," she informs him, and this is something like a joke. At the very least, it's not earnest. "So neither of us planned."
One hand loosens from where she's holding tight to him, snaking up between them so she can touch his cheek and tilt his head. And this time, she kisses him squarely.
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He's nearly dizzy when they break apart, and his smile has gone to a grin that he knows is goonish--he can feel it--but he can't help that, either. He wants very badly to kiss her again and he wants just as badly to stand across from her and go on looking at her.
"You're really here." Like it's a revelation. "You're really back. For good? Not that it's got to be for good or it's worth nothing, I only mean-- You're not leaving, like--tomorrow, or in the next fortnight? You're staying?"
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Her smile isn't as broad - it never is - but it's unquestionably there, lips curving up and eyes softening. Her hand's resting splayed over his neck now, and she can nearly feel his pulse under it. (Or maybe it's hers, beating just a little too fast.) "I never want to leave again."
Until it's necessary. Until she's asked to, and she knows that someone has to. But if she can help it? Never.
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Seizing her the way he'd done meant that he'd stepped a bit closer, and kicked--well, something--but that hadn't registered at first. Now as he breaks away again to give her yet another grin, Matthias looks down and sees that it was her bag which is laying there.
"Is that yours? Did you come straight here?"
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"Yes." Her expression goes self-conscious as she glances down at the weathered bag at her feet. Still smiling, just a new, slightly embarrassed sort of awareness to it. "I wanted to see you, not our room."
And she's still not particularly interested in taking luggage up so many flights of stairs - not when the alternative is having Matthias within arm's reach. With one foot, she nudges her pack out of the doorway. It's no longer of any relevance.
Instead, she asks, "Is the work you're doing important?"
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"What? Oh--" He looks back over his shoulder at his abandoned desk. It's a good excuse to try to collect himself a bit as well, suck in a breath. "No. I mean, yeah, I s'ppose it's important to Riftwatch, but it's only copying over reports that I dunno anyone actually reads. Think they use 'em to stuff mattresses if I'm honest. You haven't got to go anywhere now, have you? I mean, maybe to take your bag up, but after that--only I can skive off if you like. The Commander's not around and I've seen maybe three people, so no one'll be likely to be stopping by for a chat."
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(The one thing that had ever felt similar was the discovery, years past, that she had a mother and a name. But standing here, with Matthias in her arms, lacks the grief of hearing I love you only in her mother's dying breaths.)
"We could go to the parapets," she offers, after a moment, in her own affect. "Or stay here. But if Flint will not miss you - my report can wait."
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"I'll put a sign out. The Commander won't be back, no way he'll see it--we'll go to the parapets. You've got to tell me everything you've seen while you've been away, everything you've done--"
Hastily, he grabs a blank bit of paper and scribbles something onto it--This Office Will Be Opened In One Hour--and nips the quill back into its rest, screws the top of the inkwell back on.
"And I'll tell you everything I've seen and done, only it's not been much--or it has, in some ways--but it hasn't--not the same to what you'll have to say, I'm sure, you're bound to have a squillion things to tell--"
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(Some of the Marchers she encountered had grown numb to it. Others had startled at any out-of-place noise. Fear had drifted like a fog through every village she'd stopped at.)
"I have some." A squillion might be possible, but some, she's not sure he'll enjoy hearing about. With one foot, she nudges her bag up against the wall, out of the doorway. No one will take it, if no one is in here - and if someone tries, she'll sniff them out. "And I wish to hear the things you have done, too."
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There's a little sting to that one that Matthias puts off feeling. Instead he goes to take Laura's hand. That helps, a good grounding distraction.
"I ate a crab. Never had one before. It was all right. I'm trying to learn a bit of lightning, think it'd be dead useful. That's all for me, really."
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"I would like to see the lightning," seems to her the better comment. Through all of her months away, she'd missed Matthias, but there were times when she'd missed his magic more than she'd ever thought possible. (Most often when she couldn't convince her kindling to catch fire.) She'd found herself thinking more than once of the dream that Riftwatch had shared a year ago. What lingered after - and does still, when she recalls it - are memories of rage and fear, horror at seeing Matthias turning a man's will inside out.
But what had seemed most important, retreading those memories, were the ways his real magic differed. Useful, grounded in the facts of the world - that fire exists, that lightning can strike. The magic he relies on most has a nature she can understand. As they find the stairs to the battlements, she adds, "And to eat a crab."
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It isn't easy to climb stairs hand in hand, especially the narrower stairs up to the battlements, but Matthias takes Laura's hand all the same. At least for the first part of the stairs, where they're a bit wider. The novelty of being able to fold his fingers around hers is too great a chance to miss out on even for a moment.
"Not at the same time, 'course. Crab is soft--I bet you'll like it. They can do it with spices, makes your nose run, but it's good. Well, it does me. You'll probably be just fine, seeing as you're made of stronger stuff. The lightning I can show you in the training yard. Or maybe even when we're up here, if there's a good target far enough away. It's so different--not like fire. Or maybe that's just 'cause I don't know it so well yet. Fire always feels like a friend, y'know?"
Here the stairs get narrower and Matthias releases Laura's hand--but not before he gives it a squeeze, like a promise.
"Oh--you haven't seen Biter yet, have you!"
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She's inclined to keep hold of him right up to the top of the tower, but it would be inconvenient around the tight curves of the stairs. So she squeezes back, and they go along up.
"No." There's a touch of bemusement in the word; while seeing their cat is something she's looking forward to, it didn't seem as important as Matthias. "Is she well?"
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That bit he says with the real pride it deserves. It's always good to be the favorite. It's even better to be the favorite of a thing that might take your hand off.
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"We can look for her on the way down." She frequently goes off to do whatever it is cats do during the day - or did, at least, when Laura was last in the Gallows - but it seems nearly as possible that they'll find her napping with her tail tucked over her nose. She does, after all, sleep a great deal. "So I can see her on her hind legs."
Some part of her likes the idea of retiring to their room early and staying there until hunger drives them out again - but Matthias will need to return to his desk in an hour. A short visit with Biter will be an acceptable compromise. "She must be a strong hunter by now, if she grew that large."
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Matthias is not thinking of his desk at all. And, if he were asked by anyone (anyone who is not Commander Flint), would insist that he clearly is no longer able to be held to the constraint of time. What is an hour, after all? Made up, innit? So why expect him to obey? There is nothing like being reunited with your girlfriend to turn you into a philosopher.
(And, if Commander Flint were to come round the corner, there would be nothing like that to return him to the world of order and reason. But Commander Flint won't be coming round the corner. He's, you know, elsewhere, somewhere. Not for Matthias to speculate.)
He gives Laura a grin as the reach the top of the stairs. No more thinking of Flint. "Seriously. I'd be surprised if there are any rats left in the Gallows, that's how good she is. She reminds me of you. Not 'cause you're a hunter, just--'cause."
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There's a sharp breeze, so far up, and the scent of saltwater helps to cut the stench of Kirkwall and its harbor. After so many places that smelled like ash and dried blood, Kirkwall hasn't been so bad - but she still prefers the scent of the sea. Some hesitance finds her voice as she tells him, "I went to Tantervale. But we do not have to talk about it - I also went other places."
He hadn't wanted to go, and she no longer feels any need to return, either. And that's what really needs to be said - I will not make you go back, and I will not ask about it again - but the last time they spoke of it, she had pressed. This time, she wants to bring it up only as much as Matthias wants. He's always shown her gentleness; she needs to do the same.
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Tantervale. Even hearing it makes him a little dizzy. It's stupid. He grips at her hand--or maybe she's gripping at his. Does it matter?
"We can talk about it," he says. "It's shit, isn't it."
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For a moment or two, she tries to think of something else to say. And then she remembers another conversation, more recent than her attempt to pry Matthias' childhood home out of him. Laura. Hand in hand with not letting anyone else tell you how to live is that you don't get to tell other people how to live.
So she doesn't say anything, for the moment. Matthias will tell her what he wants to, and he will ask what he wants to know.
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"It wasn't their fault," he says, after a moment. "The people in Tantervale. Most of 'em what were there when I was in the Circle are likely dead, anyways--even before the siege--but even if they were still there-ordinary people, what happened to live in Tantervale because their parents lived in Tantervale when they were born--they didn't do anything. To me. I'm not stupid. But what did any of 'em ever do for us that were in the Circle? But then I think, what could they have done, really?"
He scowls down at the ocean. His opinion on this is beginning to expand a little, like stepping back from a large tapestry and seeing all the bits of it connected, not just the bit that you were nose-to-nose with.
"But I hate it. All of it. The city and the people and the streets and the buildings and the walls and all of it. None of it was ever good to me. I hope it collapses and never comes back. It's the worst place I've ever been and I don't want it even to exist any longer."
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He watches the water, and she watches him. And when he says no more, she squeezes his hand. "I'm sorry."
For all the ways his home hurt him. For suggesting he go back. For the fact that, as they speak, bits and pieces of it have been rebuilt, in places where it might have stayed razed to the ground. "Even if they could not have helped you, they should have tried. We will do better than they did."
We will help people.
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"We will. I want to. Not 'cause of what happened, we can't do anything about that--but it can not happen again. We can do that. Or we should, but-- They don't always understand it. People, I mean. 'Cause you think it's okay, right?" He looks over at her, jaw set. "What I said? That I want Tantervale destroyed? You understand that. But people don't, always. They'll tell you to be kinder and they tell you that you've got to be thinking of other people when no one was ever thinking of you, not once--and I do think about other people! 'Cause it's like you said, we'll do better, we'll help people--but I can still be angry, can't I?"
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Matthias had been a boy. He'd done nothing to justify being locked away. For all she doesn't trust mages - for all she can see the purpose of keeping them from hurting others - nearly two years lived among them has introduced her to people who have caused harm to none. They have wanted safety and happiness, and they have not smelled cruel.
"If Cumberland disappeared," she adds, haltingly, looking down at the smooth old stones of the battlements, "I would not mourn. I would want to know everyone who...who hurt me...that they died with it. I am tired of killing people, but I don't think they should be alive."
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"Sometimes I think," he starts, before he stops with a frown. If he can't say this to Laura, who might he say it to? "Sometimes I think Riftwatch doesn't do enough. To-- To help people, I s'ppose. It does, right--we do, actually, help--but-- We could do more, I think. Or at least we could try harder and really help. I met this mage, he's called Linden, he's all right--he's the one that put me on to lightning--and he asked what I think of Riftwatch, and I've been thinking about that a great deal. I like that it stands for something. I don't like how slow it is. I know you've got to be, sometimes, I'm not stupid, but--if we weren't, if we did that--actually did things to, I dunno, save people--decisively, like-- Sometimes I think I ought to just go off and do that on my own. Even if I'd not get very far."
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"Do you want to leave Riftwatch?" She asks the way normal people touch bruises - barely touching, wary of pain. Which answer would hurt, though, no or yes? Laura's not sure. She did things while she was away, in the ways Matthias means, but they had all been small things. Riftwatch can make greater changes, if one waits - but one must wait.
Linden's name sounds familiar. Her memory dredges up a conversation in which a voice had decided her voice was human before she'd said so. But the question of Riftwatch is what's foremost in her mind right now.
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"Not yet," he says. "'Least I don't think so. I think--for me--there's still things I can do by being here. And I like it most days. It's better'n I had. But I've learnt a great deal as well. I feel like I was a right idiot when I came in--not that I'm so much cleverer now--but I've learnt things from being with Riftwatch. And I think, before anything else, we've got to see to Corypheus, haven't we? As long as that stays what we're doing, really doing, well, that's good work on its own. I think that's what I think--right now, anyways. Could change my mind."
He squeezes at her hand again.
"What about you?"
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Her eyes cut up to Matthias', head hardly tilting. "But when I am away, I decide what to, and how to do it. I think...I think someday I will tire of taking orders. Do you think you'll tire of working for Commander Flint?"
abby.
Someone, cloaked or coated up against the cold - and against discovery - is stood beside a house, facing it, writing something upon it. No - she changes her mind. Scratching something upon it. Etching it. Laura might not know the word graffiti, but she recognizes the concept.
She taps the figure on the shoulder - quite a ways up from her own shoulders. (Is this unwise? It might be. Claws make her confident, however, and fighting would warm her.) Her voice is low but clear as she asks, "What are you doing?"
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"What does it look like." She shakes the tap on her shoulder off, and keeps carving the O in YOU. It is not the most mature way to get across such rude sentiment, but Abby is feeling very sore about recent events. She'd love to tell Astarion this if that didn't require literally saying it to his face, and so: she carves it on his door.
The sizing of the letters is inconsistent, but the message is clear.
"Okay," she says, sensing the person is not going to leave her alone for whatever reason, "The fuck is your– Laura?"
Please don't take Abby standing there with her knife pointing outward as a threat. She's just surprised. Of all the people she expected to see...
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"Is that your door?" she asks, and the question is neutral enough that she might be preparing to accuse her of vandalism - or she might want to know.
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She'd noticed the disappearance. Had asked about her once or twice to little avail, because she'd met her the same amount of times, and didn't know who she typically kept company with. Eventually, Abby had practically forgotten about her.
The knife is swiftly lowered.
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Instead, she glances at the house they're standing beside. "You shouldn't carve things into other people's doors."
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"Yeah, I know."
And yet. Here she is. And leaving it as FUCK YO just looks stupid, so she may as well finish that up, it'll only take thirty seconds.