Entry tags:
open.
WHO: Marcus Rowntree and you
WHAT: We don't talk about fight club, or poor coping mechanisms.
WHEN: Throughout fantasy-August
WHERE: Kirkwall
NOTES: A series of open prompts regarding violences and also just normal drinking, and a place for closed stuff as you like!
WHAT: We don't talk about fight club, or poor coping mechanisms.
WHEN: Throughout fantasy-August
WHERE: Kirkwall
NOTES: A series of open prompts regarding violences and also just normal drinking, and a place for closed stuff as you like!
There are a few incidents that take place after Marcus misses the ferry back to the Gallows (only the first time by accident).
He joins a card game, once, nearly barred from doing so when he arrives and sets down the mage staff by his seat. He hasn't a lot of coin on him, but without much thought, he undoes the clasps of his jewel-set cufflinks and drops them among the gold, and later, the silver pin that holds his tie. Maybe it's a miscalculation, on his part: being a mage, and a man who dresses as he does at this little low-stakes corner of Lowtown, gambling with people's working wages and his finery, but he ignores the slow building of resentment as he continues to drink and continues to win, until he has no more spare funds with which he can raise, or with which to buy more whiskey.
It only goes awry when he goes to buy himself out, a hand catching his sleeve as he rises. Accusations of cheating, perhaps with magic, who the fuck could know. There's a world where he finds a means of deescalation, but in this one, he simply shoves this man hard enough to upend the table. And falls on him, furious.
The most he wins is blood and bruises. Perhaps you're there to break it up, or later, when he leaves the tavern, hands empty.
The next few times there's a scrap, he starts it. It doesn't often take much. Just one civilian whose eye snags on him long enough to be asked if he has something he'd like to say, or a snarl in the direction of a body brushing too closely past him. Marcus is not a seasoned brawler (although you could make the argument that he's getting in some practice), and loses just as much as he succeeds, if success is what you could call hitting someone harder than they care to themselves.
Find him standing up over whatever poor random drunkard caught the brunt of a temper that had little to do with him, or Marcus sinking still when the next blow catches him across the temple, splitting his vision into double. Or in the midst of it, the grim tangle of blows in a tavern full of yelled encouragement.
Once, a fight that doesn't get far. The tangle of fists, elbows, and snarling is dispersed with the ill-advised summoning of smoke and embers, catching both Marcus and his attacker (his target) in a gust of magical but nevertheless firepit-filthy smog that has the latter shove away the former.
He is very efficiently ejected from the tavern, this time, when two barflies just fearless enough manage to get involved and shove him out into the street, and toss his staff out after him, which clatters loudly on the stone. You could find him at that very moment, off-balance and moving to collect it, or a few minutes later, throwing up his dinner in a side-alley, only just avoiding his boots.
Not every evening spent late ends in violence, however. Most of them, even. There's one little Lowtown den that tolerates his presence, where he sits at the edge of a bar and pushes silvers across it to keep a steady supply of ale flowing in his direction.

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And consider the question. Is he intending to take the ferry back tonight.
He thinks first of the ferry, the uneasy wobble of its journey across the black waters, only barely tolerable when he is sober. He thinks of the room awaiting him, the likely little flickers of, what, concern? In the expressions of those he lives with. Perhaps worse. Irritation, exasperation at his state. A shared glance.
He stops that train of thought before it can become even more maudlin, as he is currently not drinking alone. Plenty of time for that later.
"No," Marcus answers, now fishing his purse out of his pocket to check what coin he has. "I'll find a room somewhere."
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"Can I make a suggestion?"
Difficult to say whether or not Marcus will be inclined to accept any input on the conclusion of his evening's activities.
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A shuttered blink, a nod of his head. Go on. Only faintly wary, when the suggestion comes with the request for his consent to it.
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If Marcus is determined to avoid returning to his own bed, he may as well have a room reasonably safe and without bed bugs.
"The Red Lantern," John prompts. "Emlyn is the one to speak with."
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Free back rooms. Free ales, slid across the counter. Who knows what else.
At the news of this, though, Marcus takes this as the universe giving him permission to shake out a few more coins into his hand. In no hurry to trade it in for another drink, still nursing his current one, but they're set down on the bar top anyway.
"Does it wear out?"
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Fair warning.
It occurs to John he might need to make amends to Emlyn, if Marcus were a less than pleasant occupant of said backroom. But he's choosing to remain optimistic about Marcus' ability to comport himself, even in his present condition.
"I'm considering asking what's prompting all this," John says, conversational, as he lifts his own cup. Not a question yet. Just testing the waters.
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I'm considering asking gets a reaction, a quick exhale that isn't really a laugh.
It's not a question, so there's no answer offered. The water, when tested, is murky, and Marcus lifts his cup to finish its contents. Pushes the tankard in front of him, along with the correct coinage that summons barkeeps for refills without having to ask.
"You're considering asking," he repeats, accent lazily thick. "Only you?"
And not, say, 'we'.
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Julius and Petrana can ask for themselves, John presumes. But he invokes neither name. That is prying too far, and John's curiosity has limits.
"So I might decide how concerned I should be as to your well-being."
A week ago, John wouldn't have expected this particular string of actions from Marcus. Even in the dream, which is it's own sort of outlier, the anger there had felt controlled. This iteration of Marcus doesn't align with John's summation of him, and that's worth the question.
Or circling the question, at least.
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Perhaps he should say something like, I was accused of being a cheat, but there's a stupid dishonesty to it that prevents him from letting it escape. Is the other thing, the more personal and honest thing, the kind of thing he tells someone like John Silver? The question is almost articulated just like that in his mind, enough that he makes a sound like a half-laugh, quiet, rusty.
"I can handle a few drunkards," he says, "without doing anything stupid." No volcanoes have erupted in Lowtown. Silver would have heard. "But you mean that different."
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But still. John is present. He could have left this conversation at the invocation of Emlyn's back room.
"I have no doubts as to your ability to manage in the face of handful of overconfident drunks."
Which means, yes. He does mean something different.
Marcus' self-control is not in question.
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There's a break when the barkeep is drawn in by the glint of coin placed on the bar, dutifully refilling the tankard once currency has been pocketed. Marcus scrapes it back towards him as this silent transaction completes, and they are again left alone. John had asked him a question.
No, John had not asked him a question. Dependent on concern, which is as yet undecided.
"You hated me in that dream," Marcus says, because it is usually not far from his mind when he speaks to Silver. Less and less, the more they talk of the present, of alternate futures, of the past, but not never. "I remember not truly hating you, but knowing I needed to bear it. To let it stand, to get what I wanted. What I don't remember is if I trusted you, and whether that's why it happened that way."
He tips the tankard a little on its way up to his mouth. "Perhaps we were friends, before. Wouldn't that make sense?"
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They have never discussed this aspect of the dream. They had discussed what need be kept secret, concealed, but not the series of events in which John's nature had been dragged into the open. Or examined why it was John who had been summoned, and not Julius, to hand off Petrana.
Were they friends? John remembers the camaraderie he had felt for Julius, who had been an unknown of a sort then too, and the familiarity of their conversation. There is some reason in the idea that all John's disdain was rooted not simply in the betrayal to Petrana and Julius and the fragmented remains of Riftwatch, but perhaps also—
"It could have been so," John agrees slowly. He might have said yes and all would be easier, but he is not here to talk Marcus around to anything. Not tonight.
"There might have been something in my mind, unconscious or not, that justified the risk I took then."
It had been a dream, but John was not a careless man. He rode out alone to meet Marcus against better judgement. Where had the certainty that he would not be harmed come from?
"Do you imagine that grew out of some potential we have yet to realize?"
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A pull from his refilled tankard, not done with any particular relish. It's set down quicker than the last, but he keeps a hand spidered over top of it. Could have, might have, does he imagine. "Suppose we might need to square then with the likelihood of my turning Venatori," is probably too casual a thing to say in, like, some bar, but Marcus does not seem to mind, and he is naturally quiet.
It's a joke, anyway, even if there is nothing about his tone, expression, or inflection that separates it from being not a joke. Context cues will have to do.
"I'll be alright," he says, finally, on the matter of his well-being more so than his loyalty.
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Marcus' loyalties. Whether or not Marcus will be alright.
For a given definition of alright.
John has some experience in the concept of being alright when very much otherwise. He cannot discern the extent to which this is Marcus' situation.
"Why did you ask me that question?" is a shift, a more pointed application of John's attention. He has sipped but once from his drink. The only pretense of joining Marcus in imbibing is John's fingers hooked loosely at the cracked handle of the glass.
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In a dream, which culminated when they'd made a very serious attempt at killing each other.
But the question has been raised. It's a thread John is compelled to pull on, just as he is compelled to try and understand what has seen Marcus into his present state.
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"Because perhaps those men who had been friends spoke of personal matters in a tavern," he says, "presently." It's a little whimsical, this line of conversation, a crooked bent to the rare half-smile that shows teeth, canine, as he lifts his tankard.
There had been much to wake up to. Petrana's strike to his mouth had drawn blood. How cold Julius' voice had been. Derrica's cry of pain, raw, heard through his own pulse. He had hurt only those he'd drawn closer to, after, and also still remembers the odd shiver of two magical forces locked in tension as his ribcage cracked.
The cup set back down. "You haven't had any of your drink."
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John isn't a philosopher. But he has some space for the concept.
And lifts his cup, when prompted. Swigs a generous sip from it while he allows the possibility to settle.
"We might make an attempt," he says, without fully lowering the cup. Keeping it hooked in one hand as he continues, "Seeing as we are here now. And bear a passing resemblance to those men."
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The next exhale has the sharpness of a laugh to it, even if it never resolves into a proper one. Amusement rolls over, leaves behind the bleakness he'd been indulging in before John's arrival, idly turning his cup in place.
"We played a lot of cards in Starkhaven," he says. "Gambling with them was discouraged, you know. Unbecoming. Not barred, though, as long as it was only play. We'd barter meaningless things, tokens, in place of coin. I remember once a disagreement over cheating became heated, between a couple of apprentices—that none of it was real didn't matter. And so, cards was banned for the rest of the season after that."
Quite rightly, the topics of Circle injustice are that of unfair Harrowings, cruelty and abuse, annulments and the restriction of human rights. Rarer do people speak to the more generalised humiliation of it all.
He finally fishes out his dented copper cigarette case that he only has some minor difficulty in opening when muscle memory fails, for a second or two. He pinches the end of a retrieved cigarette between his fingers, letting heat form there, twitching his hand away again when embers catch.
"It's not all of it," he says, where it is the answer to that nearly-question, "but I won't say there isn't something good about it. Being anywhere so unlike that."
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And it illustrates the point, doesn't it? A small liberty that likely wasn't welcome in a Circle that begrudged its captives playing cards.
"I think we are more than aligned in wanting to be certain you are never returned to such a location."
This is not an abstract thing. It is well and good, talking about mages and their future as a whole. But there is something necessary about forging a specific link: no, John would not want to see Marcus dragged back to a Circle.
More necessary now, when they are both so aware that Marcus would likely be dragged somewhere far less pleasant than any Circle.
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Whether in battle, or because it's more likely he'd be put down, hanged or beheaded or however it is fashionable to legally execute a man for whatever wrong they'd assign him. The possibility of Tranquillity is its own spectre, haunting his mood only after he says this sure thing, but it's vanquished with another, deeper pull of ale.
"Will you tell me something?" has a slightly odd inflection to it, implying trade. Whether a trade that's yet to be struck or that John owes him some bit of knowledge is hard to divine immediately. "I've wondered about your leg. What you were before its loss."
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Not that John's expression betrays any particular surprise or affront. There is only a pause in which he lifts his drink, draws in a sip while he turns the question over in his mind. There is some minor pull of tension in his body.
It can't be helped. The body remembers pain, even if the mind has blunted and softened the recollection of it.
"More agile," is so glib as to be meaningless. But he is entitled to deflect away from something painful, is he not?
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It is a little late when he turns his regard to Silver, some curl of bleak amusement pulled fine through his expression. Still sharp, the way he looks at people, even now in all the bleariness.
"You're still agile," is wry observation. All elegant manoeuvres, all day.
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True and untrue.
He was a different man. He wanted to accomplish different things. Slip sideways and disappear with a fistful of gold, so thoroughly that one might forget having seen him at all.
Those days are long gone.
"I make do," diminishes, in a way. John has forged new strengths. Has made use of innate ability in a way he never would have if other avenues were open to him.
None of this is necessary for Marcus to know. Not yet, at least.
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Don't they all.
Marcus' assessment doesn't let up, considering this answer and the man that produces it, this pinhole of I make do in all the opacity. Shockingly, unprompted questions that cleave to sources of pain do not beget answers, and it isn't really revenge, this. Silver has always been careful that way, even kind, tonight included, and anything Marcus has told him has generally been offered easily.
But he did not come to this bar to enjoy himself, and doesn't intend to start now. "I hate pity," he says. "I don't know what to do with it when it's given. Useless. And it's no better from those you love or those you hate. Maybe worse. You must have some familiarity."
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