Entry tags:
[open] well we could be friends, we could shake hands
WHO: Mado and you
WHAT: he's back
WHEN: early Kingsway
WHERE: the Gallows
NOTES: man dog dog man bird
WHAT: he's back
WHEN: early Kingsway
WHERE: the Gallows
NOTES: man dog dog man bird
I. I keep 'em close (for Ellie)
Maker only knows how long he's been flying, or if he spent the whole time as a pigeon, but when Mado returns to the Gallows it's in this form, late at night, and he makes a beeline for a familiar window of the tower.
Fluttering onto the sill, he nudges the glass open with his beak, and, seeing that (I'm taking a liberty here) she's still awake, pecks lightly on the windowframe to alert her of his presence.
II. I keep 'em real close (OTA)
After a two-month absence, it feels strange to simply come strolling back into work and wave hello to everyone who may or may not have missed or even noticed he was gone, so Mado opts to ease back into his presence in the Gallows by spending most of his time in canine form. Those who greet him are bound to see a quick transformation and receive a hug (or a handshake, or simply a hello, whatever they prefer), but to all other parties there simply is a little brown and white dog where there wasn't before, trotting about the courtyard, sleeping by fireplaces and under carts, and occasionally sitting perfectly still to watch the passersby with an uncanny awareness in his canine face.
III. So no one can take them from me (OTA)
There's still one realm where his human senses outperform his canine ones, and that's up in the Scouting office, where Mado sits placid and cross-legged as he leans over what, at first glance, might appear to be paperwork: and on a closer look, one might identify it as the Trade alphabet, dutifully written over and over, with each iteration finding new clarity.
There is a separate parchment with very simple words copied from a book, and also his name in both its forms, Amador and Mado, written in careful columns to practice the shape of the words.
He seems quite serene as he works, but is never one to turn away an interruption.

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Odd.
... Wait, she's heard that- "Jude? Is it you?"
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"Not Jude," he explains, "sorry, amica, hope I didn't frighten you."
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"Only a bit," she admits, because it's probably obvious, "Wasn't expectin'– there are more of you? Here?"
Shapeshifters?
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"Only one that I know of, and you named him already," he says kindly, rocking back on his heels.
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Because if she could control this thing inside of her and keep it locked away for good–
That would change everything.
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For a moment she looks a little glum.
Then she says, "What does it feel like? Turnin' into a mouse."
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"So far I'm not able to get very small. Or mousey. It takes a while, though it's not as perilous as trying to become a bird."
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"... I suppose there's a lot of you that you have to make very small," she considers, trying to picture it. It's almost funny. "But why is a bird perilous?" Of all things.
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One might ask 'why not take off from standing on the ground then, you absolute doorknob', but if the thought has crossed his mind he has certainly not paid it any attention.
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"You can't start from the ground?" For all she knows about the subject you could have to have the running start, just to get yourself going. Maybe it's easier to turn into something else if there is pressure behind it.
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Of... course it isn't. Gela stares at him, and resists the urge to glance over her shoulder in the same direction he's staring. Overall she's still unnerved by him. Thinking, she says suddenly, "What's your name?"
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He rocks back on his heels again. "How about you?"
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