open.
WHO: Everyone
WHAT: Late night evacuation drill
WHEN: Early Harvestmere, don't think about it too hard
WHERE: The Gallows
NOTES: See OOC note below.
WHAT: Late night evacuation drill
WHEN: Early Harvestmere, don't think about it too hard
WHERE: The Gallows
NOTES: See OOC note below.
Lashes of rain batter at unyielding fortress walls. It is dark, quiet, and peaceful save for all the rolling thunder summoned from over the sea. It is a good evening to be warm in bed.
Until it isn't a couple of those things.
Wherever you are sleeping (or working) late at night in the Gallows, you will hear it: an incessant and noisy bell ringing, handheld, clanging and clanging loud and obnoxious from the top of each tower and downwards, lingering in the key residential halls until there is sign of people emerging from their rooms. Gwenaëlle has been assigned to harass the Central Tower, while Abby takes the Mage Tower and Matthias is assigned the Templar Tower. Even if you happen not to be in either of these places, the muffled cacophony of bells is liable to still reach you.
It may take a second to realise what's happening, and how real this emergency is, but in the past week, all will have received some suspiciously timed updates as to evacuation procedures, including the protocols surrounding what to do when the instruction is to shelter in place (because they do, after all, live in a fortress).
The first step is moving without hesitation when the warning bells ring out loud. The next is to descend the towers, down dim stairwells lit by lyrium glow, in as orderly a fashion as possible. From there, it's a matter off finding the correct subterranean chamber (tonight, indicated with lamplight) and waiting it out.
At least, this route does not take them outside.
In the basement chamber will be Edgard and Marcus, the former equipped with a medieval clipboard and the latter marking the time in his head as people enter, while semi-supervising the other man's work and guarding the exit. The space is large enough to comfortably fit the whole company, although it is also cold, dripping, and musty. There are places to sit, chairs and tables both, and a few blankets if you find yourself underdressed.
And if you attempt to leave too early, you'll be bid to wait it out a little longer to accommodate and cause no disruption or confusion to late comers.
To encourage this, there are a few bottles of wine set aside along with some lukewarm tea. Stay a while.
[ ooc ; feel free to top level at any part of this interaction! I will handwave the cooperation of anyone who doesn't tag in or assume they are out of the Gallows, so don't feel like you have to, but there is also a comment below for anyone who deliberately wants to be on the naughty list of no-shows. ]

no subject
this grotesque rearrangement of parts, the undulation of meat and bone, stretching, pushing, growing—
this is challenging.
He doesn't choose to look. Not there. Like any living eye, his are drawn to the face, seeking language, familiarity, something to comprehend. The face bulges and opens and bristles with teeth. He comprehends only endurance of pain: a familiar language, reflected back to him in a yellow eye.
And then it's done, and his awareness expands to include his own wild pulse and shallow breath. When did he reach the wall? The bones of his back ease off stone and into stiff balance. For long seconds he stands just there, drawn in small around his crutch, shoulders up, arm across his belly.
Then that arm lifts away, breaking his closed and cautious silhouette, to extend the relaxed shape of his hand.
no subject
Jude tilts his head to one side with watching eyes, swishing his tail to the other side, letting Viktor come to terms with the horror of what his eyes have seen. Though he was in company with humans now and again back home, he's still learning just how disturbing they find this. He's also learning the capacity of how quickly they can accept something new.
It's astonishing, really- and something he very much likes about them. Humans are adaptable, stubborn, enduring, and most of all, they will pack-bond with anything.
Jude gets to his feet, head dropping lower to delicately sniff over Viktor's fingers, scenting his skin, the sweat, the old pages of books, the dust of the library, quills and ink. He is so young, younger than Jude's first impression of him, and it fills in more of the blank spaces. They ache.
Jude's tongue is pink, and the soft lick is delicate, friendly, reassuring. He laps across Viktor's fingertips, then eases in to push his giant head under his hand, soft ears flickering up and back as he steps in close.
His fur, if pressed, is impossibly deep and dense, his ears sensitive and welcoming the touch. He politely tucks his teeth away and sniffs at him curiously.
no subject
The lick reminds him—not of fur, but of rough-smooth skin, the way it would barely wrinkle under his hand, so delicate. A big, bright eye looking at him, warm soft foot pawing at his pant leg, huge head filling his lap from knees to chin. Her strange sounds and peculiar smell.
The withering shape of her, suspended.
This is a grown man, he reminds himself. The both of them are; he's young, but not much younger than Jude himself. And there's a bell ringing. He releases the gentle fistful of fur, the roll of loose canid skin.
"I, ah... how should I..."
Little abortive movements, indecisive, unsure how to arrange himself. Most people around here know how to sit on sittable animals; Viktor isn't one of them. There's the matter of his gear, besides, and points of inconvenient stiffness or looseness where the opposite should be true of a body—
no subject
What a thing to carry. What a thing to so utterly refuse to bow to.
The sentinel in him stretches, presses, bigger than his skin. He leans in to gently push his head against Viktor's chest, inviting the touch with a cool nose.
One ear flicks back at the question, and Jude eases up, turns to present his back to Viktor, and sits. The slope of his back is nearly as long as Viktor is tall -- and moreover, he eases down on forepaws, head up.
Gives a soft woof. Unlike a horse, he can do most of the work.
no subject
He falls, more or less, onto Jude's back. No standout cause makes it happen, he just falls, because of course he does, because what's more embarrassing than falling because you're doing something stupid? Falling when you're hardly doing anything. His crutch slips loose, clatters in metallic competition with the alarm bell.
"Guh," he says, approximately.
Fine. There. At least no one is here to see, and it's furry muscle, not stone, that catches him.
no subject
It takes a touch of fiddling, but then he slowly eases himself to a standing position, paces the few steps forward to pick up his crutch in his jaws, swivel his head to hand -- teeth? -- it back, checking on him as he does so.
They won't head downward until he's far better settled.
no subject
"Aah," unsteady, tremulous, "let's... leave that here." If he has to worry about carrying it, he's going to slip off and fall on his head, he's pretty sure. "I'll get it later." Or someone can bring it to him.
Reminding himself of the context—they aren't just screwing around, this is meant to be a drill—doesn't do much to mitigate the anxious frustration rising within him. At home, even if left to his own devices, he'd have a fair shot—but here there are no clever evacuation lines to rely upon, no flameproofing or express lifts, no unyielding doors to seal a passage behind him, only flight after flight of thick stone stairs.
He keeps looking at them. The stairs. They're already steep enough when he's standing at the top, in command of his own locomotion, and down is always more dangerous than up. Up, you fall into them, bang your shins, clip your chin if you're unlucky, but at least there's something to grasp. Down...
Well. Down is bad.
no subject
On a wolf, it's going to be more difficult to balance, and more difficult to trust.
That's what's going to be key to the success of this. Trust.
Jude opens his jaw, lets the walking stick roll down his jaws contemplatively, catches it again in a loose grip, thinking. He flicks one ear back, indicating said thought. Would that he's able to speak like this, but Viktor's not connected to him like pack, and even in packs more than vague concepts are difficult.
Jude places one paw on the stairs, which just barely dips his body forward. He pauses to judge Viktor's reaction and how he's going to hold himself.
no subject
And this with just one step, when he was so sure a minute ago.
With that thought it rushes back in, a tide of foolish determination that urges him to hug in close and cling with every available limb. It is difficult, it does hurt to use these meagre muscles in ways they've hardly been used, and head down is the worst way to descend any incline—but everything hurts all the time, anyway. In his professional opinion: fuck it. Might as well try.
"Go," he croaks, and squeezes his eyes shut. "Just— one flight. Go!"
Before he changes his mind.
no subject
He wishes he were surer of the recovery.
Instead, he is smooth as they descend, keeping his back as level as possible in the way a horse would not. His feet are fast, quiet. He's never been one of the ghosts of his pack, but he's studied the way the sentries move in the rare times he's allowed to see them with his eyes.
He tries to channel that, now. Swift, smooth, flowing. They curve, dizzyingly, then even off at the first landing available, where Jude steps well away from the stairs, pausing to check on his passenger, let him adjust his grip, get his bearings.
no subject
The stairs end, they come level, and Viktor nearly bails on impulse, but rises instead on quivering arms.
"That wasn't so bad."
And that sounded queasy, even to him. He swallows against it, steadies his breath.
"One more?"
no subject
(What is under his waistcoat... thing?)
Jude pauses again for all manner of settling Viktor wants to do, then moves when he's given the all clear. He takes the flight just the same as the last time. Oil-slick down the stairs. Even if Viktor's confidence is up, it won't do to get cocky.
He braces for the possibility that it will go wrong. He can shift back in an instant, if arms are needed for catching. He will, rather than let Viktor get hurt. It would be extremely painful and probably awkward, but nothing he hasn't done before.
behold that roll
Right?
Nah.
Having roughly zero knowledge of how to ride any creature correctly, and no guidance beyond supportive dog sounds, Viktor decides to try this one propped up on his forearms, which is both uncomfortable—probably for everyone involved, his elbows aren't the friendliest shape—and unsteady. By the landing, he's pulling a big yikes face and trying hard not to slide off sideways, which happens anyway as they stop.
There he goes, slipping to the floor like a collapsed puppet. A slow cascade of skinny arms and legs. He makes a strangled noise that flutters on the way down, laughter or nerves or both.
It's fine. He's fine. No one else is here to see this and that's terrific.
no subject
Thank goodness they're on the landing. As soon as he feels Viktor slipping, Jude goes belly-down on the floor so minimize the distance to fall, sniffing at Viktor's face and hair to check on him without getting up from his side.
Once he determines he's not hurt, he'll thump the floor with his tail and let loose a soft whine. It's not a fully wolflike gesture but he finds that it relaxes people when they view him as more of a giant dog. And better an animal than a human, when considering comfort levels.
He licks Viktor's ear once, lifts his head.
no subject
He's sitting up when the tongue finds his ear, sparking a broad cringe, scrunched face, raised shoulder and all.
"Please," is lilting undertone, a good-natured moue as he gathers himself to rise. "Don't make this weird."
He'll need help to stand up, but between Jude and his crutch it'll go smoothly enough; he'll be swiping the ubiquitous thoroughfare grit from his trousers presently.
no subject
The tongue-out panting that shows off every one of Jude's absurdly huge teeth is canine laughter, Viktor will come to realize if they spend more time together.
Between the two of them they get Viktor standing again, and Jude leans just slightly against his legs. Not enough to push him over but enough to steady them both. To stand with him until he doesn't feel so shaky.
The alarms are still going off, though more distantly now, and Jude looks down the stairs, looks back up the way they came, and flicks his ears back, then forward at Viktor. Tilts his head to one side.
no subject
"Down," he decides. "We've come this far. I just... need a moment." He's rolling his hand by his torso as he says this, which also ought to be plain enough: either he needs to catch his breath, or he's perilously close to puking. Possibly both. (It's both.)
After one long breath that seems more restorative than those previous, he adds, quietly, "Thank you."
no subject
(It's meant to be both an acknowledgement and a reassurance, but maybe it's just gross.)
For his part, though- despite the alarm, he shows not the least shred of impatience. If Viktor wants to stay here until morning, he's committed to doing it.
There's been a priority shift here, the kind that Jude knows is not very like a soldier, and not entirely like a wolf either. He's not worried about his orders.