[closed] minrathous debrief
[ Riftwatch's eluvian hides in the basement of a tavern called The Bear, the sort of middling market street establishment with a busy taproom that is almost no one's first choice but could easily be just about anyone's second, the sort of place with a constant stream of custom but few regulars. The street behind The Bear trends a bit more residential, a degree more respectable if not quite fashionable, and Widow Tavisa's Boarding House fits right in, a fading but clean and quiet establishment catering to short-term visitors of the middle classes, so long as they have proper references. Few would suspect Barnus the tavernkeeper and Widow Tavisa have anything in common, let alone a tunnel and ancient servant's stair that connects their two establishments, a passage leading from the eluvian's hiding place to the upper floor of the boarding house, where Riftwatch now keeps rooms for visiting agents.
The largest one at the end is often Yseult's, as it is today, though when she answers Ellie's knock it might take a second glance to realize it. She is dressed as a Tevinter lady of means, from dark violet satin gown to black wig of elaborate curls, face heavily made-up around the eyes in last year's fashion and more subtly elsewhere, rendered softer and more rounded, the angles of cheek and jaw less prominent. She takes a pin from between her teeth, a flicker of a frown as she notes the fine spray of blood, and steps back to urge her inside. ]
Wash your face, [ she instructs, gesturing to the basin on the sideboard, while she turns back to a mirror to remove the rest of the pins holding the wig in place ] and then put the kettle on.
The largest one at the end is often Yseult's, as it is today, though when she answers Ellie's knock it might take a second glance to realize it. She is dressed as a Tevinter lady of means, from dark violet satin gown to black wig of elaborate curls, face heavily made-up around the eyes in last year's fashion and more subtly elsewhere, rendered softer and more rounded, the angles of cheek and jaw less prominent. She takes a pin from between her teeth, a flicker of a frown as she notes the fine spray of blood, and steps back to urge her inside. ]
Wash your face, [ she instructs, gesturing to the basin on the sideboard, while she turns back to a mirror to remove the rest of the pins holding the wig in place ] and then put the kettle on.
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The choice is significant, here. Personal.]
I'll think about it.
[Ellie already feels she knows the answer, but it's worth considering all angles. Sleeping on it. She takes another sip of hot tea, lets it spread across her tongue. She's settled now. Much better than she was.]
Anything else right now?
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That's all for today. But finish your tea if you like. There's no rush now that that wig's off.
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You think you'll ever teach me that? Disguising myself?
[It's almost playful, the ask, but Ellie's been serious enough, often enough, to see it as the tool that it could be.]
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Do you want to learn? I warn you, they itch. [ Is a joke, but her gaze has narrowed minutely in assessment. ]
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[Only half a joke. Another bit of tea, now that it's just pleasantly warm and no longer scalding.]
Really though. Yeah. I want to learn. Anything you want to teach me.
[And on a more serious note:]
What happened today could happen again. But next time it might not be something I'm good at.
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Is there anything in particular you're worried will come up?
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Something where I'll need to make someone believe I like them, when I don't.
[Ellie knows her weaknesses. She always knows that she can do it for short stretches, but playing it to the hilt is something different. She's good in situations that might turn bloody or ugly, for missions in the dark that need a quick getaway.
Standing in the light and putting on a show- drawing a target in with her sparkling personality- best not to get backed into a corner.]
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It's easier with all the trappings. To be a different person who does like them, not just yourself pretending to feel differently. Have you done any sort of performing?
[ She sounds like she expects the answer to be no. She's seen Ellie's Seattle, after all. ]
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... some, actually.
It's a long story, but it was kind of like a Fade thing. I had a different life. I was- really low class, and the rich, powerful people basically would treat us like toys. They'd make anybody who committed a "crime" fight all the other "criminals" until only one was left standing. Like a spectator sport.
They got a kick out of using the people who won like status symbols. I was fourteen when I won my Quarry trial, so.
Lots of years playing guitar at a lot of fancy parties and pretending I was happy to be there.
I was never good at the smiling part. But it could have been a lot worse.
[It had been a lot worse for a lot of others. She had a marketable talent and good mentors.
Ellie says all of this very matter-of-factly; it's not something she's talked about very often, and if she does, it's like this. A footnote. A dream she had once. But it's probably important that Yseult realize she has some baggage here; it wouldn't be fair to surprise her with it if it becomes a problem.]
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It's different when you're working covertly, [ she says, hands still folded around the teacup and the edge of the saucer, balanced on her knee, other forearm resting across her thigh behind it. ] Similar in kind, at times, but you know that you're in control of the situation, and why you're permitting people to think otherwise, and that it will end when you've accomplished your goal.
[ She smiles, a shallow curve of closed lips. ] But we don't have to begin with fancy parties.
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Ellie looks up, the corner of her mouth firming up with a nod.]
You make it sound a lot better when you put it that way.
[As a position of power rather than a position of helplessness. As a way of remaining in control, by controlling what other people think. Ellie hasn't considered it like that before. But when Yseult says it, it seems obvious.]
I'm used to people thinking I'm not a threat. It's how I get them to drop their guard. If we're leaning on that...
[It opens up some possibilities.]
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[ This is said wryly, self-deprecating. She lifts her tea cup and drinks, a hand on an ankle tugging crossed legs further up onto the chair's seat. ]
And you've a good face for it. You'll need to practice looking vacant. Men usually see what they expect, but you're a bit too sharp-eyed to fool the truly paranoid, or the wives.
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Ellie doesn't slump, but she stops taking up quite so much space, bringing her knees together to clasp her hands, like she needs something to grip. She takes a deep breath, her shoulders moving with it, and nods.
She ducks her head down, like she's trying to hide a smile, like a silly little girl getting a compliment from someone she admires. The eyes are the hardest part to mask.]
Well... if you think so.
[Her voice is not markedly different, but the tone is. Softer, higher, a little more musical, a little breathlessly excited.]
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Good, [ she says as she sits back, watching still, ] Very good. We can work with that. What's the longest you've ever kept up this act?
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Usually just long enough to stab someone.
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That will be the challenge. There's much more we could do with longer jobs but I've only so many hours.
[ And any name added to the list of people trusted with such missions is an exponential growth in her resources. ]
The anchor will limit you, but there's little to be done about that. How are you at accents?
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I can do a Fereldan one. Orlesian isn't as good, but I can probably keep that up for like, one conversation. Especially with someone who isn't Orlesian.
People tell me I sound like a dwarf, though. Which is... weird. Definitely haven't figured out sounding like a Dalish elf, but that probably wouldn't work anyway.
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Fereldan's near enough to Kirkwall, which is near enough to half the other Marches. Orlesian is difficult to keep up without turning into parody. But you can't pass as anything sounding like a dwarf. [ She fixes Ellie with a mildly challenging look. ] It will take work, and time. You'll have to spend days speaking in an accent at all times until it becomes second nature. And that's only one part of being someone else.
[ Abruptly she drops that look and lifts a hand, a wave of fingers dismissing the moment. ]
Sleep on it. We can talk when I return to Kirkwall.
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Taking a long sip of her tea, Ellie gathers herself; she looks a lot more together than she did when she came in. Finally, she puts the cup down, gets to her feet, hesitating with her hand on the back of the chair.]
Thanks. For this.
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Travel safely.