player plot | when my time comes around, pt. 5
WHO: Everyone!
WHAT: Everything's fine and we're going to have feelings about it.
WHEN: August 15 9:49
WHERE: Primarily the Gallows! But potentially anywhere.
NOTES: We made it! You are all free of my tyrannical plot grasp! There is a final OOC post with some notes + space for plotting here.
WHAT: Everything's fine and we're going to have feelings about it.
WHEN: August 15 9:49
WHERE: Primarily the Gallows! But potentially anywhere.
NOTES: We made it! You are all free of my tyrannical plot grasp! There is a final OOC post with some notes + space for plotting here.
This is a timeline where, some mild chaos aside, things for the last month have carried on as normal. Riftwatch hasn't lost anyone at all. There were no funerals. The work continued. The late afternoon of August 15 may find people at their desks, in the midst of meetings or debriefs, in the library, in the sparring yard. Or maybe afield, seeing to errands or meetings or missions somewhere else in Thedas. Maybe, if they are particularly unlucky, they are deep in conversation with an ally or embroiled in combat with an enemy agent at the precise moment when the magical connection between two realities closes and the diverging timelines snap together into one existence.
At that moment, everyone forgets what it is they were just doing. Instead they remember what they might have been doing in the world where a third of Riftwatch's number was lost, despite their hands suddenly occupied with the normal business of handling pens or swords or books they don't recall picking up.
For the always-living, it may feel as though they have been magically transported somewhere new mid-thought. For the dead—the formerly dead, the might-have-been dead—it will feel as though they have just woken up. Perhaps they'll have a vague sense of a dream they now can't recall, in between their last conscious moment amid the blood and screams in Granitefell and awakening just now in a quieter world, or perhaps they'll have a sense of nothing at all.
For a few hours, the worse world will be the only one anyone can remember. Over time, memories of the other world—the only one that really exists now—will filter in, competitive with other memories in a way that might require everyone to double or triple check whether they wrote a letter or completed a mission in that timeline or this one. But the memories of death and dying will never fade into anything less real.
At that moment, everyone forgets what it is they were just doing. Instead they remember what they might have been doing in the world where a third of Riftwatch's number was lost, despite their hands suddenly occupied with the normal business of handling pens or swords or books they don't recall picking up.
For the always-living, it may feel as though they have been magically transported somewhere new mid-thought. For the dead—the formerly dead, the might-have-been dead—it will feel as though they have just woken up. Perhaps they'll have a vague sense of a dream they now can't recall, in between their last conscious moment amid the blood and screams in Granitefell and awakening just now in a quieter world, or perhaps they'll have a sense of nothing at all.
For a few hours, the worse world will be the only one anyone can remember. Over time, memories of the other world—the only one that really exists now—will filter in, competitive with other memories in a way that might require everyone to double or triple check whether they wrote a letter or completed a mission in that timeline or this one. But the memories of death and dying will never fade into anything less real.

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Benedict shrugs incredulously back at Byerly, not sure if it's what he wanted or not when the ferryman starts answering in the manner that he does. Could be worse, he could have to carry the whole conversation himself.
"No more turtles, I hope," he remarks, and immediately takes on a look known well to those close to him: I shouldn't have fucking said that, is written all over the tension in his face.
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During that half a second, the ferryman’s bemused smile is faltering.
“There won’t be anymore turtles,” Bastien says without looking away from Byerly. “Jonah—“ is not a worrisome name for a ferryman in a world without the Bible, thank you “—how’s your uncle? Feeling better?”
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And then, perhaps as some subtle revenge against Benedict's faux pas, he nods to the young man, saying, "That's what rich living will get you, you know."
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"Sorry," he mutters to Jonah, gives his head a little shake, and digs around for a cigarette that he can smoke to keep his hands busy; he's walking around and talking fine ("fine"), but he's definitely still in need of some sobering up.
Realizing that he would have to use magic to light the damn thing, and that he doesn't even carry matches for this reason, Benedict opts to fiddle with the unlit cigarette and look out at the water rather than shove his entire foot in his mouth again.
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By the time they reach the ferry's slip at the Gallows, Jonah is saying, "—took weeks to get the smell of fish out, so we called her Tuna for years," while he stands to handle ropes and bring them in close enough to climb out. "I ought to call her that again, now that I think of it. See what her face does."
"Please," Bastien says. He stands, climbs out onto the dock, and offers his hands down to help poor oyster-stricken Byerly follow. "And report back. I want a full reenactment."
Jonah says, "Aye-aye."
Which all seems to answer the question of whether the ferryman has any idea anything is amiss. But then, once they're out of his boat, Jonah starts singing to himself; the first line is maaaybe I'm going maaad. Which could either be a song Bastien has never heard before, or one he is making up on the spot to narrate the fact that he was, half an hour ago, under the impression that the Ambassador was dead.
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It's not so many steps up the dock. Not so many more to a place sheltered from the water and from curious eyes. Each one feels like it's being taken through heavy sucking mud, but each one happens, one after another, until finally they are within the confines of the Gallows and Byerly can lower himself gingerly to sit upon the ground and lift his hands to clutch at his hair and turn his face towards his knees.
"Fuck," he whispers, and trembles, and breathes hard, but doesn't know where to go from there. All the panic and terror and grief and confusion finally have space to be vented, now. But he'd thrust the cork into that bottle so hard that now he doesn't know how to loose it. All he knows how to do is stare blindly down at the ground, paralyzed, hoping that Benedict or Bastien will slap these feelings out of him.
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But he's not going to just stand there (and standing still, especially after being on the ferry and after what he's imbibed over what he can only gather was a very short time, is not a tenable plan), so instead he moves with a distinct sway to sit beside Byerly. He doesn't touch him, doesn't say anything, just looks at the ground and exists there. Perhaps it's not the best anyone can do, but it has to be for him, for now.
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But over the last couple of years, something else has gotten stronger than the inhibition. Hardy enough to even acknowledge that Benedict matters to By, cares about him, and might be a helpful presence.
He crouches in front of Byerly, then tips forward out of the crouch to kneel with a knee on either side of his. He holds his jaw in both hands.
"Hey," he says. "Tout va bien, By. You're here. We're here. Look at me—" with encouragement from his hands, trying to raise Byerly's head. "You remember everything?"
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"This is - unmanly," chokes Byerly, who sashays everywhere he goes and likes to wear gowns and yet still can't escape from this expectation of himself. Can't help but hate himself for this fear. But it's Bastien and Benedict, and so the shame is muted, more than it would be for others; the implicit apology hardly lingers.
And he looks up, his red-rimmed eyes meeting Bastien's. He clutches desperately at Bastien's wrist. "I remember it. I remember...what it felt to die, and then - and then I was in de Tolly's parlor. I - Did you - Were you all right? Both of you? They didn't - " He swings his head around just far enough to see Benedict, though he can't turn his face far. "They didn't come after you as well, did they? Maker, tell me you both lived."
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"We did," he says quickly, glancing to Bastien and back, "we both lived. We helped bring you back."
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He’ll mention his lost hearing some other time, when it will be romantic or funny. Or just when it won’t be one more thing to add to the overwhelm causing By’s panicky sentence fragments.
“Except for missing you.”
Maybe that’s the point where he would cry, if they were alone. But tending to By with an audience/co-tender is one thing. Crumbling himself would be another. The wall holds.
At a delay, he softens his hold on one side of By’s face. The side nearer to Benedict, specifically, to allow a little more movement to look in his direction. But only a little.
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But, with his eyes closed, he turns his blind face towards Benedict. And he whispers, "Thank you."
But then, immediately afterward: "I can't believe I was so stupid. To not see it coming...I - Did Yseult make it out?" The question seems suddenly vitally urgent. His eyes come open once again, and he looks Bastien full in the face, expression pained. "Did she pass along my message?"
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“She offered to, but I said no. She said I already knew, and I.”
The explanation of what exactly he thought and felt will have to wait, because now he’s glancing at Benedict, buttoning up his feelings and face again for his presence.
“Benedict told me about your letter,” he offers as a redirect, because it is not so private, and because it makes him feel less guilty. “A bit of it.”
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Then he looks back to Bastien. It's strange how guileless he is in his assumptions. The world-weary cynic, for whatever reason, doesn't think that either of these two would have suffered from any sort of base or petty emotions and would work as a team. Perhaps simply because of an underestimation of the effect his death would have, but perhaps it comes out of trust in them.
"Did you take on leadership?" Then, to Benedict, "And Artemaeus - did you manage to find some allyship with Flint? Did you secure a new place?"
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"I'll be certain to hold it over your head the rest of your days," he says with a gentle dryness, growing somewhat more withdrawn when the line of questioning continues. He shakes his head, but then adds: "I barely had the time."
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“I left.”
He’s still kneeling in front of By, hovering over his legs.
“Benedict told me when I was all packed and on my way out,” he has to say, because look at that horrible timing, that inexpert manipulation, but he also offers freely: “I would have left either way.”
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But - Well, perhaps it's a failing of the imagination. Sometimes it's hard to imagine a person - even a beloved person whose face you've memorized - as being truly different from you. But Bastien's definition of honor is different. It's always been different.
(And he crushes down the rebellious, stray thought that rises to mutter, actually, isn't that dishonorable?)
"I - see," By says. Then he takes a breath and says, "Well, that's all right," because that's better than asking whether the issue was that Benedict took too long to mention it or whether the issue was that Bastien left so soon. "It sounds like you all held it together quite well in spite of our losses. All of Riftwatch - to be able to execute on a plan like this. Stark and Flint and Yseult must have performed their duties phenomenally well."
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He wrinkles his nose in an expression of subtle irritation when Byerly waves it off, but there's no reason to kick up all the mud again right this second. He won't take potshots, he'll be the bigger person. Bastien.
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“Stark, mostly,” Bastien says. “It was his team. His idea.” He sits back on his heels, reluctantly willing to tolerate that extra five inches of distance from Byerly’s face. For now. “And he came to find me. Maybe we should buy him a present.”
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His gaze is turned down to the stone beneath him. He's lost for a moment. What more can he ask? What other information might cut through his confusion? He still half-hopes for a slap from one of them. He feels so...doubled. Like he himself is an actor observing the actions of a character he's playing, yet somehow without the power to break away from the script. It all feels like a dream.
And so he swallows. "I - suppose I ought to get up. Before someone sees me like this." Then - "I - don't know how to thank you. Either of you. For all that you did. I feel as though I'll be indebted beyond all possibility of repayment." (It's easier to fall back on these formulaic niceties, even towards these two. It's safe. Easy and thoughtless in a way that more heartfelt speech wouldn't be.)
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—and, less pettily, a plan that involves being genuinely alone with Byerly for the first time. To kiss him without feeling either rude or observed. To let his own guard down at all.
He’s still watching By’s face, keen-eyed, like maybe he can see past the polite mask if he examines it closely enough.
“Maybe we can find our girl, yeah?”
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“Yes,” he says, and for the second time forces himself to stand. (Maker, please, please, let them see no one on the way to his room. He will have no strength to put a wry and jocular show on. Not that he has to do so to keep secrecy - but he does have to do so.) “Yes, let’s go.”
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