Fade Rift Mods (
faderifting) wrote in
faderift2018-06-12 11:33 pm
RIFTER ARRIVAL: Justinian 9:44
WHO: New rifters & their rescuers.
WHAT: Welcome to Thedas.
WHEN: Justinian 12, 9:44
WHERE: East of the Hundred Pillars and Perivantium.
NOTES: This is the arrival log for all new rifters, open also to current characters who would participate in their recovery. New players can also assume everyone survives and arrives back in Kirkwall within a couple of days, but please note there will be a brief quarantine period when they won't be permitted to leave the Gallows, to get them up to speed while ensuring they're not diseased or otherwise going to kill anyone, before they're set loose on the city.
WHAT: Welcome to Thedas.
WHEN: Justinian 12, 9:44
WHERE: East of the Hundred Pillars and Perivantium.
NOTES: This is the arrival log for all new rifters, open also to current characters who would participate in their recovery. New players can also assume everyone survives and arrives back in Kirkwall within a couple of days, but please note there will be a brief quarantine period when they won't be permitted to leave the Gallows, to get them up to speed while ensuring they're not diseased or otherwise going to kill anyone, before they're set loose on the city.
You were asleep—whether deeply or fitfully, falling unconscious for the last time in a pool of blood or just resting your eyes for a moment—and then you were not. And wherever you were was not, anymore, replaced by nothing but the sensation of falling into endless, bottomless nothing. If this were still a dream, you would wake before you hit the ground. You can't die in a dream, they say. In some worlds.In this world, bathed in the light of a flare of too-bright, greenish light you will find yourself hitting mossy cobblestones with an unforgiving smack. You're alive, and you're fine, except for the narrow splinter of light that now glows out of the palm of your left hand. It aches, a bone-deep pain that gnaws even through all the distractions. Above you, hanging suspended in the air, is a shifting, crystalline tear in reality. It's the same color as the mark on your hand.
Beyond it, the sky is a clear and black, with stars that won't show until the rift's blinding light has been extinguished but two moons visible now. One hangs above you, beyond the rift. Another is lower in the sky, cut by the jagged line of mountains on the distant horizon. There's nothing in between to obscure the view or to block the steady, warm wind from the east, which isn't howling or whistling over the flat expanse of land so much as gently humming. Not gentle: the ground beneath you, which is more rock than sand. Further to the east there are dunes; here, the land has been stripped by the wind. It is nonetheless indisputably desert, with low, shrubby foliage and the earth beneath the rocks cracked and sun-baked.
But this isn't really the time for sightseeing.
You aren't alone here. There are other people on the ground around you—humans, or at least humanoid—with matching green marks, and an assortment of junk that might be familiar or might be very much not. Beyond them, forming a crescent ring around one edge of the rift's light, are a dozen wraiths, each capable of shifting between elements and hurling blasts of damaging magic. There's also a swarm of large buglike creatures determined to eat your teeth and three ghouls in suits chasing one rifter in particular.
All of these things would probably like to kill you. But you're not alone. In the dark beyond the rift's light, a group of armed and armored people swiftly descend on the scene. Many are wearing a symbol that looks a bit like a hairy eyeball being pierced through by a sword, and at least a couple of them seem to know what they're doing. Almost like they've been waiting for you. In fact, exactly like they've been waiting for you.
AFTERWARDS, it's only a short hike to an Inquisition camp in the greenery where the landscape begins its shift into plains, where everyone can patch up any wounds, have something to eat, and ask what in the void is going on here. But don't wander off. In the dark beyond the campfires there are other hazards: prowling wildlife, scavenging bands of darkspawn, unfamiliar lands and no map to guide you if you don't already know where you're going.

rani lakshmi bai | rifter & new arrival
i!
No, Kitty doesn't have any instinct to shield others. She especially doesn't have an instinct to shield someone with fancy clothes and a king's ransom worth of gold on her, not when wealth came from exploiting others and making your profits off others' backs. But the thing about being a human, a free woman, is that she doesn't have to rely on instincts, nor on commands; she can observe, and decide. And so as a fireball arcs towards the fine lady, she decides. She doesn't know if she'll come through all right, if the magic's too strong for her resilience or if it'll burn the flesh from her bones - but there's no question that it'll burn up the fine lady, right into a crisp, and the arithmetic of maybe-one-life versus definitely-one-life is one even Jakob would have been able to solve if Miss Hempstead had put it to him during class.
As she steps into the path of the fireball, she really hopes she doesn't die, because she does not want her last thoughts to be about maths.
She doesn't die. The fireball catches her on the back, and scorches through her jacket and part of her shirt and hits her skin and stops scorching. Kitty stumbles forward with the concussive force of it, but doesn't fall; and then she regains her balance, and whirls, and hurls one of the pens she's armed herself with in the direction of the attack - where it does nothing, just passes harmlessly through the demon that seems to be made, impossibly, of mist and nothing more.
She curses, and curses again when the demon turns its attention towards her. As it gathers itself for another magical attack, Kitty calls out to the fine lady, "Get to cover!"
no subject
Lakshmi surges up, feet hard and heavy against the ground - blast this not having shoes, at this moment. But she doesn't feel the hard stones below her feet, nor does the weight of her skirts and gold seem to bother her as she doesn't do what the girl says directly. No, she isn't leaving her there, she could not. Until she realises - she isn't hurt. Her clothes are burned, the smoke curls off of her but -
This wasn't the time to stop and stare. This wasn't the time to be utterly amazed. That could come later. So she shakes away the order, they've got to have a better idea than that. Especially when she sees the attack go straight through the thing like nothing. So she grabs her by the arm, and yanks her towards the cover as well. The ordered shout over her shoulder - "Can you do that again?"
no subject
As she does, her own bare feet slapping the ground, wincing as twigs and rocks bite into the soles of her feet, she pants -
"Yeah, it's - it's something I do."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Church is not a terribly good person to interrupt a private moment. Not because he's disrespectful (but sometimes he is), but because he tends not to recognize it when he sees it. In the dwindling aftermath, what he sees is someone new, who won't understand this place, not really, wandering off from the group. And more than that, she's hurt. Or she might be hurt. Sometimes it's hard to tell where the blood comes from until adrenaline fades away.
He doesn't touch. The last thing he needs is to become like that one Templar that got jumped by Helena, surprise someone who can trust nothing of her surroundings. (Well, and Helena's a little crazy in the coconut, but still.)
Softer: "Hey. You okay? You should probably get seen to."
no subject
Empty, there is nothing quite like this emptiness. Her own body feels hollow. A shell that might crack - perhaps best he does not touch. Not for the hurt she might do him. But because it might betray her too him. Egg shell thin, she'd simply crumble in.
Acknowledgement, brief that she looked at him, but gone afterwards as she flicks the material out. Unravelling the bundle.
"I have had worse, I will again." It certainly seems to be true. There are scars that cannot be mistaken to those who have seen them. There is a bullet wound, long healed in a mess of puckered shiny skin. Lines of scratches older than her present wounds. Teeth marks, claw wounds. At odds with the gold and henna. A thin veneer of grandeur.
She doesn't linger on it, she just keeps working. Smoothing the material out in her hands.
no subject
"No doubt about that, but we're gonna be moving out somewhere safer once everyone's caught their breath, and it's not gonna do anyone any good to go bleeding all over everything, y'know."
Scars don't bother him. They're common enough even back home, much less here with far different medical help. But at least a bullet wound means she's familiar with guns, and he's always thankful for that. Church awkwardly shoves his hands in his pockets for a lack of anything better to do with them, sword shifting on his belt.
"This sort of thing happens pretty regularly. The rifts opening up and people falling out of them. People tend to freak out." More than she's doing. Which...he's noticing now, more than the blood. Shock, maybe? Unless she's used to hopping planes of reality? Maybe she's...
Ah, there's a lightbulb just dimly starting to flicker above his head. Go on, what's two plus two?
"Are you..." It's repetitive, given what he approached her with, but now it just seems more pertinent. "...okay, though?" Whether it's just honest confirmation he's looking for or whether he's asking an altogether different question--that's for her to interpret.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
iii.
She spots someone looking tense and frustrated as she sits by the fire. It makes Six frown, just a little, and compassion steals her just a little as she pushes herself away from her spot before she moves over and hovers nearby. Maybe she doesn't look like the most pleasant of person with her sword on her back and her armour settled around her, but she doesn't think she looks terribly threatening either - at least, she's trying not to look threatening.
"Do you need any assistance?"
no subject
But it is a knight nonetheless if she knows anything of the images she saw in English palaces and houses and chapels. Enough to make her back go stiff, in pride rather than fear. A refusal to back down from anything, no matter how and when it occured. They had never turned their hands to her, not in service, not until -
Galahad would be well. Tesla and Devi could see to him if she could not.
Because maybe she wasn't the most pleasant either. Silks and blood, gold and scars. She didn't know how to run from the fight with the green ghosts and the little blasted teethed things. Her veil showed no more than the lower part of her face freely, her eyes just barely seen through as she held the edge of her veil between her first two fingers and thumb.
Then slowly - she nods. Bowing her head solemnly, a woman of position out of sorts to being exposed. Or more exactly, she had fought so long, and was so alone for so much of it... it is strange to simply have it offered and accept it. "There is a bite, I cannot reach it."
no subject
It helps, at least, that deep down Six knows she has a good heart. Sarenrae would not have come to her otherwise, would not have allowed her to be blessed with the gift of her strength, for her to transform from a soldier to a Paladin under her touch. Her devotion would not be repaid if she was cruel or filled with judgement; it is a good thing that she is kind, because Six can imagine the kind of monster she would be if she was anything but.
Shaking her head, Six offers a small smile, a barely-there lift of her mouth.
"Would you allow me to look at it?" She doesn't think she looks particularly threatening, but sometimes Six is incredibly unaware of herself; that she is tall, above six feet, with muscles and weapons that would make some people weep to carry. She still pictures herself the small, sad girl struggling to carry her first weapon, finding it difficult to lift the metal with her own bare hands.
"Or I can find you a healer."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
iii
"I hope that the demons didn't harm you too badly. Are you well?"
He doesn't really care, but opening with a statement of concern tended to rpoduce positive results.
no subject
But she is ill-equipped to fight. Even if she wasn't bleeding, the lengthy embroidered lengha had caused her enough problems to want to go leaping up immediately again in the blasted thing. Let alone when there clearly was some relative safety in the camp.
So she takes a breath, she eases her shoulders back and she takes stock of the question as it comes to her. "Well enough. I am sure they could have done much more."
no subject
"We'll be out of here soon enough, though. The city isn't terrible and the accommodations are much more comfortable..."
If he's noticed the way she tensed at his approach, he hasn't commented or given any sign of it. At least not yet.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
i
"Your hand," spat out as the next arrow is drawn, as she moves to flank. "Point it at the rift."
An elf with pointed ears and green glowing sharper on the hand clutching the bow, leathers made for practicality but weapons hooked and jagged that glow a wicked red. She fires again as another creature comes for her, teeth gritted, feral animal snarl rattling out of her chest.
no subject
But Lakshmi is an immortal rebel queen who is responsible for far too much public destruction and fighting with immortal knights about werewolves of all things. So her response isn't to question someone who seems to know what they are talking about - after all, there was a green glowing mark on her hand. Ruler she might be but she didn't have the pride that cared about it when someone clearly knew what they were talking about.
So she looked at her hand, looked at the green mark that was glowing, ebbing, crackling with a power that wasn't natural to her at least. Just point it - ?
Alright, and she threw her hand up pointing her hand at the rift. Palm up and open. Shocking when the light poured out of it. Filling the air connecting with the same green hole in the air. What devilry was this? Every nerve burned, strange and consuming all the way up her arm, but it hardly hurt at all.
no subject
Right as the little thing - eyeless and pale as Falmer in the fetid dark of all the dwarven ruins, any other festering stinking pits they've made for themselves, winged as some of the chaurus patrolling launches right at her boot - to have her stomach rolling. The reminder. Unwelcome. Unwelcome, unwanted, lurched back to camp beneath the bare bones of a dragon's empty ribs with hide stretched tight about them to keep the wind at bay, Shadowmere stood sentinel in sparse mountain grass--
Fingers slack on the arrow, she drops it right as this pale, nightmarish thing comes within a hair's breadth of her boot. Then it stops. Chitters. Launches itself at the arrow as she jerks back and stares as it devours it while she draws the next, fires through the small body.
"Don't let those bite you," sensible advice for all things ever encountered but anything that crunches up an arrow (antler, that one, antler and shinbone), "I think it'll eat through you. We close that rift, this stops, it'll take longer with two." Her own hand is up now that the thing is dealt with, a familiar jangling shock all the way to her back teeth that sends a roaring into her ears. Then the pulsing stops, and the green is a wraith, arms, a head, a suggestion of ribs. Whatever these tiny monsters are.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
sorry rl caught up with me a bit
pushes rl away!!
(no subject)
(no subject)
i
The sound that the creepy ghost makes is unholy, if you want to use a word like that lightly. Scary is another choice. Muffled fingernails on a chalkboard, weirdly too-quiet for the gaping maw that opens like some horrible version of a mouth. The bolt sizzles in and disappears in the wraith's chest.
And Jester goes bounding after it, charging like a bull. A qunari, seven feet tall and light blueish-grey, her horns adorned with ribbons and baubles. Under her blue cloak, she's wearing a cute dress and a pinafore and petticoats, light pink and ruffled. Smudged in dirt, she flashes a big grin at the lady, as she darts past her.
"Hey, you are really pretty!"
A quick compliment, before she throws her hand dramatically up in the air, a true magical girl. Her spiritual weapon--in its usual form, a giant pink lollipop--arcs down to smack the wraith in the face.
no subject
Her mouth opened, shut - thank you, she supposed she meant to say? - and watched her go bouncing off. Was this how people felt watching her? Perhaps. But even then she still fought by conventional means. Guns and swords.
Wasn't really time to go stuck staring, all the same. She has greater issues to attend with, namely that there were still these green wisps to contend with. Nothing as dramatic as the girl could do, but she could distract the next one for the woman to do her next... whatever that was. So she barks what was nothing less than a war cry. Loud and deep, she might look poorly suited for a battlefield, but she knows it better than being off it certainly. Enough to know how to pitch her voice to cut through the cacophony of sounds and get the ghost's attention on her.
no subject
"Don't be such a baby, don't be such an asshole," she starts to reprimand--but she's much closer to the wraith now, and gets a better look at its weird face. And the way that its jelly-eyes are focused behind her, back on the pretty lady, who has just called the ghost's attention back to her.
"Heyyyy, wait," Jester starts--but the ghost whmpfs past her, with a blast of cold gross air, reaching one of its wavery hands toward the lady. "Aww, man! Lady!"
(no subject)
(no subject)
(no subject)
iii
"My Lady, you're hurt. Please let me fetch a healer for you. We have a long journey ahead of us."
At the same time, he comes closer, trying to get a better look at the mark she's dealing with.
"We've travel ahead of us. You'll need to be strong."
no subject
But that, like these skirts, belong to a different life, a different time. "I am, you need not bother yourself on that account." She looks down again, at herself, at the mess of blood and golden threads, sighing heavily. "But if you could lend your hands to help me clean some of this away..."
no subject
"Yes, of course. Whatever you need," he says, drawing his waterskin from his supplies. He offers it to her.
"These clothes are very fine. I doubt we'll find such quality where we're going, I'm sorry to say."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
ii.
So: A queen.
Or near as one might be had in this place, though she owns no web of loyalty the Priest can see. A queen displaced, then; a queen without hive or home. Not djur--the Priest would sense it, if it were so--and so the Priest feels no urge to wade through battle to her side to defend her; should she survive on her own, she will be distinct enough to find after.
And so she is, separating herself as she does from the rest of the milling crowd. The Priest spares a moment to accept a shirt held out by an Inquisition soldier, neither looking at nor thanking the man before donning it and pacing after Rani.
The language of human posture and expression and what they say of underlying emotion are yet opaque to the Priest, especially without pheromones as a guide. But the veiling bespeaks a need for privacy that crosses boundaries of culture and species; the Priest stands at a distance of yards, eyes averted to study the desert, until Rani has put her appearance at last to rights. Then the Priest approaches, swift and wordless, to kneel abased at the woman's feet with face pressed to the sand--six feet and four inches of hairless, half-clothed androgyne, still and patient despite the wounds the posture pulls at.
(One presents oneself so to a queen whose hive is in order, that she might tread one's neck and assert her sovereignty in her own space. Not, perhaps, the most apt gesture here, but there is no extant protocol for treating with an alien queen on a foreign world. It is not something that has ever happened, and so one improvises. Structure must be built where none exists.)
no subject
But once she has set it all to rights, to stride confidently as she such since there was no choice right at this moment. The long swatched of a baby's swaddling clothes, now neatly folded and tucked to her waist. She is ready to go about presenting herself to her wound be rescuers - but is stopped rather from getting much further.
By the man - woman? - that bowed before her. More than bowed, down on his knees in front of her. Head to the floor, and she hovers. Her hands paused in the gesture holding the edge of her veil. She knows the protocol, if not the person. Another time, a lifetime ago, in fact, this would not have been strange, even if she never liked it. It came with the title, it came with the responsibility, her husband had told her when she protested it. It's that alone that keeps her from rejecting it outright. They are not at fault for correct reading the gilded material for what it said of the owner.
But that does not stop her being wary. She has more enemies than friends, these days. "Rise." Is the sharp decree. "Who are you that you pay me such obeisance?"
no subject
Bid rise, the Priest straightens but remains kneeling. A queen should be taller--a queen should have one craning one's neck to regard her in full, and doing so eases a little of the jangling discomfort produced by the entire situation. (Too many pieces and none of them fit together as they ought; like restoring the carapaces of soldiers discarded in a beast-midden, crushed and mingled together past repairing.) "A Priest of the djur, who must recognize a queen if not obey her. This one greets you, o devouring Mother, and offers aid against your hive's foes."
Devouring Mother. Something like a smile tugs at the corners of the Priest's mouth, something a human would call irony. Another piece out of place; this little queen is not much equipped for devouring anything, if her teeth are as blunt as the Priest's now are.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)