Lady Alexandrie d'Asgard (
coquettish_trees) wrote in
faderift2018-12-22 12:19 am
open | well i've lost it all
WHO: Lexie and the brave people who feel like maybe getting things thrown at them/being yelled at/cried on/some other flavor of ridiculousness.
WHAT: Breakup Drama ♫
WHEN: nowish (end of Haring)
WHERE: De La Fontaine apartments in Hightown
NOTES: if you're a melodramatic noblewoman with a sudden case of regency constitution clap your hands
[ if you want a certain flavor of ridiculousness, put it in your title or hmu on plurk (@shaestorms) or discord (shae#7274) ♥ ]
It has been three days since she returned to the apartments the Comte keeps for her and her sister in the middle of the night, and Alexandrie de la Fontaine has not emerged from her room. In fact, Alexandrie de la Fontaine has not emerged from her bed. The only mark of her continued residence is the persistent heartbroken sobbing from behind the door. It is largely quiet, muffled, a background sound to be filtered out like the ocean waves. It does on occasion become more energetic as some thought—new or revisited for the hundredth time—sets her off, or disappear entirely when the expenditure of it all sends her to sleep.
Meal after meal is brought, left, and found again untouched; the tea over-steeped, the coffee stale, and both quickly rendered cold, for she will not stand for a fire being lit in the hearth. (The first maid to find it silly and begin to kindle one in any case for her lady's own good received a thin bruise the shape of the side of an expertly aimed hairbrush and a tongue-lashing for her trouble. There have since been no other attempts.) Instead, she has wrapped herself in the covers of her bed, her attire unchanged since her return save to become rumpled, her hair slowly coming free over time as the pins vex her and are yanked out and thrown to disappear in the rug.
She is missing entirely. Silent on the network when she would usually be flip, absent from both duties and regularly kept company. Crystal messages go unanswered, and callers are turned away with the vague explanation that Lady Alexandrie has taken ill and is not receiving visitors; that they may leave a card, or a message, and she shall respond once recovered.
Some callers are, of course, slightly more insistent.
[ Here you still are! If you're not Evie and you're coming in the normal person way, Marceau is chasing after you right now in that sort of eminently austere way fourth generation lifelong butlers have. If you're a scalawag or something, she has a window. There's probably a trellis. We'll figure something out. Prose or brackets are fine! ]
WHAT: Breakup Drama ♫
WHEN: nowish (end of Haring)
WHERE: De La Fontaine apartments in Hightown
NOTES: if you're a melodramatic noblewoman with a sudden case of regency constitution clap your hands
[ if you want a certain flavor of ridiculousness, put it in your title or hmu on plurk (@shaestorms) or discord (shae#7274) ♥ ]
It has been three days since she returned to the apartments the Comte keeps for her and her sister in the middle of the night, and Alexandrie de la Fontaine has not emerged from her room. In fact, Alexandrie de la Fontaine has not emerged from her bed. The only mark of her continued residence is the persistent heartbroken sobbing from behind the door. It is largely quiet, muffled, a background sound to be filtered out like the ocean waves. It does on occasion become more energetic as some thought—new or revisited for the hundredth time—sets her off, or disappear entirely when the expenditure of it all sends her to sleep.
Meal after meal is brought, left, and found again untouched; the tea over-steeped, the coffee stale, and both quickly rendered cold, for she will not stand for a fire being lit in the hearth. (The first maid to find it silly and begin to kindle one in any case for her lady's own good received a thin bruise the shape of the side of an expertly aimed hairbrush and a tongue-lashing for her trouble. There have since been no other attempts.) Instead, she has wrapped herself in the covers of her bed, her attire unchanged since her return save to become rumpled, her hair slowly coming free over time as the pins vex her and are yanked out and thrown to disappear in the rug.
She is missing entirely. Silent on the network when she would usually be flip, absent from both duties and regularly kept company. Crystal messages go unanswered, and callers are turned away with the vague explanation that Lady Alexandrie has taken ill and is not receiving visitors; that they may leave a card, or a message, and she shall respond once recovered.
Some callers are, of course, slightly more insistent.
[ Here you still are! If you're not Evie and you're coming in the normal person way, Marceau is chasing after you right now in that sort of eminently austere way fourth generation lifelong butlers have. If you're a scalawag or something, she has a window. There's probably a trellis. We'll figure something out. Prose or brackets are fine! ]

no subject
I am being a complete arsehole? You are in my house, in my room, after having been informed I did not desire visitors, not to inquire after my state but to snidely match derision to my woe, browbeat me at length, and cause me to catch my death of cold.
[ She sits up, refusing to hug her shivering arms against her in the chill, despite the cold water and wind having leeched the warmth from her. ]
Although that I may yet have cause to thank you for.
[ Finally, movement at the door. Alexandrie looks at it grimly. It is not that she truly wishes for this, but she is every iota as stubborn as Kitty and, like Kitty, has already drawn her line and dug the trench behind it. ]
Well and so. If you have further complaints of me, you may address them to the guard.
no subject
it is not the guard. or rather: the back of them, having been roundly dismissed by gwenaëlle, surveying the scene with marked skepticism. absolutely no part of this sounds helpful or productive, and all of it immensely exasperating besides. rather than a greeting, )
She may not.
( 'because you are being a fucking child right now' surely seems to go without saying. it certainly seems self-evident to her. she sits down on the edge of the bed, just out of easy reach of either alexandrie's hands or feet, and says, very evenly, )
Are you about done with this, Alexandrie? It's been several days. If what it takes to get you out of this bed is that man, you may as well stay in it.
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When it's Gwen instead of them - She feels a little weak and a little hot and a lot grateful. Her eyes close a moment, and she swallows, and she pushes it all down and away. No time for it now. No place for it.
A breath out. Then, squaring her shoulders, trying to look collected: ]
Hullo, Gwenaelle. What d'you mean, that man?
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It is childish, perhaps (not perhaps, it is), but now that it is a contest of wills, now that there is a concrete goal she has hope of attaining, Alexandrie is determined to abide exactly. Where. She. Is.
She speaks past Kitty, her eyes narrowing to unwelcoming slits. ]
I am trying to.
no subject
( do you know, she doesn't sound sorry. she does seem to have answered both of them at the same time, though. it isn't that she doesn't think it's likely something is, honestly, happening with him—
just that there's nothing that could justify his behaviour. whatever it is, it isn't alexandrie's fault, and if he can't grow up, she ought to. )
You can't imagine how disappointing it is to know that you'll just stay down when he kicks you there. When I said decide who you are, I wasn't aware we were considering 'exactly what he's treated you as' a serious option.
( they're probably best friends. )
I can't make you stop being pathetic. But you're not going to wallow in delusion while you do it. My seamstresses are going to be here in about two hours for the fittings and our needlework. You can have bathed or not. Kitty and I will be happy to help you make yourself presentable, ( did kitty know that she was going to be happy to do that, or ) or not. And you can talk to us, or not.
( but as she remains too busy to simply drop everything to be here—well, she can't. it's both a compromise and a dare. )
no subject
This is about a - a break-up? [ And then, to Lexie, even angrier - ] I thought this was about something that mattered!
[ Kitty Jones: Always ready to offer sympathy. ]
no subject
There would be some small petty victory in taking Gwen up on this offer of the younger woman’s service that would no doubt be enforced by Gwen’s formidable sharpness, but she finds she would rather Kitty would simply finally go away than give her something else to whine self-righteously about—
Be righteous, be indignant, but do so elsewhere.
—it’s sudden and unwelcome and as coldly snarled in memory as it had been in life, and there go the damned tears again, but the old wheels can’t help but turn at the idea of Gwen’s seamstresses arriving. They will gossip. She has been given the opportunity to decide what it is that ultimately will undoubtedly get back to him. Will she be a wreck of a woman, or perfectly unaffected, or admirably lovely and soldiering on despite her obvious heartbreak?
She can decide in the bath. After all, it would be simple enough to wreck herself again. ]
If we are to do needlepoint perhaps you ought to teach Kitty how to do something useful while I am out. Hot air has never laid down thread.
no subject
I know how to do needlepoint. I probably sew better than you do.
[ And then she shakes her head. She can't contain herself. Even though she knows this is hurtful, and in spite of her fury she doesn't want to hurt Lexie - she can't help but say it. ]
Is this really just what you're always going to do? A man was beastly to you when you were a girl, and so you turned beastly in turn. And now a man is beastly to you again, and you do the exact same thing - you hit your servants and have your friends hauled away to jail and say awful, awful things. [ She flings one hand up in sheer frustration. ] Why are you imitating the worst people, the people who treat you the worst, when you're surrounded by people who are lovely?
no subject
( gwenaëlle pats alexandrie's hand, not unkindly. )
If she drives us away, she was in control of it. And she can tell herself that that's better.
( without changing her tone, )
I left instructions for a bath to be prepared.
no subject
Why, how right you are! Next time you are low and in need of consolation or encouragement I shall think, 'what would my good and lovely friend Kitty do?' and burst into your room, take you to task for whatever you did in your extremity, ruin your bedding, freeze you, snort at your reasoning when I do learn it—although I shall not learn it through inquiry, I shall let someone else enlighten me—and then, when you naturally react ungratefully, I shall behave as if I have done absolutely nothing I should feel ashamed of in the slightest while looking down my nose at you because I believe you to categorically deserve it.
Truly admirable. I am so glad to have made your acquaintance, mademoiselle. Please do write down your enlightened opinion on how one ought to properly deal with someone who does not discharge their duties properly after being thrice corrected to no avail. Dock their wages? Release them from service with a poor reference?
[ She continues, the litany growing quieter as she makes her way down the hall towards the bathing chamber. ]
Set them to some less kind task they are unused to, like cleaning sheets that have had water thrown all across them somehow that is like to get their hands chapped and raw?
Ah! But of course! Give them a foot massage and fawn over them, as those who are paid well to serve are morally superior by virtue of their simple existence!
[ A door slams ]
no subject
I'm going to fucking drown her.
[ And then Kitty bursts into tears. It's so sudden that even she hadn't known it was coming. Her breath hitches in a sob; she turns away from Gwen, quick as she can, to try to hide those tears. ]
I'll - I'll clean up a bit. Go on - do - do other stuff.
no subject
She's a fucking mess, she'll be in there a while. Have my handkerchief.
( it's delicate and monogrammed, but what can you do. )
She's angry because I'm right and it's easier to be angry than anything else. I think it's the actual language of Orlais, if I'm being perfectly honest. It's the only one we get taught. She thought she had something different and being wrong is...
I wasn't angry with him, when Alexander left me. I was angry with myself for thinking that he wouldn't. And that kind of thing curdles in you, and it's—cruel. And difficult. And hard to see through, when you're still in the first flush of it. I know it doesn't really help, but she wouldn't try as hard if it didn't matter.
( hesitating, then— )
If you need to go, I'm going to stay. The mouthy bitch won't be alone, you don't have to feel badly if you can't be here.
( it might be better for alexandrie if she stayed, but gwenaëlle isn't sure it's better for kitty, and balancing the two is a juggling act she feels utterly unprepared for—either choice, she thinks, can be borne. she doesn't want to try and make it for her. )
no subject
[ If Lexie were still in the room, that'd be a statement of defiance. Fuck you, I'm not going. With the object of her spite elsewhere, the stubbornness is harder to maintain. She feels as though she ought to go. Ought to go and never come back, because it turns out that when she'd thought that Lexie was gentling and softening and expanding her way of thinking it was all just wishful thinking on Kitty's part. Just dreaming that she could take someone's good heart and use it to shift their way of thinking. Making believe that it was possible to overcome a lifetime of privilege if someone just learned how. If you were a friend to them.
She hiccups, dashing her shirtsleeve against her eyes, trying to stanch the tears. ]
It'd make her happier if she didn't see me again.
no subject
Worse, if they weren't going to. Sooner or later you realise.
( her hand drops down to kitty's, presses. )
She's behaving badly because she's in pain. It isn't an excuse, but I happen to think there's a glimmer of a person in there who'll know she owes you an apology afterwards.
( not gwenaëlle, though, who had the temerity to be right at her very loudly. )
no subject
I don't want an apology for me. [ Another deeper breath. ] I want one for that maid. The one she hit. That was why - [ Kitty falters, biting her lip. ] I lost my temper. I ought to have been sweet to her, but - I was just so furious - She oughtn't be the sort of person who'd hurt those who can't fight back. Even when she's sad. I don't want to be friends with her if she is.
no subject
She listens to you, doesn't she? You can't always tell, through all of her flutter and hair, but she does listen, she's learned things. She isn't the same as she was when we met, that's for damned sure.
( this is, indeed, going somewhere. )
no subject
Yeah, she's learned what to say to really hurt my feelings.
no subject
after a moment, )
And she's in pain so she's reverting to what she knows better. No one becomes perfect or sheds every lesson in a moment, they'll make stupid mistakes. You can write her off, now, or you can still be here when she's able to hear things without interpreting them through that and say that. All she's going to hear right now is 'blah blah you don't matter as much as other people', it doesn't matter what you're actually saying. But it's a moment, and it ends.
You're not obligated. If you don't care any more, you don't care, I get it. But if you do, and you're just mad now too—
Maker knows I've done some fucked up things, too. And I've had friendships survive things maybe they shouldn't have done, but it's...it isn't nothing, to come out the other side.
no subject
Finally, quietly: ]
I'll stay. And I'll give her another chance. But if she keeps treating me like I'm rubbish, I'm not going to put up with it. No matter what we've shared. I'm not rubbish.
no subject
( gwenaëlle, famously intemperate, but she sounds uncomfortably experienced in this particular arena. maybe don't examine that closely. )
You aren't. You don't deserve it from her any more than she deserves it from Loki. And she isn't any more off the hook for it than he is, I just think she might actually give a damn about that.
( where she has her doubts, as much as she's always liked him—
he, she thinks, would cut off his entire face to spite his own face. )
We don't fight with her. She wants that. What she needs is people to be honest with her, and as patient as we can manage under the circumstances.
no subject
But apparently 'your boyfriend was a self-obsessed wanker who wasn't good enough for you in the first place and isn't worth giving a single shit about and you're better without him' isn't the right kind of honesty? Since that didn't go over so well.
no subject
( ever so neatly, )
and we can all take it as read.
no subject
[ A sigh. ]
Anyway. I'll follow your lead.
no subject
( after a beat: ) You wouldn't, probably, if you'd met me three years ago. And Alexandrie's only been here a matter of months. I'm not saying we never get held accountable, just that there's...productive ways of doing it. She doesn't have the capacity to listen in this moment, it doesn't mean she never does.
I was fucking awful to Coupe, which is just as she deserves because she's a dreadful bitch, but—I pushed her so, so hard, because I was terrified. All she was trying to do was make me better and stronger, and I took aim at every single thing I could think of to hurt her so she'd think I wasn't worth it. I hate her, she's appalling, ( so extraordinarily casually it cannot possibly be true, gwenaëlle has never hated anyone that blithely, she's a mercurial monster who does things at maximum passion only, ) but I can rely on her.
Sometimes that's what people need. Someone to think they're worthwhile when they don't. And it's harder when she's already pinned that on someone who's let her down. Not impossible, just. Infuriatingly difficult.
no subject
Are you and Coupe all right now?
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