Entry tags:
- ! open,
- alexandrie d'asgard,
- bastien,
- benedict quintus artemaeus,
- darras rivain,
- gwenaëlle strange,
- isaac,
- james flint,
- john silver,
- julius,
- kostos averesch,
- teren von skraedder,
- yseult,
- { adasse agassi },
- { alistair },
- { anders },
- { colin },
- { ilias fabria },
- { iorveth },
- { leander },
- { merrill },
- { nathaniel howe },
- { romain de coucy },
- { sidony veranas },
- { sorrelean ashara },
- { thor }
open: lol never mind.
WHO: Open!
WHAT: A memorial that doesn’t go as planned.
WHEN: Justinian 1
WHERE: The Gallows
NOTES: Nah.
WHAT: A memorial that doesn’t go as planned.
WHEN: Justinian 1
WHERE: The Gallows
NOTES: Nah.
The ceremony takes place in one of the side courtyards that’s been converted into a garden, where the oppressive architecture is offset with flowers and trees. There’s a small pyre, for those whose traditions call for pyres, but no bodies to burn. Instead there are tokens, flowers, favorite foods, treasured possessions—not yet lit.
(For the others, the Dalish and Nevarrans and anyone else with a different wish, their friends and family will have made different arrangements alongside the pyre, probably, if they aren’t universally reviled.)
Anyone who wants to speak, whether it’s a prepared speech or a single spontaneous sentence, can do so. The tone is respectful but only so solemn. It’s been more than a week. For many, the worst of the shock has passed, and the sun has continued to rise and set, and there’s room between bouts of misery for fond memories and occasionally laughter. The memorial is a door that’s closing—slowly, kindly—and tomorrow, on the other side of it, the war will continue.
Today, on this side, the only people judging anyone else for crying are the assholes.
***
Across the harbor, more than a dozen filthy and tired people come to a stop on the docks, and the loitering ferryman pauses to take stock of them, then starts laughing. There isn’t even any local mythology about ferrymen and the dead. It’s just that funny to him on its own, that he’s been rowing miserable people around all week, and here’s the source of all that misery, dirty and tired but significantly less dead than believed.
When he stops laughing, he offers to dunk everyone in the harbor before rowing them over. For the smell, you know. No one is going to be happy to see them if their eyes are watering too much to actually see them. Then he laughs some more at his hilarious joke.
But he does eventually load up his boat—and maybe there isn’t room for everyone all at once, maybe some dramatic reunions will be delayed, maybe some people will be even more fashionably late to their funeral than the others—and carries everyone across the bay, still chuckling intermittently.
***
In the courtyard, the speeches and anecdotes (and singing, perhaps) wind down to long silences peppered with murmurs or sniffling. Someone is preparing to light the pyre. And then the gate creaks open.
(For the others, the Dalish and Nevarrans and anyone else with a different wish, their friends and family will have made different arrangements alongside the pyre, probably, if they aren’t universally reviled.)
Anyone who wants to speak, whether it’s a prepared speech or a single spontaneous sentence, can do so. The tone is respectful but only so solemn. It’s been more than a week. For many, the worst of the shock has passed, and the sun has continued to rise and set, and there’s room between bouts of misery for fond memories and occasionally laughter. The memorial is a door that’s closing—slowly, kindly—and tomorrow, on the other side of it, the war will continue.
Today, on this side, the only people judging anyone else for crying are the assholes.
***
Across the harbor, more than a dozen filthy and tired people come to a stop on the docks, and the loitering ferryman pauses to take stock of them, then starts laughing. There isn’t even any local mythology about ferrymen and the dead. It’s just that funny to him on its own, that he’s been rowing miserable people around all week, and here’s the source of all that misery, dirty and tired but significantly less dead than believed.
When he stops laughing, he offers to dunk everyone in the harbor before rowing them over. For the smell, you know. No one is going to be happy to see them if their eyes are watering too much to actually see them. Then he laughs some more at his hilarious joke.
But he does eventually load up his boat—and maybe there isn’t room for everyone all at once, maybe some dramatic reunions will be delayed, maybe some people will be even more fashionably late to their funeral than the others—and carries everyone across the bay, still chuckling intermittently.
***
In the courtyard, the speeches and anecdotes (and singing, perhaps) wind down to long silences peppered with murmurs or sniffling. Someone is preparing to light the pyre. And then the gate creaks open.

no subject
And you didn't know how badly he'd-- [ been hurt. He swallows the words, sick with them; Issac isn't feeding him euphemisms. ] How badly I'd hurt him.
[ If they're baring truths.
It's not a question; that doesn't mean his eyes don't lift in search of answer. ]
Will he live?
no subject
You didn't cut his wrists.
[ Colder than it deserves. Defensive wounds. Gareth has those, too. He's seen Nell dig fingers into her own flesh, and Isaac isn't an idiot. It's a dismissive sort of absolution — he doesn't expect it to stick. Doesn't entirely want it to, grateful for how readily Ilias implicates himself, that he needn't lean upon affection for insurance. Ilias has the reputation, connections to shrug an accusation; he has the guilt such that it wouldn't matter.
(He has, once more, that fucking phylactery. Physical evidence.) ]
He's recovering. It'll be slow.
[ Isaac stands to find the bottle again. Nurses it, a worry stone, the base of his skull in that courtyard. Circling a decision that he's already made, that he'd thought the desert to make for him. ]
I can't keep doing this.
no subject
Simpler. Doesn't feel great. The wine in his cup might almost seem a blessing, if he weren't watching a man who never drinks try to drown in it. ]
Which part?
[ Opening bottles, or veins, or cleaning up after?
(He's starting to sound as tired as he is.) ]
no subject
[ Repeated, gesture and words dull. It settles thick against his tongue, which is good: Flattens anything sharper. The face in his shoulder was more fang than Livia's incisors. Isaac has spent too many years inuring himself not to recognize it now, the way his veins stir; pulse animates. Influence.
One falls under it. ]
All of this. Ilias, he could have died. And for what?
[ Maybe one of them wishes that. Maybe two — but Isaac doesn't want to. Ilias must be exhausted. Looks it. He crumples, and Isaac can guess the angle. (Inward, where else does venom travel?) ]
You want choices, then here we are,
[ Free. Full of potential. And: ]
Making bloody stupid ones.
no subject
[ And yes, it is beginning to look like a bloody stupid one. Like, apparently, letting either of them learn half a truth about the other, and then leaving them unsupervised.
(Like ignoring the beat in the back of his mind, steady as their footfalls from the Fields of Ghislain, of how fucking selfish it is to let anyone put down roots on a cliff's edge.
Stupid, to imagine this time he'd hold on.) ]
Yes, he could have died. You could have killed him for fucking nothing.
[ (Clinging, all the same.) ]
Is that a mistake you expect to make more than once?
no subject
[ There are areas in which Isaac is prepared to concede the Chantry are right, he hadn't thought this one. A personal failing to be so easily led.
He abandons the bottle at last, closes the distance to lay hand over hand over untouched cup. Tries to find his eyes. ]
Don't lose yourself for this.
no subject
But only because it was a given, of course. That he would excuse this. Has excused it already, quick to invent an answer he could live with, ready to believe it a manageable accident of temper even if that isn't true. Ever reaching for the easy lie.
(If Isaac had killed him, would he forgive that too? Hasn't he forgiven worse?) ]
Is the alternative any better?
[ Blame. Separation. Being alone again. ]
no subject
Well, [ A show of consideration, and there's something a touch more settled in the lilt of his brow. Briefly normal. ] I happen to be fond.
[ It falls away. He shifts the little mug free, sets it back upon the desk. It's more complicated than that. He knows. He just can't allow himself to care. ]
You can stay here long as you need. I'll, [ Take an inn. Take a walk. Something. ] Find a place.
[ He hasn't mentioned the state of the room. That's its own statement. ]
no subject
A wince; air pushed bitterly from lungs. ] I will not be here long.
[ He'd take the Silent Plains over this, staying in the shell of a place he'd just begun to know and now will not. Even in a crypt, you separate living from dead.
Luckily Isaac's isn't the only room within hobbling distance. He'll allow them both the dignity of an exit, though, first. Resists the urge to so much as turn to watch him go.
(The room, whenever Isaac returns to it, will be more or less as it was. A set of night clothes, ones he's never seen Isaac wear, are borrowed and returned in a day's time, laundered and pressed. The mug is cleaned and put back in its usual place. Nothing else of his is missing. Nothing is left for him.
If any of Ilias's letters were kept in this room, however, they are no longer. Not even the pressed plants. As near as can make it to having never been here at all.) ]