Entry tags:
[OPEN] deal me in
WHO: Fitcher + you and also you
WHAT: A weekly card game
WHEN: At some point every week, without fail
WHERE: The Gallows
NOTES: Catch-all mingle space; threadjacking encouraged and time is an illusion. Threads are not required to have anything to do with cards or even include Fitcher; may be before/after the game etc. No rules, just right; get your banter and gossip on.
WHAT: A weekly card game
WHEN: At some point every week, without fail
WHERE: The Gallows
NOTES: Catch-all mingle space; threadjacking encouraged and time is an illusion. Threads are not required to have anything to do with cards or even include Fitcher; may be before/after the game etc. No rules, just right; get your banter and gossip on.
There are really only two rules to play at Fitcher's table: you mustn't be a bad sport, and come prepared with conversation.
In theory, an invitation and the lady in questions presence are also required but both those guidelines have been broken: anyone who shows up in the the dining hall on the right evening who displays any interest in the game being played at one of the tables earns themselves an invite; and at least once Fitcher has appeared, slung back a single glass of wine, then announced, "I've work elsewhere tonight, but I expect a full account of all that occurs," before disappearing into the night.
It's sometimes loud and it's sometimes quiet. There are nights where more drinking is done and others with only a single shared bottle. Sometimes there are enough players to warrant splitting the game and sometimes it's just Fitcher, lying out a spread for Solitary as she smokes from a pipe and occupies herself with a little evening bookkeeping.
It's pleasant. It's a good distraction. One should never think too hard about these things.

b
She tips the bottle upright (nevermind her neighbor's soft sound of protest), then half stands to reach across the table so she might dose the glass - previously used or otherwise - near Mhavos' hand with some fair measure of the currant black wine.
"Would you say then that you could do it with your eyes closed? Or do you keep lights in your closets for just such an occasion?"
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He considers the wine, and takes a sip (fine stuff, finer than he's had before; he'll have to be careful with it) before shuffling the cards again, hands careful and nimble.
"It was a large closet. The kind nobles had. There was a window, but-" He closes his eyes, and repeats the trick. Mhavos opens them with mild surprise, comfortably pleased with himself. "Ah."
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"That," the woman says. "Is far too much time to be spending in a closet."
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He doesn't think to specify, we, the servants, they, the property owners. In Orlais, it would be obvious, it's not like he's managed yet to completely erase his accent.
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The wisk hiss of the cards as they're shuffled is a pleasant, ryhtmic melody.
"You said 'we.' Did anyone else come along to Kirkwall with you?"
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He watches her shuffle, quietly noting the ease of movement, and wondering if he can copy it later. It isn't as though he isn't nimble...
"I was the only one that stayed," he says, because that's more to her interest, he suspects. "I'm finding myself fond of the city. A severe minority, I'm aware."
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Well, the sentiment she will allow. It's the pleasure of successfully navigating a hedge maze.
With a hissof cardstock, she deals.
"Between you and me" --and the rest of the table-- "It's the harbor I can't stand. Crossing back and forth over it, I mean. I may be happy enough to be here, but my stomach disagrees."
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Pretend what? He knows what he means. And there's an advantage to be had in vague statements. People's reactions are very telling.
There's a restrained chuckle at her complaint of the harbor. "I'm rather new to sea travel of any kind. I was hoping I would acclimate to it...?"
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"I wouldn't worry. I believe most do."
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He takes his hand. "For your sake, I won't hold my breath."
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"No, I think your assessment is the right one. I'm also reasonably certain there are a few tragic poets out there who might be envious of such a novel description."
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Cities, or poets?
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Your turn.
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"Are you familiar with the translations of La Comtesse de Séces? Her translations are likely the best." He assumes she doesn't know Orlesian, at least, not well enough to read poetry in it even if she wanted to.
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"I'm not very good with names. Has any of her work been put to music?"
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"Are you asking me to sing?"
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"If you like."
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"As I have no reason to dislike you, I'll spare you the travesty. Have you ever heard If Ever Two Were One? I've heard that was popular in Trade."
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"I should have guessed the words were written by a woman of some means. That entire second stanza--" A click of the tongue. "Well, it's not really a song for the public house, is it?"
She lays a card, draws another.
what game are they even playing, waves hands ¯\_(ツ)_/¯
"I will admit the Trade translation is somewhat... bawdier," Mhavos says with a chuckle, "but it is fashionable for Orlesian nobles to write eroticism under a nom de plume. There are entire books of erotic verse-- not generally committed to song, though."
He lays down his card, matching hers in suit but not number, before drawing another.
fake fantasy card games is what
Beside the pair, she begins a new branch on the tree - matched in color, but neither suit nor number. The points are less impressive, but she's of a mind to follow up on it on her turn next.
"Tell me - are you a poet, serah?"
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