imbroccata (
imbroccata) wrote in
faderift2019-08-01 10:22 am
Crow Hunting | Intro OTA
WHO: Lino Nieri & YOU
WHAT: Recruitment of a Crow, ensuing insult and injury
WHEN: covering a span pre- and post-holiday
WHERE: Various
NOTES: Possibly some description of animal skinning, otherwise it’s mostly just introductions and bandit killing
WHAT: Recruitment of a Crow, ensuing insult and injury
WHEN: covering a span pre- and post-holiday
WHERE: Various
NOTES: Possibly some description of animal skinning, otherwise it’s mostly just introductions and bandit killing
I. Hunt a Killer
Whether by assignment or volunteering, you’ve taken on the task of tracking down a possible recruit. A Crow, more specifically. A task not many would find success in, if said Crow did not want to be found, but somebody who knows someone who heard from someone else says that a man with an Antivan accent has been seen in the Hinterlands, taking on small contracts and jobs from locals to deal with Venatori, slavers, fade-touched bears, and find missing persons.
Riftwatch intel, being as it is, suggests the possibility of this man being one Lino Nieri. Allegedly, a Crow in exile. Self-imposed, as the Crow way is to punish failure or transgression with death.
It is armed with this information that you happen upon his camp.
II. Kirkwall
[ Crowds. Lino hates crowds. The only good they serve is to hide what’s truly going on beneath a tide of chaos.
Case in point, Lino snatches up what appears to be just one of a group of children, running among the people and laughing, playing. He hoists the urchin by the collar and holds out his hand, receiving with reluctant grumbles the coin purse that had just been pinched from whichever unaware sod traipses beside him. ]
Watch yourself. [ Said simultaneously to the urchin and his companion before he releases the former and returns the coinage to the latter. ]
III. The Gallows
In the first days following his recruitment, Lino spends most of his time familiarizing himself with the layout of the Gallows. The armory, the courtyard and its defenses and weaknesses, the uses of the individual towers, he scrutinizes all with the look of a man planning fortifications. Attacks will come from there, the best vantage is here, exits in a pinch are here, here, and here...
When he is found in the library, however, that hypervigilance is seemingly refocused on memorizing the books and scrolls and where they belong. It’s a different kind of vigilance, one driven by a personal interest in knowledge for its own sake, perhaps.
IV. Wildcard
((take a sip, babes))

iii.
Mhavos finds himself very keen to know if Lino caught the slavers. His own predilections showing their hand, likely.
He's sitting at a table near Lino's inspection of the shelves, with several books open in front of him, one of which he's writing in. They're account books. How fortuitous.
He clears his throat. "Are you looking for something in particular, serah?"
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Lino's surprise is expressed in the lifting of one brow, a slight inclination of the head, but he doesn't answer Mhavos' question.
"You survived."
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He could come up with a convenient excuse. He has a few in mind. But why spin them out before they're needed? Anyway, he may not even need to lie. It's not like he's got special knowledge of the wilderness that he's hiding. He's just hardier than Lino appears to think.
Honestly, playing upon that is best. Whoever Lino is, he seems to have a low opinion of... elves, or people, or non-mages, or people who don't wander around with boar spears. It's hard to tell.
He's over-thinking this.
"Did you accomplish your job?"
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"I did," He answers. "You find your merchant?"
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Not that all slaves are elves. They're just what you picture when you think of slaves. Coincidence, surely.
"By a stroke of luck, I did. I'm balancing his books now. Discrepancies."
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ii
[ it may be within the purview of an assigned escort to keep slightly overconfident circle mages from getting robbed blind on their way toward darktown to pick up — don't worry about it, doesn't matter, definitely not poison —
but the boy needed it more than either of them. not that it stops him from pocketing the money. (he's usually better at this) ]
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Let one go quietly, more will follow. Make an example of one, and the lot will mind their footing. ]
Perhaps.
holy shit how has it been two weeks SORRY
regardless. the streets slope: mud becomes water, becomes sewage, becomes a jagged hole in the ground. someone's installed a ladder, and the young, burly dwarf at its entrance is taking fees. lino could probably waive that fee, too —
the coins come out again before he has the chance. the carta doesn't need it; isaac might need to come back here alone. he fishes out a square of cloth, passes it over before starting down. ]
The miasma. [ by way of explanation. it won't be a problem for isaac, it might for present company. a test, a swap to orlesian: ] Have you been here before?
shhhh it's ok it's worth the wait
To this hole in the ground? No.
[ his time in kirkwall as a whole is limited, and approximately 0% of his time has been spent wading through literal shit. ]
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Tie it around your face, [ gestured from the ladder. ] Grab me if your breathing —
[ another motion of the hand, sharper, across his neck. he drops out of view, into the undercity. ]
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i.
Like, genuinely. Kostos might hate the wilderness, might despise the squelch of mud and the itch of alighting insects, might resent the proximity of wild animals so much that he refuses to learn to differentiate between their tracks—"might," "definitely does"—but it's not the uncomfortable unfamiliarity of a tower-raised man who's never been out in the wild before. It's the deep-seated personal loathing of a tower-raised man who had never been out in the wild prior to spending the worst several years of his life fighting a guerrilla war in forests and fields while desperately missing bedsheets and cabinets.
So he hasn't gotten them lost, or at least not irretrievably lost. He hasn't been eaten by any bears. He's only gotten his foot stuck down so deep in mud that it took work to extract it twice.
And when the reach the camp, a half-dozen wisps are in the air—a few nearby, ready to act if they're needed, while others further and dispersed, circling around the other side of the camp like miniature scouts. He never lived in Antiva, barely remembers visiting his mother's family there as a child, but all of Thedas knows not to take chances with Crows.
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But excepting the part where they look like some kind of offensive comedy double act. they appear perfectly respectable and sensible. Marcoulf's hand is resting just there on the hilt of his fine silvered rapier, but he hasn't drawn it which more or less seems like the exact sort of reasonable caution and respect one ought to give a Crow.
As they pause there on the fringe of the camp, Marcoulf fixes Kostos' shoulder with a look. It isn't direct enough to state, 'Well? What are you waiting for?', but it certainly suggests the concept.
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The camp itself is a simple affair; set in among a rocky outcropping that is, blessedly, not muddy, and consists of a bed roll, the remnants of a fire within a ring of stones, and a few animal pelts tucked away where they’re safe from the weather and other animals.
“What are you supposed to be?” Lino’s voice sounds from behind the muddy duo, and the Antivan—tall, muscular, scarred and completely at ease carrying the carcass of an elk slung over his shoulder—steps past them. By appearances, he doesn’t seem inclined to offer them any attention beyond the question, dropping the carcass on a stone slab and splaying the animal’s legs apart to start gutting it.
But not before using a knife to slice off the elk’s balls.
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"Riftwatch," he says.
A bit of mud slides off of his boot to plop forlornly onto the ground between him and Marcoulf.
Put them on a recruitment flyer.
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"Is that so," he says dryly, turning back to his kill and slicing it from sternum to just above where the balls used to be. With the ease of a man who has clearly done this enough for it to be second nature, he makes a few more cuts and does something with a thin length of rope before pulling the nether guts of the elk into its body cavity, then removes them entirely. "Should that mean something to me?"
The entrails plop into a nearby pail, dropped unceremoniously from Lino's bloody hands.
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ii - Kirkwall
You some sort of savior? Answer to a prayer?
[p l e a s e. His accent puts him from Nevarra, by way of Antiva, somewhere in the vowels and lilt of it--and then muddied by how he practically growls those curt questions.
For Lino, it might be weird. A Nevarran with this face helped recruit him. Now doesn't seem to recognize him at all. Slightly taller than he was before, slightly fatter, thicker face, wineo eyes. Still irritated, so there's bound to be some familiarity there.]
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I think I met your brother.
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He does get around. [Fucker.] Before you ask: I can't carry a letter back to him on your behalf. Any pining you want to do, do it right toward him. Leave me out of it.
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I take it that's happened before, huh. [ Stands to reason, if the man issues a disclaimer so early. He shakes his head, dismissing the notion of pining for anyone, or using Nikos as a carrier for it. ]
I have a policy against shitting where I eat.
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The same would go for for gambling debts. Since this was returned-- [This, the purse. It clinks faintly when Nikos holds it up.] --instead of confiscated, I'll assume you have a policy of not playing cards with fuckers named Kostos who are shit at the game and too proud to admit it.
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didn't. almost called him a cuck tho
LOOK an insult's an insult that's still good
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blows the dust off this sorry it was lost feel free to drop
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Closed to Barty
"What is this?" This being the drink Barty had poured.
They are in a tavern, they have already paid for a few rounds each, and then this...concoction appears from under the table. Dubious.
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Here, see? He's drinking it, and from the same bottle you are. Well, it's more of a jug. Or, maybe it's too ugly to be a jug, but it's ceramic at any rate, and it's holding the liquor in.
"Batch came out not too bads this round, if I do says so myself. Tells me whats you think, eh?"
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No, right now Lino's main concern is the taste of this so-called wine.
"It's disgusting," he says, just as blunt but not quite genial. Though, he does take another drink after issuing that verdict, so perhaps that's as genial as he gets.
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Of course you do. Of course. He does so, and then reaches to shuffle the deck, for the next round.
"So! Riftwatch, then. What, ah.. what brings you outs to our humbles companys and our grims tower bys the sea."
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He can't be drunk already, can he? No. No, he isn't, the dwarf is just speaking strangely. Making things plural that don't need to be. Strange.
"Money," he says simply. It's mostly true. It doesn't hurt that they sent the incomparable Signora Fitcher to recruit him.
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