Entry tags:
Open | Life is just a troubled sea
WHO: Colin + You
WHAT: Open post for Haring
WHEN: Throughout the month
WHERE: Kirkwall
NOTES: If you would like a starter, let me know.
WHAT: Open post for Haring
WHEN: Throughout the month
WHERE: Kirkwall
NOTES: If you would like a starter, let me know.
I. Eyrie
No one here has yet been eaten by a griffon, but there's a first time for everything.
They're big. They're all so, so big, and they look hungry, and one of them is literally drooling. Fortunately, most of them are ignoring the normal-sized healer as he creeps about two feet into the eyrie, then stands there frozen. Is this a bad idea? This is a bad idea. Animals can smell fear, and these animals have sharp claws and sharp beaks and sharp talons. Thing is, these animals could mean life or death to a wounded ally. Moreover, he's learned a thing or two about himself from these bizarre dreams, and the most important of those things is that he's not as normal and boring as he has striven to be all his life. His instinct to hide from all things remotely heroic isn't as important as his curiosity, and when faced with both fear and wonder, he's going to try to act on the wonder.
That is, until one large, glossy, black griffon comes up behind him and nudges his elbow gently, at which point he chokes on a squawk and stumbles away from it. It follows. He bumps into another griffon, which makes an annoyed sound. Eventually he remembers to stand still. The black griffon approaches him and gives his shoulder a tiny headbutt. Colin turns positively grey. It gives his hand the gentlest of nips and Colin squeaks, backing away again.
II. Closed to Alexandrie
The doorman doesn't even have time to announce Lexie's guest before Colin is storming up to her. She has never seen him this angry, not even during their recent fight.
"You won't believe the conversation I just had," he snarls at the same time as the doorman stammers "A-apothecary Colin, my lady."
III. Obligatory workplace setting prompt
It's the apothecary. Maybe Colin is bottling potions and tinctures. Maybe he is sweeping. Maybe he is compounding various herbs. Maybe he is cooking lunch over the fireplace. Maybe he has run out of things to do and is sketching in a book. Come bother him.
IV. Wildcard

I. Eyrie
"I think Sunbeam likes you," she announces, ruffling Chawcey's feathers once more before stepping away, towards Colin. Or at least, starting to. Chawcey bumps his head against Athessa's back, making her stumble forward a step, and she huffs at him, only to have his massive head rest against her shoulder. "Quit it, ya nugget," she says, scratching under his chin and then shoving his head away. This time, Chawcey stays put.
"She's not gonna eat you, ya know."
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"No, no," Colin says cautiously, drawing the satchel out of the way. Sunbeam follows it. What's in there that--
Colin follows a hunch and pulls out a bundle of fresh herbs. Sunbeam cannot have it soon enough and nearly gobbles it up straight away, but Colin holds it behind his back and raises a finger.
"Wait," he commands. To his surprise, the griffon obeys. He looks over at Athessa. "Catnip," he says with a small laugh. "Do you know if it's safe for them?"
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But then of course, the effect it has on cats...
"Maybe just a little bit, it might make her a bit more aggressive."
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"What would you have done if I'd died?" he asks.
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"You wouldn't have," she makes a point to say first, then considers it. "But I guess I would've been sad about it and made sure the griffons all got to their pens once they were done eating you."
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"Okay, okay, break it up--" She scoops up the catnip, shouldering aside some of the more feisty griffons and shooing away the others, but of course once the herb is in hand, that's what they gravitate to. But the good thing about the griffons is: they're all trained. So all it takes is a little authority to keep them in check. "Artichoke, you first. Blanche. Hugo, come on."
One by one, she gets them back in order, throwing a sprig of catnip each into their pens and closing the gates behind them. All, of course, except Chawcey (who doesn't seem to care about catnip or misbehaving) and Sunbeam.
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"She's...actually quite pretty," he decides. "I'd need to train her to fly very still, if she's going to carry wounded. I don't even know how to go about doing that."
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Athessa pats Sunbeam idly on her way to stand before Colin and makes a face at his closed off posture. "I mean just look at you, I bet even your ass-cheeks are tense right now."
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pour moi
“What has happened, Colin?” His name, not her customary endearment; acknowledgement that this is something not yet to be smoothed or comforted.
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It’s claret. It will look striking—beautiful and terrible and inexorable—wherever it lands, should he oblige them both.
tw: mentions of attempted suicide
That was satisfying.
"Thank you," he sighs.
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The fireplace is her choice when some of it is for herself. When she needs to have it strike back at her, if only with the flare of heat. Perhaps it is so for Colin as well. Or perhaps he chose it simply for the extra element of destruction. Perhaps to save the staff the pains of cleaning up a spill. It hardly matters. The sigh that follows it loosens her shoulders as well, the height of the tension broken with the glass, and she offers her hand again. It’s empty this time, palm up and waiting for his.
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"I might have overreacted. The trouble is, when someone knows you need something, and they offer it in exchange for something else, but then it turns out they have no right to offer it and no way of guaranteeing you that you will get that thing you need, that's wrong. And in this situation, that thing I need is protection from the Chantry after the war is over, provided the world hasn't ended. I tried to kill myself because I thought I had no way of getting that. And then it's offered, but with a whole lot of strings attached.
Vested interest, he called it. Because I need something, I then belong to his cause?"
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"But manipulation, and vested interest. I can't help think that's how you treat an enemy, or at least a potential rival. But not a friend. And it's...I don't doubt Byerly really wants me to have the land. But I feel taunted. He says the land is mine, he waits for me to finish asking questions, and then he tells me the catch. If he'd just asked for my help, I'd have done it. But he gave me a glimpse of something I desperately need--hope--and then took it away. And I'm..."
He finds a chair and sits with a heavy sigh. "I have to look to other people to provide me with that. Hope. I can't make a place for myself in a world where I'm an apostate. And it's the most frightening thing of all, because I don't want to die. I don't want to go back to that place in my head. I know it's still there. And I know when I go there, I'm completely powerless. I need hope, and I can't make it for myself. So I see a little glimmer of it, a friend's spontaneous offer, and I think, 'I'm going to be all right.' And then it turns out he's just trying to get me to do something.
"He doesn't know what I did to myself, but it felt...exploitative. Because even though he doesn't know about that, he knows I don't have any choice but to do what he says because my life depends on it."
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iii.
“I did not know you could draw,” he says.
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"I must have started working at it a couple of years ago. No learning, just practice. Nothing you couldn't do."
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He leans on the edge of a worktop—not quite sitting on it, to avoid disturbing anything—and puts his little bundle next to his hip for later. It can wait a bit.
"How are you? Better, I hope?"
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A shrug. "How are you?"
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