[open]
WHO: Wysteria & YOU
WHAT: Anchor-related adventures and/or drama in fantasy September.
WHEN: Kingsway
WHERE: Various
NOTES: Some anchor and rift-related peril; open stuff is in the comments, but may use this as a catch-all. If an open prompt doesn't suit you, feel free to wildcard me or hit me up and I can write something bespoke. Prose or brackets is a-okay.
WHAT: Anchor-related adventures and/or drama in fantasy September.
WHEN: Kingsway
WHERE: Various
NOTES: Some anchor and rift-related peril; open stuff is in the comments, but may use this as a catch-all. If an open prompt doesn't suit you, feel free to wildcard me or hit me up and I can write something bespoke. Prose or brackets is a-okay.


slides this across the table before i dip out
On hand between the spans of time where he is well and truly required elsewhere, though he has capitulated to those duties with quiet reluctance. The pinch of worry has not left his face. If anything, that it is reduced to a pinch is some improvement over the entirety of their flight from said skirmish.
There is a singed book open across his thigh, but he's diverted from the reading to look at Wysteria and her flushed face, her obvious misery.
"Keep the cloth across your forehead," is spoken very quietly, instruction that precedes Ellis reaching over to her to readjust said cloth for her.
no subject
It had been fine where it was. There was something soothing about the cool touch of the thing at the top of her head where she can feel the sweat prickling amidst her hair. It would be preferable, she thinks, if by wrapping it about her left hand they might relieve some of the heat from it too. But surely they have tried that. Or, more rationally, if Adrasteia's magic had been of so little effect to it then what could a damp cloth possibly accomplish?
"Why have you stopped reading? At this rate, we will never be through it."
(It would be something to squeeze her fist around at least. The cloth would be.)
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He turns the cloth over on her forehead, tipping it back slightly in concession to the clumsy trajectory of Wysteria's fingers.. His thumb briefly smooths along her brow.
And despite the implication in her question, Ellis still asks, "Is the pain any less?"
His voice is very steady, quiet over the words. What he wants to say is that she should drink some water, or tea, or eat even a single slice of bread to fortify herself for the trip back. But he stops over that one question, assessing before deciding whether to press her or go back to the book as prompted.
A fortunate thing: Ellis is well-practiced at suppressing worry, at being a steady, fixed point in the middle of any difficult situation.
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Ellis has asked her a question.
"It is much improved. And this will pass also," is an absent, automatic answer.
Tomorrow she will be fit to ride, she thinks of saying. It is the missing reasonable connective tissue to, "I dislike that horse. I have been thinking of whether I might have one of my own rather than borrowing."
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Ellis doesn't know. There is no one to ask here, and perhaps no one to ask back at the Gallows. His thumb strokes once more along her forehead, thumb coming to rest at her temple, his attention held more by the blithe assertion of improvement than the possibility of the purchase of a new horse.
The missing link between her answer and her objection to the horse isn't questioned, but it wedges like a stone alongside all the worries he is careful to keep from his tone. At any other point Wysteria might have noticed, but he has an advantage in this.
"We can see about purchasing a horse," Ellis says, proposition taken in stride. "You'd have to stable whatever your new mount at the Gallows, unless we knock down the brick wall and expand into your neighbor's yard."
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No, she is already well sick of living adjacent to a barnyard. Madame Allard is. And perhaps, just a little, herself. It would not do to have chickens and a great dog and a horse on top of everything else. Riftwatch's stables would be a perfectly acceptable place to put such an animal—
She opens her eyes again and looks straight up at him, her attention an unsettling combination of too sharp and too disoriented.
"When we return to Kirkwall, you must meet Derangér. I have been forgetting to introduce you."
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If the fever would just break—
The motion of his thumb doesn't falter when her eyes open. His expression doesn't waver either, patient attention set upon her face as she focuses on him. (Fear and worry is contained in the furrow of his brow; the tender edge of something at the corners of his expression is likely easily missed.) Some minor adjustment of the cloth occurs.
"Who is Derangér?" he asks, without any real expectation of a clear answer.
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Assis. Reste. Ici. Au pied, and so on.
"I suspect you will like her."
This, quite confidently.
place your bets on how many tags until ellis realizes it's a dog
"Maybe," is less non-committal than it would be, prior to having acquired something very close to friendship with Bastien. His fingers return to their ministrations.
"Why didn't you bring her along with you?"
Surely this is the real point of contention: that this Orlesian guard had opted to remain somewhere in Kirkwall rather than accompany Wysteria on this venture.
Lets see how long i can keep up this ruse
"Oh, she has been charged with minding the house while we're away. With the second cellar being dug, I shouldn't care to have no one in attendance there while de Foncé's contractors work."
This is all perfectly rational, Ellis.
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"The ghost minds the house," is a mild objection, for he doesn't intend to argue with her in this state.
The cloth is tipped slightly farther back along her forehead, edge folded to spare the errant drips of water from running into her eyes. His hand passes back over her hair again.
However, it is difficult to be charitable, considering their present circumstances.
"You might advise her to consider her priorities when we return."
Logically, some of this may not be the woman's fault. How many times has Wysteria described an experiment to Ellis in the most benign terms, only to set the kitchen table on fire shortly thereafter?
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"Yes," she says after a moment. The word passes softly between her fingers. "I will consult with her on the subject directly. Though I can't be too harsh with her. She and de Foncé are already the best of friends, and he will be furious if he hears I've been sharp with her. It wouldn't surprise me if he preferred her company to mine."
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However, even this exhausted, strained laugh is so very welcome. A smile comes and goes, briefly breaking the solemn look on his face.
"I find that hard to believe."
But then again, Val de Foncé is Orlesian. And in possession of questionable prioties.
"Won't he be unhappy to hear that she let you put yourself into danger without her guidance?"
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She lifts her hand from her face, allowing her arm to unfold across the blankets piled over her with fever-touched languid slowness. Uncovered, there is still some flickering shape of humor in her expression.
"But I think that is very near to the spirit of the thing in question. He will first blame me for being very foolish."
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Apart from a guard that chooses to stay home to observe dwarves rather than protect their charge.
Ellis' fingers draw along her scalp. Her updo has loosened. He has seen it in similar state before, after a day of field work, but the disarray is more so than usual now. It's foolish. He's foolish.
She is very warm, and he can feel the burn of her fever and thinks again that they cannot sit here forever while Wysteria is in such a state.
"He might have chosen someone more suited to traveling," is tacked on without any real thought as to the quality of the argument. Just carrying on the conversation because it seems a fair distraction in the moment, and that is sufficient motivation.
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Somewhere beyond the tent, some variation of the breeze carries the low murmuring sway of a conversation here. It's too low to parse the details. Only the vague outline of the thing reaches this far. It is something like the shift of his fingers, the fever in her making the point of contact both keen and obscure. She can hear the soft rasp of her own hair. She can't quite define the sensation.
"You will form a wrinkle there," she tells him. "Between your brows."
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The slow draw of his fingers through her hair continues as he makes a minor show of considering her warning.
"You might have to refrain from repeating any of this then, to prevent it."
In which this is such a specific thing. Under different circumstances it might be a more broad request; Wysteria does have a habit of prodding at any given dangerous phenomenon within a fifteen mile radius. But right now, Ellis would rather any of that than her here in this tent, burning up with fever and bearing up under pain she pretends is not as bad as they both know it is.
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Her free hand absently pats the top of the blanket. It must be in place of doing the same to the back of his hand or some similarly consoling gesture. Poor Mister Ellis, with his wrinkled brow and shock of graying hair.
And then her hand rises, fingers touching his wrist.
"You won't tell Mister Stark will you? Not today."
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And he is quiet for a moment, considering what she's asked of him.
"Will you tell him?" he counters. "Not today, but when we've made it back to Kirkwall."
Of course, it might not matter who says what if they bring Wysteria back to Kirkwall in this condition. The word will spread regardless of what Ellis does or doesn't say. Ellis asks her this in full assumption that the fever will break on the road, and that there will be some choice in what is relayed to Tony.
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What? Concern?
That, maybe. She can think of no other word for it.
"I'm sorry you were here."
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His hand tightens on hers. His head shakes, an immediate, silent no.
"I'm not sorry to have been here."
Though he can do nothing for her either, apart from dip cloth in water and read until she sleeps and stroke her hair, none of which has done anything for the fever or the condition of her hand. What use is he, now that the need for a well-wielded mace has passed?
His thumb smooths across her brow again in a slow, careful sweep, without dislodging his hand from her hair.
"I want to be here."
Words weighted down with some other thing Ellis cannot say. It's near enough. It's meaning is the same.
no subject
Instead:
"Yes, yes. You're very gallant, Mister Ellis."
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The same discomfort Silas (then Richard) had stirred up with his assertions of noble prickles to life now. He shakes his head. His thumb smooths the edge of the cloth at her forehead.
"It has nothing to do with what's gallant."
Even if the accusation of gallantry were true, it's such a wholly separate thing that what keeps him at her side.
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"I mean that it would be better if you hadn't been here, as I intend to be perfectly well. So there will have been no point to any of the fuss."
There. That's slightly more satisfactory.
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She had said something similar the first time, in the sewers. (And again, after the tournament.) The sickening fear that she will not be perfectly well is wedged like a crossbow bolt between plate, messy and deep and in such a way that it will not come free easily.
Ellis says nothing. His grip tightens on her hand. His fingers draw again through her hair, careful to avoid disturbing what's left of the arrangement of pins.
"I would rather know," he says, after some consideration. "Even if you will be perfectly well in a day or so."
Clumsy. But it will have to do.
(no subject)
put a bow on this y/n