Entry tags:
and some men’s hearts seem to circle forever: you catch sight of them on clear nights,
WHO: Adelaide Leblanc + Martel
WHAT: The morning after the night before.
WHEN: The morning following Josephine and Vivienne's soiree.
WHERE: Martel's quarters.
NOTES: Contains nudity.
WHAT: The morning after the night before.
WHEN: The morning following Josephine and Vivienne's soiree.
WHERE: Martel's quarters.
NOTES: Contains nudity.
Adelaide is awake, he knows. He'd felt it when her breathing shifted from the slow, evenness of sleep; he had been less surprised than he might have been when she didn't move, upon her side away from him. The curve of her hip beneath the blanket and fur is not without its appeal, so there's that. His hand lingers a moment above her shoulder; her hair; falls to his side again as he rolls onto his back. Well, he can understand. His ceiling has never held such fascination to him - it might hold the great secrets of existence for the way he studies it. It would be easier, he supposes, if it had just been bad--
His laugh is abrupt in the early morning silence, the cool air and the light that knifes through the window, interrupting the careful, experimental way she shifts. Still rough with sleep, a low drawl, not unkind--
"All right, darling, just let me down gently."
He thinks they will survive this. She found it in her to live with his past; they can probably live with where he put his tongue when it was still dark. Even if she is, currently, quite possibly trying to work out if she can get out his window without his noticing.

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Never a friend quite like Martel is to her and she'd sworn that first time after she forgave him that she wouldn't be swayed by his jaw or his laugh or his anything.
A broken piece knows one when it sees it's like. They are both of them broken.
This is inappropriate.
Of course his laughter, his joking makes it more so rather than less even as it highlights the absurdity of the situation. If it had been awkward or fumbling or unsatisfying or wine drenched and awful this would be easy. Martel, in much the way he ever has and likely ever would, manages to make things more complicated simply by being himself. Adelaide shifts her weight to her elbows, peering across at him in the morning light. Somehow his finding humor gives her permission to do the same. "...We are literally from different worlds. It would not work."
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She is beautiful, but she isn't for him.
"Getting rather above my station," he says, infusing mock regret over anything genuine that might linger. "Another of my bad habits for you to forgive."
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There is no time in her to devote to such tender leanings. At least when she's come to that realization she's done it with a man that will not take such things personally. Nor would he take her reaching out to slap at his chest personally.
"You were a fair way below last night, if I recall. Happily so." Wry, dry, and even. A shade of herself she'd honestly though lost, this.
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And he laughs, low and with the faint air of smugness exemplified in a man remembering fondly his earlier triumphs. "I grant you. And you might call us even, now."
Speaking of things that aren't funny, but honestly, if this never happens again, they'll always have that moment she closed her thighs on his head.
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That, of course, is the notion that prods Compassion back to the moment- or at least has the spirit attempting to check. Adelaide had been thorough in her not now the night before- and is more gentle about the same in the morning. Not just yet.
They are both still naked and, awkward. "That- that is not my fault. Your back, now...Let me see it?"
How deeply she'd dug- she can't remember. She was rather preoccupied at the time with other pressing sensations and concerns.
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After a beat, "And I will gladly take full credit, but the point remains that I might've died, Adelaide--"
He absolutely was not going to die. And he's no quitter, it's not as if he'd stopped.
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He shouldn't tease quite so much easier and what had been a slap to the chest is swiftly followed by a halfhearted swipe at him with a pillow. "You could have tapped out if you had that much trouble breathing."
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It isn't that nothing is sacred. It's just -
Sacred and untouchable aren't the same.
"And I always finish what I start."
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And she had, thoroughly, enjoyed herself. If it weren't for the sudden swath of strangeness now- a mistaking what they had for something that could be more-
It isn't. Wasn't. Won't be. Realizing she likes him more when they aren't in bed together is strange enough. "Is it often this strange? I- every other time has been in the Circle and things are different, there."
There's an art to this she does not yet know.
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Fine. It's quite genuinely fine, and he could laugh at himself. The first woman in his life to look at him with true affection for so long and of course he confuses the matter - but they're going to be all right, and they can laugh about it, and that means more to him than he thinks he can express to her. At least, more than he could right now, in this moment. Maybe one day, when she isn't so flustered, he'll try to articulate it.
"The last time I shared a bed with a woman," he says, dryly, "we made a very civil arrangement and I paid her handsomely for her time. Before that -"
A quiet laugh, not without rueful warmth.
"I may be the wrong man to ask."
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It only takes peering back over her shoulder at him when he says as much that proves she likes him better with his clothes on. Or rather she likes him better, at least, when she is dressed. "...We are both terrible at this."
Whatever this is.
That's something of a comfort at least, one that wrings out a faint snort of laughter.
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Funny, that.
He's still smiling, faintly, when she looks at him, one knee bent and an elbow resting there, easy, relaxed. If this is as bad as it gets--
"I think we are quite good," he says, kindly, "at the disentanglement of two people who know better."
And there are worse things in the world.
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She says with her usual exasperated affection reaching out to pat his hand before slipping from the bed properly and seeking out her smalls. They must be here somewhere.
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He closes his eyes and tilts his head back, breathing in some of that easiness and exhaling again to clear his head.
After a moment, he says, "You know, a woman once thought my body worth immortalising on canvas," very mildly.
(This is both a joke at his own expense and true.)
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Perhaps she could borrow something of his to wear to her room. It'd be less mortifying. One of his shirts is a dress on her as it was.
"And you in your infinite vanity allowed such a thing with great enjoyment I am sure."
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"I was a boy much concerned with my dignity. She nearly forgot she was going to give me grief for my 'withering expression' when she showed me the first one, when I told her it was a damned good thing I'd already spoken with her father about our marriage. She was not impressed with a proposal she'd never, she said, be able to discuss in polite company."
She always went a little pink when asked about the engagement; he'd rather considered that a feature, not a flaw.
"It took her a great deal of work to persuade me to do it in the first place. In the end, I agreed on the condition the artist wear as much as her subject."
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"Of course you did." Because, again, Martel is just that sort. Part of it is charming when held at the distance of not being quite so deeply entangled. She wonders, then, if this Lady grieves for him. Wonders if she blamed herself for whatever happened to twist Martel so- though she sets that aside. Any woman involved with Martel had to be practical enough to know the man dug his own grave figuratively often enough. That he'd done so literally should come as no surprise.
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"Believe me," he says, arch, "she left me under no illusions I was to be married for my charm. Granted, it was an open secret Petra's mother would have had me go whistle for a wife if my knighthood didn't come attached to a margravial title and personal wealth in sinful excess, but I have it from the lady herself that even in buying myself a wife, she'd no rivals prepared to martyr themselves to my intolerable ego, dictatorial ways and mistaken apprehension that I'm amusing."
Upon consideration; "I think the two of you would like each other very much."
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Martel is a great many things, but an ideal husband for any price? Hardly. A fair lover, well. More than fair. But a problem, a headache, and a distinct burden upon the patience of anyone that would linger in his company.
"We might swap stories of how exasperating we find you and commiserate over glasses of wine." Though this lady likely had more grievances than Adelaide can dare to imagine.
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Allowing her that moment to say what she would to him, the life she'd planned to lead unraveling under his hands. (He remembers the fistful of hair she pulled out of his head more than anything she said, but he'd been near to dead on his feet, in fairness.)
"And," he says, lips twisting in a wry smile, "rather disproved the theory love is blind." A little shrug of his hands - "She married well, in the end, but you needn't worry I've any notions of doing the same."