Entry tags:
and some men’s hearts seem to circle forever: you catch sight of them on clear nights,
WHO: Adelaide Leblanc + Martel
WHAT: The morning after the night before.
WHEN: The morning following Josephine and Vivienne's soiree.
WHERE: Martel's quarters.
NOTES: Contains nudity.
WHAT: The morning after the night before.
WHEN: The morning following Josephine and Vivienne's soiree.
WHERE: Martel's quarters.
NOTES: Contains nudity.
Adelaide is awake, he knows. He'd felt it when her breathing shifted from the slow, evenness of sleep; he had been less surprised than he might have been when she didn't move, upon her side away from him. The curve of her hip beneath the blanket and fur is not without its appeal, so there's that. His hand lingers a moment above her shoulder; her hair; falls to his side again as he rolls onto his back. Well, he can understand. His ceiling has never held such fascination to him - it might hold the great secrets of existence for the way he studies it. It would be easier, he supposes, if it had just been bad--
His laugh is abrupt in the early morning silence, the cool air and the light that knifes through the window, interrupting the careful, experimental way she shifts. Still rough with sleep, a low drawl, not unkind--
"All right, darling, just let me down gently."
He thinks they will survive this. She found it in her to live with his past; they can probably live with where he put his tongue when it was still dark. Even if she is, currently, quite possibly trying to work out if she can get out his window without his noticing.

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It only takes peering back over her shoulder at him when he says as much that proves she likes him better with his clothes on. Or rather she likes him better, at least, when she is dressed. "...We are both terrible at this."
Whatever this is.
That's something of a comfort at least, one that wrings out a faint snort of laughter.
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Funny, that.
He's still smiling, faintly, when she looks at him, one knee bent and an elbow resting there, easy, relaxed. If this is as bad as it gets--
"I think we are quite good," he says, kindly, "at the disentanglement of two people who know better."
And there are worse things in the world.
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She says with her usual exasperated affection reaching out to pat his hand before slipping from the bed properly and seeking out her smalls. They must be here somewhere.
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He closes his eyes and tilts his head back, breathing in some of that easiness and exhaling again to clear his head.
After a moment, he says, "You know, a woman once thought my body worth immortalising on canvas," very mildly.
(This is both a joke at his own expense and true.)
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Perhaps she could borrow something of his to wear to her room. It'd be less mortifying. One of his shirts is a dress on her as it was.
"And you in your infinite vanity allowed such a thing with great enjoyment I am sure."
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"I was a boy much concerned with my dignity. She nearly forgot she was going to give me grief for my 'withering expression' when she showed me the first one, when I told her it was a damned good thing I'd already spoken with her father about our marriage. She was not impressed with a proposal she'd never, she said, be able to discuss in polite company."
She always went a little pink when asked about the engagement; he'd rather considered that a feature, not a flaw.
"It took her a great deal of work to persuade me to do it in the first place. In the end, I agreed on the condition the artist wear as much as her subject."
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"Of course you did." Because, again, Martel is just that sort. Part of it is charming when held at the distance of not being quite so deeply entangled. She wonders, then, if this Lady grieves for him. Wonders if she blamed herself for whatever happened to twist Martel so- though she sets that aside. Any woman involved with Martel had to be practical enough to know the man dug his own grave figuratively often enough. That he'd done so literally should come as no surprise.
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"Believe me," he says, arch, "she left me under no illusions I was to be married for my charm. Granted, it was an open secret Petra's mother would have had me go whistle for a wife if my knighthood didn't come attached to a margravial title and personal wealth in sinful excess, but I have it from the lady herself that even in buying myself a wife, she'd no rivals prepared to martyr themselves to my intolerable ego, dictatorial ways and mistaken apprehension that I'm amusing."
Upon consideration; "I think the two of you would like each other very much."
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Martel is a great many things, but an ideal husband for any price? Hardly. A fair lover, well. More than fair. But a problem, a headache, and a distinct burden upon the patience of anyone that would linger in his company.
"We might swap stories of how exasperating we find you and commiserate over glasses of wine." Though this lady likely had more grievances than Adelaide can dare to imagine.
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Allowing her that moment to say what she would to him, the life she'd planned to lead unraveling under his hands. (He remembers the fistful of hair she pulled out of his head more than anything she said, but he'd been near to dead on his feet, in fairness.)
"And," he says, lips twisting in a wry smile, "rather disproved the theory love is blind." A little shrug of his hands - "She married well, in the end, but you needn't worry I've any notions of doing the same."