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WHO: Cyril and OPEN
WHAT: The first time that Cyril has opened his stall for a long time but he seems distracted rather than engaging others the way he usually does.
WHEN: A week or so after Sina's death
WHERE: The Gallows - Specifically Cyril's stall at the Gallows.
NOTES: This might eventually result in some discussions of grief and parental death. Close CR might get him to talk a bit about what happened in Pel's nightmare too so all of those warnings may apply.
WHAT: The first time that Cyril has opened his stall for a long time but he seems distracted rather than engaging others the way he usually does.
WHEN: A week or so after Sina's death
WHERE: The Gallows - Specifically Cyril's stall at the Gallows.
NOTES: This might eventually result in some discussions of grief and parental death. Close CR might get him to talk a bit about what happened in Pel's nightmare too so all of those warnings may apply.
It has been nearly a month since Cyril has been at his stall. First business with the Inquisition had pulled him away, then a shortage of supplies, then Sina's death and everything surrounding it. Finally, though, he has some wares out to be bought by any who are interested.
There are some basic traps, spring loaded traps, and then, as always, his puzzle boxes. The different items are organized carefully on the table and displayed for any who happen by. Usually, Cyril would be playing with one of the boxes to show how they work, or engaging with those who paused at the stall.
Now, though, he focuses on a sketch he's working on. When someone comes by he smiles at them, and offers pleasant conversation, but rather than being his usually vibrant self he seems a bit withdrawn. He sits by the stall and works on drawing the shape of a woman's face.
If anyone manages to catch what he's working on, they may notice that she resembles him. Or rather, that he resembles her. He had inherited most of his looks from her after all.

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"Hey-a, Cyril! I didn't know you made traps." This is what he gets for not paying attention more. As he glances over at the elf to wave, he then finally notices what he's doing. "Or that you draw."
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"Oh, yes. I was a Hunter with my Clan so I made them even back them, but since moving to the Inquisition I was able to greatly improve my skills. If you're interested in a few I could give you a friendly discount."
He considers the drawing he's working on and then shrugs. "As for the drawing part, I'm not certain how good I am at it. I'm attempting to capture something from memory and I doubt I'll ever be perfectly happy with it."
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The drawing looks pretty decent, at least to Prompto. "Looks good to me. Is that a relative? She looks like you a bit." He's guessing either a sister or his mother.
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"This one should be pretty good for animals. I used something similar to it to trap rabbits and other small animals for my Clan, though this is a bit more advanced than what I had access to back then..." he offers as he points out the one he means.
"Although, I have to admit I'm curious about what kind of advancements they have where you are from."
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"To be honest, it's not much different from here. At least from what I've seen." In terms of traps, anyway. Sure, different weapons for the hunts, but traps mostly remain the same. "Stronger materials, but same concept." He saw them scattered about while doing hunts.
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He honestly can't help but feel curious about the technology in other worlds. He thinks if he can discover some things about them, he could make life much easier for those in Thedas.
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Cyril raised his eyebrow at that word. "Plastic? What exactly is plastic?"
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The image of Sam in jeans is enough to cheer him up a bit though.
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"Next time you do, if you catch me staring you'll know why."
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"Noted. Let me know if my butt looks kinda shapely in it, or if it's my legs." He's got people to impress, and his ego can always use a boost. "Gotta know how to rock it, yeah?"
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