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WHO: Cyril and OPEN
WHAT: The first time that Cyril has opened his stall for a long time but he seems distracted rather than engaging others the way he usually does.
WHEN: A week or so after Sina's death
WHERE: The Gallows - Specifically Cyril's stall at the Gallows.
NOTES: This might eventually result in some discussions of grief and parental death. Close CR might get him to talk a bit about what happened in Pel's nightmare too so all of those warnings may apply.
WHAT: The first time that Cyril has opened his stall for a long time but he seems distracted rather than engaging others the way he usually does.
WHEN: A week or so after Sina's death
WHERE: The Gallows - Specifically Cyril's stall at the Gallows.
NOTES: This might eventually result in some discussions of grief and parental death. Close CR might get him to talk a bit about what happened in Pel's nightmare too so all of those warnings may apply.
It has been nearly a month since Cyril has been at his stall. First business with the Inquisition had pulled him away, then a shortage of supplies, then Sina's death and everything surrounding it. Finally, though, he has some wares out to be bought by any who are interested.
There are some basic traps, spring loaded traps, and then, as always, his puzzle boxes. The different items are organized carefully on the table and displayed for any who happen by. Usually, Cyril would be playing with one of the boxes to show how they work, or engaging with those who paused at the stall.
Now, though, he focuses on a sketch he's working on. When someone comes by he smiles at them, and offers pleasant conversation, but rather than being his usually vibrant self he seems a bit withdrawn. He sits by the stall and works on drawing the shape of a woman's face.
If anyone manages to catch what he's working on, they may notice that she resembles him. Or rather, that he resembles her. He had inherited most of his looks from her after all.

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Sam doesn't approach the stall right away, watching from afar for a bit, but eventually he makes his way over. "Hey," he says softly, heading tilting a bit as if still trying to puzzle something together as he looks at Cyril. "Slim pickings today?"
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He knows Sam avoids the Gallows - and for very good reasons - so he assumes bad things. It's probably a sign of his mood that he jumps to the worst possible conclusion.
He sets aside the sketch book and stands, ready to leave if needed.
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The sketch book certainly catches Sam's eye, he's not used to seeing Cyril drawing, at least not while he was trying to sell his wares, but it'll have to wait for the moment. "Actually that's why I came here; to see if everything was alright. Are... you okay?"
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But... he had promised himself to be more honest with Sam, to not waste a second they were together by putting up his walls. Losing Taas to distance and Iskandar to who knew what had made that seem important.
"I... I don't know," he admits honestly. Then he moves back to his stall. "Want to help me man my station for a bit? We can talk while no one seems interested." Of course if someone did come by, Cyril would have to focus on them for a bit.
"Or I could see you after? I don't want you to feel like you have to stay in this place for me."
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"This place?" He blinks at that, at first thinking Cyril means the stall, but he quickly catches on that he meant the Gallows. "As long as you don't plan on making me sleep here then I'll be fine." He still had to come here for reports or to request supplies. There was also that time he spent a long period staring at that bronze model of his behind. So it isn't like he wasn't here sometimes.
"I can certainly help you man it... Just look pretty right?" He didn't have to actually help with selling anything right? He wasn't sure he could do that.
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"Oh no, that's a girl there, isn't it? Different cheekbones, and all. Close though." He stands up straight, and turns to lean on the table, giving him a cheerfully lazy smile.
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Usually, he'd make some quip about how trying to capture beauty as lovely as his was no crime, but he's really just not in the mood to play up his vanity.
"She's my mother," he offers instead, by way of explanation.
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"Well, I see the apple didn't fall far from the tree there. Beautiful, the both of you." He tipped his chin back, his gaze bright. "You have her eyes."
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He nods at the picture, "When did you lose her?"
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"Hello." It's been a rough week, this last one, and he's not sure how Cyril's holding up. Anders points to the drawing with his chin. "Who's that?"
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"It's meant to be my mother," he admits after a moment of consideration. "I... I admit I had forgotten what she looked like. Until we saw her in Pel's nightmare."
It's easier to admit this to Anders because he has the context. Cyril doesn't have to take time to explain everything that happened.
"It feels as if I should make sure I never forget again."
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"It's... a gift, to remember," he says after a pause. "I don't recall what my mother looked like. Only a bit of a lullaby she sang to me. But I remember she loved me, at least a little, and I tell myself that's enough."
His voice is hushed, eyes on the picture and Cyril's continued drawing. "Are you... Possibly the wrong question to ask, but are you all right?"
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"I..." he starts, and then isn't sure if that's the right place to start. He isn't good at talking about himself honestly.
"How do you mages do it? How do you deal with that place every night and still come out sane? Anyone who can do that... You're all just so much stronger than anyone gives you credit for."
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"It's not that extreme, most nights. We see it, deal with it, but we're not entirely aware of it. Deliberately entering the Fade is more intense. ...And then there's the fact that almost every Circle mage you'll meet has been forced into it with the threat of Tranquility if they refuse, so we didn't have much choice but to confront it."
He takes his own breath as he settles in. "I've been in the Fade like that three times now. One of those times I got to choose it," Anders adds with a chuckle that he doesn't entirely feel. "It doesn't get easier. There are no tricks to handling it. You take it as it is and hope that, that you're still yourself when it's over." However much of one's self they have.
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"Hey-a, Cyril! I didn't know you made traps." This is what he gets for not paying attention more. As he glances over at the elf to wave, he then finally notices what he's doing. "Or that you draw."
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"Oh, yes. I was a Hunter with my Clan so I made them even back them, but since moving to the Inquisition I was able to greatly improve my skills. If you're interested in a few I could give you a friendly discount."
He considers the drawing he's working on and then shrugs. "As for the drawing part, I'm not certain how good I am at it. I'm attempting to capture something from memory and I doubt I'll ever be perfectly happy with it."
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The drawing looks pretty decent, at least to Prompto. "Looks good to me. Is that a relative? She looks like you a bit." He's guessing either a sister or his mother.
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"This one should be pretty good for animals. I used something similar to it to trap rabbits and other small animals for my Clan, though this is a bit more advanced than what I had access to back then..." he offers as he points out the one he means.
"Although, I have to admit I'm curious about what kind of advancements they have where you are from."
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"To be honest, it's not much different from here. At least from what I've seen." In terms of traps, anyway. Sure, different weapons for the hunts, but traps mostly remain the same. "Stronger materials, but same concept." He saw them scattered about while doing hunts.
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"You're very talented," he says admiringly.
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He sets aside the drawing for now to focus on Colin. "Not as useful as cooking, I'm afraid."
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"It looks like magic, to me," he muses. "The way people can make shape after shape and in the end it looks like something real when it's just paper and charcoal."
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"I'm not really sure I'm doing that," he admits after a moment. Then he gives Colin a little awkward smile and rubs his neck.
"She's more a memory than anything."
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"Your mother?"
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