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WHO: Cyril and OPEN
WHAT: The first time that Cyril has opened his stall for a long time but he seems distracted rather than engaging others the way he usually does.
WHEN: A week or so after Sina's death
WHERE: The Gallows - Specifically Cyril's stall at the Gallows.
NOTES: This might eventually result in some discussions of grief and parental death. Close CR might get him to talk a bit about what happened in Pel's nightmare too so all of those warnings may apply.
WHAT: The first time that Cyril has opened his stall for a long time but he seems distracted rather than engaging others the way he usually does.
WHEN: A week or so after Sina's death
WHERE: The Gallows - Specifically Cyril's stall at the Gallows.
NOTES: This might eventually result in some discussions of grief and parental death. Close CR might get him to talk a bit about what happened in Pel's nightmare too so all of those warnings may apply.
It has been nearly a month since Cyril has been at his stall. First business with the Inquisition had pulled him away, then a shortage of supplies, then Sina's death and everything surrounding it. Finally, though, he has some wares out to be bought by any who are interested.
There are some basic traps, spring loaded traps, and then, as always, his puzzle boxes. The different items are organized carefully on the table and displayed for any who happen by. Usually, Cyril would be playing with one of the boxes to show how they work, or engaging with those who paused at the stall.
Now, though, he focuses on a sketch he's working on. When someone comes by he smiles at them, and offers pleasant conversation, but rather than being his usually vibrant self he seems a bit withdrawn. He sits by the stall and works on drawing the shape of a woman's face.
If anyone manages to catch what he's working on, they may notice that she resembles him. Or rather, that he resembles her. He had inherited most of his looks from her after all.

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"Everyone lost people during the Blight," he responds lightly. "What I mean is no, I don't think you're mad. But thank you for sharing that with me."
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"I think I'd rather draw people I know, though. I could try to draw you, if you'd like?"
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"I guess. Sure."
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"That's...that's really..." He trails off, still studying the picture. "Good," he finishes belatedly.
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"It helps when I have a friendly subject." He is careful to leave anything more than platonic consideration in his voice. Colin had already shut down his flirting once, so he didn't make his words drip with innuendo.
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"Obviously, but. You're talented." There is discomfort in being drawn, but not offense, not with this man. Friendship. This is what he wanted, coming to the Inquisition and taking this position. "I meant to ask, what do your tattoos mean? I've never seen the like before."
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Then, after a moment, "Was I the first Dalish elf you'd met?"
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"I don't know what that means. Are you a religious order?"
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All lies of course. Well, no more true than how people are savage and evil."
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"Really? I like that a lot. No slavery, no...segregate housing, people just being people. I mean, not even all humans are anything close to equal."
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"The Inquisition really is special," he agrees, quietly amazed. "It's...difficult, looking at it, and trying to trust it's really different from literally everything else in the world. Or maybe it's easy to get swept up in, and forget you still have to be careful."
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