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WHO: Cyril and OPEN
WHAT: The first time that Cyril has opened his stall for a long time but he seems distracted rather than engaging others the way he usually does.
WHEN: A week or so after Sina's death
WHERE: The Gallows - Specifically Cyril's stall at the Gallows.
NOTES: This might eventually result in some discussions of grief and parental death. Close CR might get him to talk a bit about what happened in Pel's nightmare too so all of those warnings may apply.
WHAT: The first time that Cyril has opened his stall for a long time but he seems distracted rather than engaging others the way he usually does.
WHEN: A week or so after Sina's death
WHERE: The Gallows - Specifically Cyril's stall at the Gallows.
NOTES: This might eventually result in some discussions of grief and parental death. Close CR might get him to talk a bit about what happened in Pel's nightmare too so all of those warnings may apply.
It has been nearly a month since Cyril has been at his stall. First business with the Inquisition had pulled him away, then a shortage of supplies, then Sina's death and everything surrounding it. Finally, though, he has some wares out to be bought by any who are interested.
There are some basic traps, spring loaded traps, and then, as always, his puzzle boxes. The different items are organized carefully on the table and displayed for any who happen by. Usually, Cyril would be playing with one of the boxes to show how they work, or engaging with those who paused at the stall.
Now, though, he focuses on a sketch he's working on. When someone comes by he smiles at them, and offers pleasant conversation, but rather than being his usually vibrant self he seems a bit withdrawn. He sits by the stall and works on drawing the shape of a woman's face.
If anyone manages to catch what he's working on, they may notice that she resembles him. Or rather, that he resembles her. He had inherited most of his looks from her after all.

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Sam doesn't approach the stall right away, watching from afar for a bit, but eventually he makes his way over. "Hey," he says softly, heading tilting a bit as if still trying to puzzle something together as he looks at Cyril. "Slim pickings today?"
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"Oh no, that's a girl there, isn't it? Different cheekbones, and all. Close though." He stands up straight, and turns to lean on the table, giving him a cheerfully lazy smile.
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"Hello." It's been a rough week, this last one, and he's not sure how Cyril's holding up. Anders points to the drawing with his chin. "Who's that?"
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"Hey-a, Cyril! I didn't know you made traps." This is what he gets for not paying attention more. As he glances over at the elf to wave, he then finally notices what he's doing. "Or that you draw."
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"You're very talented," he says admiringly.
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