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WHO: Cyril and OPEN
WHAT: The first time that Cyril has opened his stall for a long time but he seems distracted rather than engaging others the way he usually does.
WHEN: A week or so after Sina's death
WHERE: The Gallows - Specifically Cyril's stall at the Gallows.
NOTES: This might eventually result in some discussions of grief and parental death. Close CR might get him to talk a bit about what happened in Pel's nightmare too so all of those warnings may apply.
WHAT: The first time that Cyril has opened his stall for a long time but he seems distracted rather than engaging others the way he usually does.
WHEN: A week or so after Sina's death
WHERE: The Gallows - Specifically Cyril's stall at the Gallows.
NOTES: This might eventually result in some discussions of grief and parental death. Close CR might get him to talk a bit about what happened in Pel's nightmare too so all of those warnings may apply.
It has been nearly a month since Cyril has been at his stall. First business with the Inquisition had pulled him away, then a shortage of supplies, then Sina's death and everything surrounding it. Finally, though, he has some wares out to be bought by any who are interested.
There are some basic traps, spring loaded traps, and then, as always, his puzzle boxes. The different items are organized carefully on the table and displayed for any who happen by. Usually, Cyril would be playing with one of the boxes to show how they work, or engaging with those who paused at the stall.
Now, though, he focuses on a sketch he's working on. When someone comes by he smiles at them, and offers pleasant conversation, but rather than being his usually vibrant self he seems a bit withdrawn. He sits by the stall and works on drawing the shape of a woman's face.
If anyone manages to catch what he's working on, they may notice that she resembles him. Or rather, that he resembles her. He had inherited most of his looks from her after all.

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"What?" The question takes him a little off guard, though he supposes he should have expected it. "No. I don't. If anything I know you keep a lot of stuff bottled up and don't talk openly about certain things, but... everyone does that. You're anything but empty though."
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"I. Am. Sure. You care deeply and are loyal to the ones close to you. You don't help others just for personal gain. You went into a realm you had no prior experience in to save Pel. Perhaps a little insatiable at times... but you are not empty. And you are not shallow."
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After a moment he takes a breath and nods. "Thank you, love," he says softly.
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"Demons will always try to find something, a chink in the armor so to say, to get to you. Anything that will make you doubt. Sometimes promise you things. You cannot let them do that. It's... hard, I know."
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"Does that mean that I'm possessed? I mean, if I let it get to me. Could it be tainting my mind?" He realizes just how little he knows of demons. Given how many of the people he loves are mages he should probably learn more.
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"No, that doesn't mean you are possessed, love. And you aren't tainted. In this particular case I believe it was only trying to deter you from helping Pel, didn't want you giving her strength to break it's hold. But you fought it off. Having lingering doubts isn't unusual after dealing with a demon though, they do play with the mind. Even if you cannot get rid of the doubt, you should never give into it, that's what they want."
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Cyril takes a deep breath then, and forces his body to feel more steady. "'Be strong, don't give in' seems like pretty good advise all around," he comments after a moment.
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"Much," he says gently. "You do that to me."
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"Glad to hear. If you're ever feeling like this, you can always come to me."
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"From what I was taught spirits were the Maker's first children. When he created his second children, us, some spirits grew angry and jealous, transforming themselves into what we call demons. That's why they want to enter this realm, find a host."
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"Either way, I'm not a fan."
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Sam blinks after that, realizing how much he had actually said and gives a sheepish chuckle. "Sorry."
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Then, after a moment, "Tell me more."
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"Well, what would you like to hear about? It's quite the vast subject."
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