Entry tags:
OPEN
WHO: Athessa and YOU!
WHAT: Catch-all because I need to stop exclusively inboxing
WHEN: Whenever but mostly now-ish, post-dream meme
WHERE: Around, Kirkwall and the Gallows, maybe in the field who knows
NOTES: NSFW threads will be marked and/or moved to my NSFW inbox, CW as needed, blah blah blah
WHAT: Catch-all because I need to stop exclusively inboxing
WHEN: Whenever but mostly now-ish, post-dream meme
WHERE: Around, Kirkwall and the Gallows, maybe in the field who knows
NOTES: NSFW threads will be marked and/or moved to my NSFW inbox, CW as needed, blah blah blah
Specific starters in the comments!

no subject
Not that he would worry too much if they did. But it’s habit to notice.
It’s been Les Chats most of the walk so far, but halfway up the steps, the topic exhausts itself, at least for now, and after a short lull Bastien asks, “Is Yseult cross with you?”
no subject
"That's a word for it. I'd say disappointed," Which, of course, is worse.
no subject
no subject
"Not more etiquette lessons, I guess?"
no subject
There’s a bit of frozen something—vomit, maybe, from someone’s journey home after a late night in Lowtown—on one of the stairs. He steps neatly around it.
“Do you know much about Orlesian bards?”
no subject
She also steps around the frozen whatever-it-is, on the opposite side. She's not entirely barefoot today, just bare-toed. Shoes are still a loathsome mystery so she's settled for toe-less socks.
"Is this the part where you tell me you are one?"
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
pretending this is BEFORE she tantrums until byerly tells her what's wrong
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Why Are You Like This - Closed to Byerly
But she's not avoiding him, which she makes clear now by purposefully marching into the office, making sure that nobody else is here to chew Byerly's ear about something, and closes the door behind her. Barely before the door shuts, she's speaking:
"What exactly is your problem with me?" It's more a demand than a question, but why split hairs? She crosses the office to stand before him. "One minute I think I understand how to talk to you, the next it seems like you're just trying to piss me off, or just completely cold like I did something to piss you off, 'cept I dunno what it is, so I can't fix it!"
no subject
"It's...Alyssa, right?"
And he squints, as if trying to place her face. (It's easier than having to answer her questions.)
no subject
"As much as your name's Byron." And then the bottle falls.
no subject
"Someone else will have to clean that up," he says tartly. "I'm head of Diplomacy. I have servants." By the tone of his voice, this is something of a novelty, enough that it deserves a hint of mockery. "So you're just being cruel to them."
no subject
"You also have one less bottle of wine," she counters, despite the creep of guilt in the pit of her stomach.
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Keymaster, Gatekeeper, Soldier, Spy - Closed to Ilias
The practical upshot of all those things, though, is that now her sleep habits are totally fucked! Sleeps little, smokes a lot. It just means she's up at the same ridiculous hour as Ilias, all the better to come a-knockin' on his lab door. ]
Speaker Fabria?
no subject
Athessa. You're up late-- or perhaps early. Come in.
no subject
[ She shrugs and upon entering gives the laboratory a cursory glance, just to see what a laboratory even looks like. ]
Or maybe I'm up late and you're up early.
no subject
[ His lab might not be the best example of laboratories on the whole, but necromantic ones-- it's mostly books and scrolls piled upon tables, sharp little instruments and dull liquid in glass bottles. There's a jar of live spiders, a long pelt from some fuzzy animal, and of course the occasional human skull, but no one on his dissection table tonight at least.
If he shuts the door after her rather swiftly, it's only because it's dammed cold out there. ]
There's a little tea, though, if you are aiming to continue consciousness -- or different tea, if you aren't.
no subject
Is there a tea that wards off dreams? After what happened last month I haven't actually been too keen on sleeping.
[ Probably a heavier statement than her tone suggests. She reaches under her collar to produce a key on a leather strap from around her neck. ]
I figured you'd want this back.
no subject
[ Trust Me I've Tried™ He extends a hand for the key with a grateful dip of the head, however. ]
Thank you. I'd nearly forgotten about it, if I'm honest, you might have had your pick of cobwebs.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Light Reading - Closed to Kostos
Admirably, she makes it through the first two chapters before falling asleep with her cheek smushed against arms crossed over the pages.
no subject
no subject
"Hey, what the fuck?" Athessa grabs for the book, trying to get it back before Kostos can see what it is.
no subject
Plus the wisp is predisposed to protect him. It doesn't hurt her, but it does get into her face, humming like an irritated insect.
"That is a good question," Kostos says as his eyes adjust to the words on the page.
no subject
"That hurt, you know," she lies, putting on a pout and rubbing her forehead. It doesn't hurt, didn't hurt at all, not for one minute. It was only enough to startle her and really, she should've woken up the second he started pulling the book away.
no subject
He does glance at her, though, to measure how serious she might be. The wisp doesn’t calm itself down so much as it forgets what it was doing, a moment ago, and begins bobbing back and forth at her with a somewhat more musical twrring noise.
It’s ridiculous, but Kostos doesn’t seem to notice. He turns the book’s open face around to show Athessa, in case she forgot what she was reading.
“What is this for?”
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)